Unpredictable Kalniņš pens music for son’s group

Egils Kaljo | 

Logs puspavērts

Imants Kalniņš is one of the most adept composers in Latvia. Not confining himself to any one style, he can move between symphonic work (a great example being his “4th Symphony”) to film work (the music to “Pūt, vējiņi!”) as well as to popular music. He brings his style to every form of music that he composes, making it at once unique, but also recognizable. One never knows what to expect next from him.

One of his most recent projects is writing the music for the group Autobuss Debesīs, whose first album, Logs puspavērts, came out earlier this year.

Autobuss Debesīs is a new group, but one that I liked after hearing just one song. I had heard the song “Sitiet bungas, mani mīļie” on the MICREC release Superizlase and was anxiously waiting to hear more from the group. Though that song isn’t on this release, there are many other great songs that make this record a good listen.

Of course, it is not just Imants Kalniņš that made this record possible. The band is made up of Kalniņs’ son, Marts Kristiāns Kalniņš, on vocals; Kārlis Auzāns on lead guitar; Andrejs Grimms on acoustic guitar; Ervings Znotiņš on keyboards; Armands Treilihs on bass, and Emīls Zilberts on percussion. The lyrics are provided by Ieva Roze, Māra Čakla and Aigars Jirgens. Latvian actress Rēzija Kalniņa (now appearing in the new film Labas rokas) shows up to add vocals to two songs as well.

As with most music by Imants Kalniņš, it can be very hard to describe at times. Being an accomplished composer, most of the music is rather intricate and involved, taking a few listens to appreciate. The first few times I listened to the album, I didn’t think too much of it. The album seemed to be a bit too “artsy” for my tastes. But after repeated listenings, I began to enjoy it much more. The music is complex, so this record might not be for everyone, but I think even those people whose musical tastes are more toward the simpler style will find many things to enjoy.

The album opens up with “Alejas,” which is one of the more intricate songs (and, at more than six minutes, one of the longer ones). The singer describes himself as “apmulsis gaiss” (confused air) and wants to add green to the air in your alleys, or something like that.

Two of my favorite songs on the album are the second and third, “Es to tev teikšu” and “Kur slēpies tu,” which are more traditional in the sense that they are very catchy and have great melodies. “Kur slēpies tu” contains some great lead guitar work by Auzāns. These songs show that Autobuss debesīs are quite capable of playing great three-minute pop songs as well.

“Kad migla” recalls other Imants Kalniņš songs; it’s a subdued, keyboard heavy piece. It reminds me of the songs Kalniņš did with Ainars Mielavs, very relaxed and understated.

“Pie mežrozīša krūma” is another lengthy pice, clocking at the eight-minute mark. It starts off slowly, leading you to believe that this will be another relaxed song. Then suddenly, the song really kicks in and the tempo increases, allowing the musicians to shine in lengthy instrumental passages. But the song doesn’t seem to drag at all.

The song “Logs puspavērts” is a very pretty tune that features the vocals of Rēzija Kalniņa, as well as some beautiful cello work by Auzāns. It is another subdued piece, but also evokes a great sadness. Marts Kalniņš sings as well, but his vocals are mixed much lower than usual, so Kalniņa gets the chance to really shine in this song.

The lyrics on Logs puspavērts (which are included in the liner notes) also are on the artsy side, more poetic than the standard rock release. My knowledge of the Latvian language is fairly decent, but these lyrics had me reaching for the Latvian-to-English dictionary more often than usual.

Imants Kalniņš fans will like this record, as it features his trademark unpredictable style. The album can be enjoyed by all, from casual music fans to more serious listeners. It does take a few listens to get into, but it is worth it. Even if you’ve never heard of Imants Kalniņš before, this would be a good way to introduce yourself to his music, as there is plenty more good stuff where this came from.

Details

Logs puspavērts

Autobuss Debesīs

UPE Recording Co.,  2001

UPE CD 024

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

In Sydney, life revolves around Latvian House

Imants Ronis | 

Sydney skyline

Sydney, with its impressive skyline and beautiful harbour, continues to attract immigrants. (Photo by Hamilton Lund, courtesy of Tourism New South Wales.)

Sydney, with approximately 4 million inhabitants, is Australia’s largest and oldest city. The first migrants came to Australia from the British Isles and were soldiers and convicts. They unfurled the Union Jack on Jan. 26, 1788, in Farm Cove, now known as Sydney. This date now is commemorated as Australia Day.

Sydney has always attracted immigrants, particularly from Asian countries such as Hong Kong and Vietnam, due to the pleasant weather and the harbour, which makes the city one of the most beautiful in the world.

Sydney’s first Latvians

The first Latvians arrived in Sydney before World War I. Many Latvians participated in the 1905 revolution against the Russian Tsar, and had to leave their home country to escape deportation to Siberia or a lengthy jail term. Quite a few of them found Sydney to be a suitable city in which to live or at least a place for a temporary stay. The number of Latvian escapees from Russia was sufficiently large to form a small society known as Sidnejas Latviešu pulciņš. This little Latvian organisation had a lofty aim: to establish a library with Latvian books, journals and newspapers that may be too expensive for individuals to purchase, and to develop as far as possible the intellectual and moral life of its members, as well as those of non-members. The pulciņš accepted as members all Latvians living in the Sydney area. The group existed until 1926.

In 1930 the Latvian government appointed the Sydney-sider Norman MacLeod as the honorary consul for Latvia, with Kārlis Nicis as his secretary. Nicis, who had recently left Latvia, was the main organiser of two annual events for the Latvians of Sydney: the celebration of Latvian Independence Day on Nov. 18 and Līgo svētki, the traditional midsummer festival.

Between the world wars the number of Latvians in Sydney changed very little. But after World War II, quite a few Latvian refugees came to Australia from the Displaced Persons camps of Germany. If the Latvians of Wollongong and Newcastle were included, then Sydney formed the largest Latvian community in Australia.

Displaced Persons arrive

The newcomers developed an active social and cultural life. Sydney initiated a Latvian Cultural Festival (Kultūras dienas), which was later staged annually and hosted in turn by Latvians in all the capital cities of the states of Australia. In 1955 the Latvians of Sydney also initiated the Australian Latvian Theatre Festival and in 1964, the Australian Latvian writers’ seminar (Rakstnieku dienas). Unfortunately, the last of these writers’ seminars took place in 1992 due to a lack of new authors who write in Latvian.

In 1951 the Sydney Latvian Society (Sidnejas latviešu biedrība) was formed. It still thrives and is the centre of most Latvian activities in Sydney. Each month the Sydney Latvian Society publishes an information bulletin called Ritums, which covers all the Latvian cultural, religious and sporting activities in Sydney and keeps its readers informed of the main events in Latvia. The newsletter is subscribed to by over 800 Latvian families, not only in Sydney, but also in other parts of Australia. Before Latvia regained its freedom in 1991, the society also published books in Latvian.

The main centre of Sydney’s Latvian cultural and community activities is the Latvian House (Latviešu nams) owned and run by the Sydney Latvian Society at 32 Parnell Street, Strathfield. This building complex also houses the Latvian consulate and a Latvian bookshop. In the late 1990s the Sydney Latvian Credit Cooperative merged with the Australian Latvian Credit Cooperative of Melbourne. An office is still maintained in Sydney and is housed in the Latvian House.

Numerous other organisations use the facilities of the Latvian House for rehearsals, meetings, performances and various other activities. On Saturday mornings Latvian children go there to improve their Latvian language skills and to learn about the country where their grandparents were born. The Latvian House is home to both the Sydney Latvian Society’s primary school and its high school. In addition, until 2005, matriculation classes in Latvian were held in the Strathfield Girls High School buildings nearby, as part of the New South Wales Department of Education and Training’s School of Modern Languages program. This opportunity to learn Latvian as a matriculation subject ceased in 2005 because student numbers dropped below a certain level nationwide.

Two Latvian choirs are active in Sydney. A men’s choir, Sidnejas latviešu vīru koris, meets for rehearsals at the Latvian House every Monday night. A mixed choir, Sidnejas latviešu jauktais koris, meets every Tuesday. For many years there were two folk dancing groups in Sydney, but due to a lack of new dancers, only one still exists. Jautrais paris, formed in 1950, rehearses every Friday night. Jautrais paris also forms one part of the well-travelled Saules josta ensemble, which is well known by Latvians around the world for its performances incorporating traditional Latvian song and dance.

The Sydney Latvian community is very proud of its theatre company, Sidnejas latviešu teātris, which recently celebrated its 50th anniversary. The stage at the Latvian House used by this group is the largest in the area and is also used by the Strathfield Musical Society for staging various operas and musicals. The artistic community, united under the Association of Latvian Artists (Australijas latviešu mākslinieku apvienība), holds art exhibitions for groups of Latvian artists or individuals within the Latvian House complex.

Another group which has been very active in the Sydney Latvian community and has its own club and bookshop at 49 Stanley St., Bankstown, is the Latvian Welfare Association “Daugavas Vanagi” and its ladies’ auxiliary. Since Latvia restored its sovereignty the association is mainly concerned with helping families and old soldiers in Latvia. The organisation’s membership outside Latvia consists mainly of World War II veterans and their families, hence both membership and their activities are gradually declining.

For many years one of the most popular events attracting visitors from within and outside the Latvian community has been the annual exhibition of the craft society, Sieviešu rokdarbu kopa Sidnejā. This group comprises mainly women who are experts in Latvian handicrafts. The membership of this group is both aging and decreasing as young Latvians have little time for organised participation in craft activities.

More activities for older Latvians

As the average age of Sydney Latvians increases, a growing number of activities are being organised for retirees within the community. The most popular of these are the monthly gatherings for seniors, known as “Senioru saieti,” that include lectures, film viewings, social events and excursions.

In Sydney, as in many Latvian communities, there are a number of active academic fraternities and sororities. The joint gatherings of both the fraternities (Korporāciju kopa Sidnejā) and the sororities (Studenšu korporāciju kopa Sidnejā) take place in one of the many rooms of the Latvian House.

Sydney has two Latvian Lutheran and one Catholic congregation. The oldest Lutheran congregation, Sidnejas ev.-lut. latviešu draudze, has a church (St. John’s) designed by Latvian architects and built by members of the congregation. The church is located at 30 Bridge St., Homebush. Behind the church is a hall that hosts a Sunday school and is the venue for various events mainly run by the congregation. The minister for this congregation is the spiritual leader of the Latvian Lutheran church in Australia, the Rev. Dean Colvin McPherson. The second Lutheran congregation, Latviešu ev. lut. Vienības draudze, shares the Uniting Church (on the corner of Morwick Street and The Boulevard in Strathfield) with other congregations. The minister is Pastor Raimonds Sokolovskis.

Since the death of its priest, the Latvian Catholic congregation has mostly been integrated into the local Australian Catholic congregations.

The administration of the Latvian Federation of Australia and New Zealand (Latviešu apvienība Australijā un Jaunzēlandē) and the associated Cultural Fund rotates every three years between the three main Australian cities: Adelaide, Melbourne and Sydney. Currently, Melbourne is the seat of this umbrella organisation, which oversees and coordinates the political and cultural activities of the Latvian communities throughout Australia. Sydney, which held the post from 2000-2002, will take over this role again in 2009.

Radio broadcasts in Latvian can be heard on the multicultural Special Broadcasting Service (SBS Radio 2 on 97.7 MHz FM) from 4 p.m. to 5 p.m. on Wednesdays and from 5 p.m. to 6 p.m. on Saturdays. The SBS broadcasts are transmitted alternately from Melbourne and Sydney.

Also active in Sydney are various local sporting groups. Olimpija organises regular golf and novuss tournaments. Spars and Daugava are particularly active in basketball, with Spars currently fielding two men’s basketball teams in regular competition as well as running regular training sessions for junior players. The New South Wales Latvian Sporting Association also organises annual swimming carnivals and tennis competitions for Latvians living in the Sydney area.

Latvian youth still active

Although the Sydney Latvian community is undoubtably aging and activities organized by the Latvian House mainly cater for senior members, the Sydney Latvian Society actively encourages and promotes youth activities. With musically-talented Viktorija Mačēna at the helm, various musical activities are held at the Latvian House annually and national youth gatherings both from a cultural and musical perspective have helped the younger generation to develop a strong sense of pride in its heritage. The younger generation’s involvement in Sydney Latvian Theatre performances is also noteworthy. The Latvian Society has a very welcoming and open attitude toward the youth in the community and may serve as an example to others as an organisation that embraces the ideas of its younger members.

Sydney Latvian House

The Latvian House is the main centre of activity in Sydney. (Photo by Imants Ronis)

No easy answers for fears

Andris Straumanis | 

One of the flight paths from Minneapolis-St. Paul International Airport goes over my neighborhood. Several times this year, as I’ve watched the jetliners stream north-northeast across the Minnesota sky, I’ve wondered where they are headed. Several times this year, I have been on one of those jets, heading to Amsterdam, to Phoenix, to Washington, to Reykjavik (but not, unfortunately, to Rīga).

Perhaps no more than this year, the jet and its vapor trail have for me symbolized the freedom of travel, the opportunity to experience something new, something wonderful.

But no more. Since the Sept. 11 terrorist attacks in New York and Washington, the sound of the jetliners over my neighborhood—now that they’ve been allowed to take to the skies again—makes me nervous. I’ve caught myself thinking: "Please, don’t let it happen again."

And that’s just one of my fears.

The morning the hijacked planes slammed into the World Trade Center and the Pentagon, I was on my daily commute to the university where I teach journalism. Shortly after a radio news report announced that the Federal Aviation Administration had grounded all commercial air traffic, I peeked out my car window and watched as a jetliner made a graceful U-turn back to the Twin Cities airport. As more details emerged of what had happened, my initial reaction was clinical, journalistic. By the time I arrived in the parking lot outside my office, I had amassed several pages of hastily scrawled notes. The events of that morning were all we talked about that day in class.

It was only the following evening, channel-surfing through various television news shows, that a rare emotion came over me: Fear. Here in Middle America, there’s not much to fear. But as I watched stories of victims and their families, of confusion about who was being arrested and why, of the growing rhetoric of war, I was afraid. The last time I had this feeling was years ago when my young daughter convinced me to accompany her and a friend on "The Wave," a ride at an amusement park near the Twin Cities. I wasn’t afraid as the craft into which we were strapped slowly rose up an incline, turned and rose again. But as the craft was tipped over the apex, to be sent speeding downward and splashing into a manmade pond, I felt for a brief moment that I had absolutely no control over my destiny.

That’s the fear that came over me as I watched the TV news.

I fear that America—and many of the other nations that have offered political support—is girding its citizens for a war that may well be unlike anything many of us have only seen in the movies or read about in history books. I fear that talk of a coming "clash of civilizations" is just another way of saying "race war"—and that there are those who would use that talk as an excuse to harm their fellow citizens. I fear that, even while we focus on bringing those responsible for the attacks to justice, we will let one more opportunity slip through our fingers to address the injustices of which all nations are guilty. And I fear that I can’t do anything about it.

The morning after the attacks in New York and Washington, I received an e-mail from a relative in Rīga who was concerned about our family’s whereabouts and well-being. When she heard about what had happened in the United States, she wrote, her first impulse was to think that we should join them in Latvia.

Tempting though it is, I fear that’s too easy an answer. Better yet, I’ll spit three times and get back to work. There’s plenty to do.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.