Mixed choir Sõla celebrate 20th anniversary with double album

The Latvian Academy of Culture Mixed Choir Sõla is one of the premiere amateur choirs in Latvia. Praised not just for their technical skill, but also their nuanced and artistically rich performances, the choir has achieved success and renown not just in Latvia but worldwide. The choir was one of the finalists in the European Grand Prix choir competition in 2017, and were also the guest choir and the 2017 Latvian American Song Festival in Baltimore.

Much of the success and recognition that the choir has achieved can be attributed to lead conductor and artistic director Kaspars Ādamsons, who, with his boundless energy as well as deep appreciation and understanding of music, inspires his singers to achieve greater and greater heights. Ādamsons was the conductor for two of the songs at the 2018 All Latvian Song and Dance Celebration closing concert at the Mežaparks amphitheater – the joyful and vibrant folk song ‘Gaismeņa ausa, sauļeite lēce’ and the somber, powerful ‘Tavas saknes tavā zemē’, which displayed his versatility and skill as a conductor.

The choir celebrated their 20th anniversary in 2018, and, to mark this occasion, released a two CD album entitled Dziedot dzimu, dziedot augu. The goal of this collection is to spotlight the diversity and variety of Latvian composers throughout the years. The collection contains a total of twenty songs, and, to highlight the geographic areas of Latvia, four composers were selected from each of the geographic areas of Latvia – Kurzeme, Zemgale, Vidzeme, Latgale, as well as Riga. Additionally, to add a layer of complexity to the calculus, ten of the songs are folk song arrangements, while ten are original works. Using these requirements to select the works included in the collection has resulted in a truly diverse collection of songs by composers both well-known and less familiar. Ādamsons, along with assistant conductors Laura Štoma and Artūrs Oskars Mitrevics, have created a comprehensive and compelling document of Latvian choir music.

The collection covers almost the entire history of Latvian choir music, and includes early choir music works such as Jāzeps Vītols dramatic and solemn lament for three downed oak trees in ‘Dievozolu trijotne’, as well as Pēteris Barisons’ lively and spirited ‘Pa zvaigžņu ceļu’. The collection begins with a joyous and rousing rendition of Alfrēds Kalniņš’ arrangement of the folk song ‘Dziedot dzimu, dziedot augu’.

One of the benefits of the constraints set by the choir for the included repertoire is that it allows for some less well known composers to be represented on the album. Listeners will have the opportunity to become familiar with composers such as Ainars Plezers, who provides an arrangement of the folk song ‘Trīs sidraba upītes’, full of undulating harmonies, as well as Solvita Ivanova, who provides a wintry scene in ‘Bij dziļa ziema’, creating a snowy musical landscape with poet Rainis’ text.

Some of the composers have a limited link for their corresponding region – for example, Canadian Latvian composer Imants Ramiņš is included as one of the composers from Kurzeme (indeed, the composer was born in Ventspils, but he and his family fled during the war when he was just one year old). However, this allowed for the inclusion of Ramiņš’ arrangement of the folk song ‘Pūt, vējiņi!’, which is one of the most beautiful modern folk song arrangements. The gentle, constant flow of the song as it builds to a crescendo provides for a stirring interpretation of the song.

Though all the composers represented are from Latvia, not all of the songs are in Latvian, for example Ēriks Ešenvalds’ ‘Only in Sleep’. This slightly sentimental song is elevated by soprano Laura Štoma’s soaring solo, displaying Ešenvalds’ talent for creating memorable melodies. The spiritual ‘В начале было Слово…’ (In the Beginning was the Word) by Pēteris Butāns balances a mysterious, mystical introduction with a tormented prayer for mercy.

Perhaps the most momentous performance on the album is the choir’s rendition of Pēteris Vasks’ ‘Mūsu māšu vārdi’, a work nearly ten minutes in length. As with many of Vasks’ works, the work is full of dramatic tension and conflict, as well as themes of nature – the titular mothers of the Māris Čaklais poem are birds. The work concludes with the choir providing birdsongs, representing birds nesting in the trees.

The CD booklet contains extensive notes on the composers and compositions by musicologist Orests Silabriedis in both Latvian and English, as well as the texts and translations for all the songs. In a charming touch, the booklet also includes both recent and childhood photos of all the choir members.

Over the course of its twenty songs, Dziedot dzimu, dziedot augu provides for a vivid panorama of Latvian choir music – well-known as well as lesser known works and composers, folk song arrangements and original compositions, covering a broad musical spectrum of nearly 150 years of Latvian choir music. The choir Sõla, guided by their indefatigable and inspired conductor Kaspars Ādamsons, again confirm their status as one of the top amateur choirs in Latvia, with their technical ability complemented by their emotionally and artistically rich interpretations.

For further information, please visit the mixed choir Sõla website.

Track listing

Dziedot dzimu, dziedot augu



CD 1 – Folk song arrangements

  1. Dziedot dzimu, dziedot augu – Alfrēds Kalniņš
  2. Tu skaistõ Dīva dõrza rūze – Rihards Dubra
  3. Trīs sidraba upītes – Ainars Plezers
  4. Aizej, lietiņ’ – Ilona Rupaine
  5. Ziņģe par kumeļu un līgavu – Marģeris Zariņš
  6. Jūra krāca, jūra šņāca – Oskars Šepskis
  7. Pērkonami melni zirgi – Vilnis Šmīdbergs
  8. Muote dieleņu auklēja – Juris Vaivods
  9. Līgo! – Ārijs Šķepasts
  10. Pūt, vējiņi! – Imants Ramiņš

CD 2 – Original music

  1. Akmeni satikt – Līga Celma-Kursiete
  2. Pa zvaigžņu ceļu – Pēteris Barisons
  3. Bij dziļa ziema – Solvita Ivanova
  4. Vienu pašu – Ādolfs Ābele
  5. Dievozolu trijotne – Jāzeps Vītols
  6. В начале было Слово… – Pēteris Butāns
  7. Only in Sleep – Ēriks Ešenvalds
  8. Pēc vienkāršības noilgojies prāts – Georgs Pelēcis
  9. Mūsu māšu vārdi – Pēteris Vasks
  10. Tavas saknes tavā zemē – Pēteris Plakidis

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Youth folklore group “Oglīte” celebrate 25 years, release folksong album

Oglīte is a children’s and youth folklore group from the Ropaži region in Latvia. Recently, the group celebrated their 25th anniversary, and released an album of folksongs, entitled Lustīte mana, laimīte mana in 2018.

Not only do Oglīte sing and play musical instruments, but the ensemble also includes other cultural elements in their performances, such as dancing and games. Ranging in age from 7 to 20, Oglīte have performed in many Latvian towns, as well as varied European Union countries. The leader of the ensemble is Ligita Šreibere.

Most of the album is vocal performances, with some instrumental accompaniment, such as on the song ‘Ziedi, ziedi, āra pļava’, which features a solemn string based introduction which then leads to unaccompanied harmonic singing by the ensemble.

There are also elements of the traditional Latvian ‘calling style’ singing in songs like ‘Es savos bāliņos’, which features a confident and authentic vocal performance by Līva Ozola. There are also traditional Latvian instruments like the kokle on songs like ‘Skaisti ziedi pureniņi’, as well as the stabule on the instrumental ‘Kaķ’ādiņa’, a duet between Līva Ozola and Undīne Simbirceva.

There are many dance songs on the album, such as the lively ‘Ciganovskis’, as well as the more subdued ‘Henķa polka’, performed on the kokle by Anitra Berga. The group also performs instrumental works from outside of Latvia, such as the woeful ‘Igauņu subate’ from Estonia, and the slightly sentimental ‘Shottis’ from Finland.

The album also has a few humorous moments, such as on ‘Gulu, gulu’, where the narrator refuses to wake up, claiming a frightful headache, until his true bride comes along and he miraculously recovers to be able to go along with her. The song ‘Lāci, lāci’ also instructs the bear to wash his mouth before he gets any porridge.

The collection ends on the positive and uplifting title song ‘Lustīte mana, laimīte mana’, a song about happiness and good fortune following one wherever one goes, leaving ones sadness by the side of the road, and not worrying about going off to war.

Though performed mainly by children, Lustīte mana, laimīte mana is not necessarily a children’s album – the vocal and instrumental performances, as well as the song selection, reveals a certain maturity. The arrangements are usually simple, if not sparse, which result in the performances being quite intimate and personal. Including a variety of Latvian folk elements and styles, Lustīte mana, laimīte mana is a well-performed and engaging album, confirming the talents of this young ensemble.

Lustīte mana, laimīte mana


Lauska CD076, 2018

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Kaspars Dimiters releases new songs on double album “Ievainotie”

Singer, songwriter and multi-instrumentalist Kaspars Dimiters recently celebrated his 60th birthday. To mark that occasion, he released the career spanning collection Ielūgums uz dzīvi in 2017, a collection of one hundred songs recorded over his many decades of activity. The collection certainly reaffirmed Dimiters’ place as one of the truly great Latvian songwriters.

However, Ielūgums uz dzīvi should not be considered to be a sign that the songwriter is slowing down. Dimiters continues to actively write and record songs, and, in 2018, he released Ievainotie, a double album of new songs (though it does include a few tracks that were included on Ielūgums uz dzīvi).

The themes and mood of Ievainotie (or ‘The Wounded’) can already be sensed when viewing the stark, blood-red cover of the album. Indeed, this collection of songs veers more towards the personal (rather than the political), and has many elements of pain and personal hardship, though still tempered with the occasional hopeful, even cheerful moment. Overall, though the album does deal with the ‘wounds’ we receive in life, there is the possibility to survive all of this with the help of love and spiritual assistance and guidance.

Certainly, there are still songs that are critical of Latvian society, as well as what he considers to be potentially dangerous and treacherous trends, including the broad indifference that he sees in many. The song ‘Dzīvnieku dziesma’ has a long list of common complaints in Latvia, such as small pensions and wages, politicians, the media, poor teachers, all of which have been blamed for the difficult state that Latvia has been in since regaining independence. Dimiters counters that by saying that this is the price of freedom, and this freedom released many savage, animalistic elements within people, who have abandoned both civility and God. A similar warning is presented in ‘Ūdens ir pienācis slieksnim’, where he postulates that society has reached a point of no return, and how ubiquitous technology, though it may bring people together virtually, is doing significant harm socially.

Though most of the songs are of a relaxed and somber nature, there are still moments of liveliness and even levity, as can be heard in the song ‘Meža elektriķis’. The slightly absurd yet humorous song about replacing pine cones in the forest with light bulbs perhaps reveals Dimiters’ beliefs in the power of nature. One does wish that there were more songs like this on the album though, as this offers a respite from the often dour songs on the album.

Dimiters offers a requiem for the Latvian lats ‘Balāde zilbei’. The lats, which was removed from circulation twice (once after Soviet occupation, the second more recently when it was replaced by the Euro), was and remains a symbol of Latvian sovereignty. The five lats coin was a symbol of hope during the occupation, and Dimiters song is about how this one syllable contained much of Latvia’s strength, and, though it has been since replaced, the power in this one syllable remains.

The album concludes with the gently flowing ‘Vingrotājs aleluja’, which, at first glance is a curious song about a gymnast that sings ‘Hallelujah’, but, like many of Dimiters’ songs, is influenced by Christian texts and beliefs, and this song was inspired by the phrase ‘train yourself for godliness’ (from 1 Timothy 4:7). The song could even be considered hopeful, with its message that perhaps if we strive to be better, things may very well start improving.

Though now entering his seventh decade of life, Kaspars Dimiters shows no sign of slowing down, as the twenty-five songs on Ievainotie will attest to. Dimiters still has much to say and is as loquacious as ever, as many of the songs have a dozen or more verses. Though certainly, overall, a mellow and somber collection, perhaps indicating that Dimiters himself has mellowed, but Ievainotie still does contain many songs that are deeply, perhaps even uncomfortably personal, and Dimiters perhaps wisely avoids some of the more controversial and provocative, if not alienating, themes and thoughts he has expressed in some of his earlier songs. As a result, though often bleak, the album is one of Dimiters’ most satisfying works, and could be considered among his most seminal albums like Mans kumoss pilsētas baložiem and Krusta skola. Ievainotie confirms Dimiters’ status as one of the premiere songwriters in Latvia.

For further information, please visit the Kaspars Dimiters website.


Kaspars Dimiters

Track listing:

  • 1. Ievainotie
  • 2. Dieva siltā kabatiņa
  • 4. Pēdējās kalponītes dziesma
  • 5. Esi laimīgs vienkāršībā
  • 6. Tīrie ūdeņi
  • 7. Es pelnos neiršu bet burtos
  • 8. Audējas ziemsvētku dziesma
  • 9. Es tevi mīlu jau
  • 10. Tu nenojaut, kas aiz loga
  • 11. Nāve ir dzimšanas diena
  • 12. Visu visu sapratīsim
  • 13. Bēniņos apglabātās vēstules
  • 14. Baloži un lielgabali
  • 15. Vēl dzīvam uzvarēt nāvi
  • 16. Vēstule sargeņģelim
  • 17. Ūdens ir pienācis slieksnim
  • 18. Dzīvnieku dziesma
  • 19. Blokāde
  • 20. Viņu mīlestība nebeidzās
  • 21. Meža elektriķis
  • 22. Ielūgums uz dzīvi
  • 23. Fukušimas suns
  • 24. Balāde zilbei
  • 25. Vingrotājs aleluja

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.