Open letter from Ireland questions Latvian tax

A dozen Latvian organizations in Ireland—including two hockey clubs and a young mothers’ group—have complained in an open letter about a recent statement by Finance Minister Atis Slakteris that Latvian immigrants in Ireland owe taxes to Latvia.

The letter, posted June 12 on the Internet portal Baltic-Ireland and on the Web site of the Latvian Society in Ireland, questions a statement by Slakteris that Latvian workers in Ireland owe Latvia the difference between the income tax rate in Ireland, 20 percent, and the rate in Latvia, 25 percent.

Oskars Kastēns, the special assignments minister for social integration affairs, earlier this year had questioned whether it was necessary to ask emigrants to Ireland to pay the difference. In a response reported on the Delfi portal, Slakteris said tax rules should apply equally to all residents registered in Latvia, no matter if they lived in Latvia or not.

The Latvians in Ireland argue that they are not residents of Latvia, because they spend more than 183 days of the year outside of their homeland. They also point to a 1997 convention between Ireland and Latvia that states income is to be taxed in just one of the countries.

“To whom, for what and how much do we owe, Mr. Slakteris?” the letter asks. “On what legal documents are your statements based?”

A study last year by SEB Unibanka reported that Latvians in Ireland return about EUR 300 million in income annually to Latvia.

Organizations signing the open letter include Baltic-Ireland, the Latvian Society in Ireland, the Latvian Association for Latvians in Ireland, the Latvian Children’s Activity Center, the Latvian Hawks hockey club, the Drogheda Icebreaks hockey club, the Women’s Club of Cork, the Youth Association of Cork, the Young Mothers Club of Ireland, the children’s art school BabyArt of Cork, the Limerick Latvian Society and the Latvian Catholic Support Group of Ireland.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Koncerts Īrijā varētu būt aizsākums jauniem dziesmu svētkiem

Pirmais Īrijas latviešu mākslas pašdarbnieku koncerts “Ieskandēsim vasaru” notika 7.jūnijā Dublinas priekšpilsētā Lucanā un saveda kopā dziedātājus, dejotājus un aktierus – un deva cerību iniciatoram Normundam Āboliņam, ka šadus pasākumus ir jāorganizē katru gadu.

Koncertu uzveda lielajā skolas zālē Griffeen Valley Educate Together National School, kur mājvietu ir atradis Latviešu bērnu aktivitāšu centrs (LBAC). Kā informēja Āboliņš, koncertā piedalījās Latviešu Biedribas Īrijā koris “eLVē” un LBĪ bērnu vokālā grupa “Mazais letiņš”, kurus vada Inguna Grietiņa, kā arī LBĪ deju grupa “Jampadracis” Solveigas Slaidiņas vadībā un LBĪ teātra studija “Cita bedre” Daces Ziemeles vadībā. Koncertu kuplināja arī LBAC bērni un skolotāji ar individuāliem priekšnesumiem.

Pasākuma režisore bija LBAC mūzikas skolotāja Skarleta Mukāne, asistente – LBAC vadītāja Ramona Āboliņa, pasākuma vadītāja – Sanita Lemeša.

Ziņojumā medijiem Āboliņš rakstija, “Vai tas būs latviešu māksliniecisko grupu atskaites punkts par iepriekšējā gadā paveikto, vai, kas zin – varbūt tiešām savu dziesmu un deju svētku aizsākums, patreiz vēl teikt pāragri, tomēr tas, ka šādiem koncertiem jākļūst par tradīciju, ir skaidrs gan dalībniekiem, gan organizētājiem.”

Sandra Bondarevska, Latviešu Televīzija Īrijā konsultante, intervijā ar Latvians Online piekrita domai, ka koncerts varētu būt dziesmu svētku aizsākums. LTĪ dalībnieki bija ieradušies uzfilmēt koncertu.

Atklājot pasākumu, LBAC vadītāja Āboliņa atgādināja cik svarīgi ir glabāt latviešu tautas valodas, kultūras un mākslas vērtības, it īpaši, dzīvojot tālu no dzimtenes Īrijā.

LBI teātra studijai “Cita bedre” šis pasākums bija īpašs, tādas kā pirmās uguns kristības, rakstija Āboliņš. Studija uzveda fragmentus no lugas “Skroderdienas Silmačos”.

“Pirmā uzstāšanās publikai pilnībā attaisnoja teātra studijas dalībnieku un aktieru ieguldīto darbu” – tā Āboliņš.

Pasākuma režisore Mukāne speciāli pasākumam par godu bija pat uzrakstījusi dzejoli par Latviju.

Pasākumā piedalījās arī Latvijas vēstnieks Īrijā Indulis Ābelis. Vēstniecības darbinieki bērniem bija sagatavojuši interesantu viktorīnu par Latviju. Par zināšanām un atjautību, bērni saņēma gan latviešu rudzu maizes klaipus un īstu no Latvijas nākušu medu, gan Laimas saldumus, gan skaistas dzintara rotaslietiņas un citas veltes.

LBAC vārdā Āboliņš pateicas centra bērnu vecākiem par finansiālo un morālo atbalstu pasākuma organizēšanā.

“Esam pārliecināti, ka nākamajā gadā, latviešu mākslinieku skaits Īrijā būs vēl lielāks. Tādēļ uz nākamo gadskārtējo koncertu ‘Ieskandēsim vasaru 2009’, sāksim jau gatavoties tagad” – tā Āboliņš.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Pete Anderson plays good old rock-and-roll

Description of image

Pete Anderson (or Pīts Andersons in Latvian) is one of the most unusual musicians in Latvia. His latest album, Brass-a-Billy, is an excellent collection of classic songs as well as Anderson originals. The album’s title comes from the style of music Anderson performs: a combination of brass instruments with rockabilly melodies.

Anderson’s entire career is based upon the concept that rock music pretty much reached its peak in the 1950s, and certainly a very strong argument could be made for that theory. The music Anderson plays glorifies that era, a time when music and lyrics were simple, fun and exuberant, and much of the angst of today’s music was nowhere to be found. Even in deepest, darkest Soviet times, Anderson was performing this style of music and was just about the only person in Latvia to do so.

His biography is at times tragic and at times inspirational. Playing rock-and-roll, not to mention songs in English, was frowned upon by the Soviets. Anderson was called before the State Security Committee many times, and one time the committee even threatened his family if he didn’t give up doing what he was doing. Fortunately, with time the situation changed and he was able to continue doing what he did best. Anderson has also performed in many different countries, including the United States, Great Britain and all over Europe.

On Brass-a-Billy, Anderson provides all the vocals and is joined by an impressive list of musicians. All the songs are in mildly accented English, but there is not much else that would indicate they are performed entirely by Latvians. If the goal is to authentically recreate a 1950s sound, that is quite the accomplishment.

Included on the compact disc are songs like “R-O-C-K” by Bill Haley and the Comets, “Little Sister” by Doc Pomus and Mort Shuman, “Am I Blue” by Grant Clarke and Harry Akst and many others.

Anderson also has a few originals on the album, including “Brassabilly Boogie” and “Red Corvette,” which seamlessly fit in with the classic tracks of the past.

Also included on the CD are two bonus tracks, “Calling all Comets” recorded in 1989 and “Jump, Jive an’ Wail” recorded in 1990—long before Brian Setzer had a big hit with the song. The CD also has the music video for “Jump, Jive an’ Wail.”

It is refreshing to hear a record that is so very unpretentious. Anderson’s goal is to play good old rock-and-roll, without any of the moroseness and misery that creeps into a lot of modern music. The music, as well as Anderson himself, is unabashedly retro and a blast to listen to from beginning to end.

Details

Brass-a-Billy

Pete Anderson

Razzle Dazzle Records,  2008

RDCD 101

On the Web

Pete Anderson

Pete Anderson’s official Web site has lots of background on the artist’s life and his music. His biography offers insight into how rock music was received during the Soviet occupation. EN LV RU

Where to buy

Purchase Brass-a-Billy from Amazon.com.

Note: Latvians Online receives a commission on purchases.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.