Choir’s recording highlights Rīga venues

Latviešu mūzika Rīgā

Latvians call themselves a "singing people." Wherever Latvians gather, a choir is inevitably formed! While the musical ability of many amateur choirs is admirably high, elite and professional ensembles also have an important role in inspiring and performing more difficult and challenging music and presenting Latvian music internationally.

Prominent among these is the Latvian Radio Choir. Established in 1940, it was dubbed the "Teodors Kalniņš Choir" during the latter period of the Soviet occupation in honor of its founder, but since Latvia’s return to independence has again been known by its original name. A flexible ensemble ranging from five to 90 singers allows them to perform music of many styles and eras. The singers’ professional ability and the talented leadership of Sigvards Kļava have raised them to a remarkable level of virtuosity and skill. A prominent Latvian composer recently told me this is the only choir in Latvia currently capable of properly performing this composer’s very difficult vocal music.

The particular interest and value of this new recording, Latviešu mūzika Rīgā, is that it mostly features recent music the average listener wouldn’t usually seek out or encounter. Even "A Birch in Autumn," by the "old master" Jāzeps Vītols, is not among his most frequently performed works. An ethereal, subtle nature evocation, it’s beautifully rendered here with sensitive vocal blending by the Chamber Singers of the Latvian Radio Choir. Ably conducted by Kaspars Putniņš, this ensemble also performs two other works. Pēteris Plaķīdis’ brief setting of the traditional Latin text "Domine salvum fac populum" (Lord, Save Thy People) is propelled to its conclusion by an effective use of repeated figures. In Romualds Kalsons’ harmonically imaginative "In the Sounding Hill," the choir vividly portrays repeated echoes.

Artistic Director Sigvards Kļava leads the full choir in the rest of the program, most of which is also of a spiritual nature. For me, the most impressive discovery was Maija Einfelde’s "Psalm 15." This powerfully expressive setting subtly builds dense dissonances resolving in calmer, more peaceful passages. This is uncompromising, sincere music of harsh beauty. Juris Ābols offers an impassioned setting of "Ave Regina coelorum" (Hail, Queen of Heaven). The "Agnus Dei" from Artūrs Maskats’ "Mass" forms an emotional arch, from a peaceful beginning, building to a dramatic organ passage, then subsiding to a calm conclusion. Andris Dzenītis is the youngest composer represented here (born in 1978), in a lengthy, intense, often anguished setting of "Ave Maria."

St. Francis of Assisi’s writings inspired Pauls Dambis to compose his cycle, "Canti Francescani," from which two sections are heard. In "A Prayer," alternating soprano and baritone soloists’ chantlike passages elicit choral responses. Repeated cries of "psallite" are prominent in "A Song for Sister Death." Pēteris Vasks has come to be contemporary Latvian music’s best-known exponent internationally. The beauty and radiance of his "Dona nobis pacem" never fail to carry the listener along. Aivars Kalējs accompanies impeccably on the organ.

Two secular works fill out the program. Though Imants Kalniņš is known as "the people’s composer," his music never condescends. His special talent for making fresh and imaginative use of simple ideas is effectively heard in "Cinderella." Juris Karlsons’ brief "My Song" is a lovely, engaging piece, sounding "Latvian" (at least to another Latvian) without retreading old formulas.

Another interesting aspect of this release is that every composer’s music was recorded in a different venue in Rīga: churches, university and museum halls, and a recording studio. Not only do the locales sound acoustically splendid and well-suited to the music, but the engineering is remarkably consistent, so there is no jarring change from one acoustic environment to another. The artistically handsome accompanying booklet is filled with photographs of the various locales with interesting historical information. Notes are in Latvian and excellent English, though the latter is sometimes not idiomatic. One other minor caveat: Latin pronounciation is sometimes irritatingly "Latvianized."

This is a magnificent production worthy of the widest dissemination and exposure. Hats off to Kļava for his brilliant conducting and sensitive interpretations, and to the choir for their skill and artistry. Though much of this program is challenging and intense, requiring thoughtful listening with receptive ears and an open mind, it is definitely not a compilation of avant-garde gimmicks or polemics. Latvian composers are clearly aware of international musical trends and techniques in addition to local traditions and practices, and have transcended both to produce music of substance and variety, with both emotional and intellectual appeal.

(Editor’s note: This article originally appeared on SVEIKS.com.)

Details

Latviešu mūzika Rīgā

Latvijas Radio koris

Latvian Radio,  1999

Experience is key to Toronto festival

While there’s always something to criticize if you’re Latvian, most early reviews of the recent 11th Latvian Song Festival in Canada have been favorable. And, according to the man who led the festival’s organizing committee, it is Toronto’s long experience that helped make the Canada Day weekend (June 30-July 3) a success for an estimated 5,000 participants and spectators.

Arvīds Purvs, chair of the committee and one of the conductors during the large choir concert, should know: He’s been involved with the Toronto song festivals since 1959 on both the administrative and artistic sides.

“Toronto is the largest Latvian center…and the other smaller Latvian centers are around Toronto: Hamilton, London, St. Catherine’s, Niagara,” Purvs noted. Plus, Toronto has the facilities for large-scale events.

Toronto’s experience has evolved into a formula that appears to work, Purvs said. He said he doesn’t see the need to change much in the way things are done.

Several events during this year’s festival were sold out and had people talking about the performances. Among the highlights:

  • The chamber choir concert, featuring performances by well-known artists from Latvia (such as Dita Kalniņa and Arvīds Klišāns) as well as from the North American Latvian community (such as Rasma Lielmane, Artūrs Ozoliņš and Pēteris Zariņš).
  • The three-day run of "Minhauzena precības," a play by the late Mārtiņš Zīverts directed by Gunārs Vērenieks. Among the actors were Tālivaldis Lasmanis of the Drama Theatre of Valmiera and Mirdza Martinsone of the Dailes Theatre of Rīga.
  • The New Choreography Show in which top honors went to young choreographers Ināra Blatchina and Katrīna Tauriņa of Toronto for their children’s dance, “Vasaras rotaļa”; Iveta Asone of Indianapolis for her dance, “Mūsu pulkā nāc,” designed for fewer than eight pairs of dancers, and Zigurds Miezītis of Toronto for his “Dīžā žīga,” a choreography for eight or more pairs of dancers.
  • The spiritual music concert, featuring the women’s choir Ausma from Latvia as well as a number of choirs from Canada and the United States.

The first song festival in Canada was held in Toronto in 1953, only a few months after Latvians in Chicago organized the first song festival in the United States. And even though the number of Latvians who attend song festivals has dropped in recent years, the Toronto organizers did not question whether a festival should be held this year.

“The biggest unknown is how much the Latvian public is collapsing,” Purvs said in a July 2 interview in the Sheraton Hotel, headquarters for this year’s song festival. “If you look through the Latvian newspapers (in North America), then almost two pages are full of death notices. Those are people who at one time went and sang and danced and attended events, and now they no longer will go.”

Not knowing how many might come to the festival forced the Toronto committee to put together a conservative budget. Initial results, according to Purvs, appeared better than expected.

Profits from this year’s festival probably will not be as great as in years past, when the nonprofit society that runs the song festival in Canada was able to use proceeds to offer scholarships and other funding to Latvian organizations. More likely, any profits will be churned back into financing the next song festival—and Purvs is sure there will be another song festival in four years.

“One of the main reasons (to continue the festivals) is to support the work of choirs and folk dance groups,” Purvs said. “If there’s not a song festival, then the choirs will not be as active, they don’t have a goal.” Of course, he added, choirs and folk dance groups don’t exist just for the festivals, but the festivals do serve as milestones.

Canada’s experience with the song festivals actually goes back to 1952, when the Daugavas Vanagi veterans aid group organized a day of song on Sept. 6, similar to those held in Displaced Persons camps in Europe, according to a history of song festivals written by Valentīns Bērzkalns. About 2,000 people attended the event in Toronto’s Massey Hall.

The first song festival in Canada took place in October 1953. Attendance was in part dampened by the fact that the first festival in Chicago had already taken place in May, according to Bērzkalns’ book. An estimated 3,200 people listened to the joint choir concert, the festival’s main attraction.

Over the years, attendance and participation grew, reaching its high point during the fifth festival, when 10,600 people listened to the joint choir concert, according to song festival records. However, the renewal of Latvia’s independence in 1991 sharply cut into attendance. Only about 4,400 people attended the joint choir concert that year, a nearly 50 percent plunge from attendance at the previous festival in 1986. This year’s joint choir concert was expected to draw an audience of 2,800, Purvs said.

The numbers continue to be low, yet Purvs said he senses a resurgence of interest in the song festival and other Latvian community activities—despite the naysayers who predicted the end of song festivals outside of Latvia. Even though many Latvians now spend the summer months traveling from North America to Latvia, the initial euphoria has worn off.

“People began to slowly realize…we’re not returning home to Latvia. We’ll live right here and probably die here,” Purvs said. “And we need our own festival.”

Although for years many of the same people worked on arranging the festival, younger faces are now seen more often among the organizers. But, Purvs added, the younger organizers have grown up with the festivals.

However, he does not expect that the number of younger organizers and participants will replace the numbers of song festival veterans who have passed away.

(Editor’s note: This article originally appeared on SVEIKS.com.)

Arvīds Purvs

Arvīds Purvs is chair of the Toronto song festival’s organizing committee. (Photo by Andris Straumanis)

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Enlarged NATO among his priorities

Aivis Ronis is the third Latvian ambassador to the United States since 1991. The new envoy, who succeeded Ojārs Kalniņš in April of this year, brings with him nine years of experience at the Ministry of Foreign Affairs. He has served as deputy secretary for foreign affairs and also as ambassador to Turkey in 1999. In a profession where gray hair is considered a virtue, the 31-year old ambassador is an exception. In fact, citing his age, the Latvian parliament’s foreign affairs committee deadlocked Ronis’ nomination as the new ambassador. Ronis was appointed without the committee’s approval. The new ambassador, who takes over at a time when Latvia is trying to join both NATO and the European Union, now has a challenging tenure ahead. He recently spoke with SVEIKS.com in the Latvian embassy in Washington, D.C.

Question: What are your priorities as the ambassador to the United States?

Ronis: I have five priorities. First, ensuring the continuity of the Latvian-American relationship once the next administration takes charge early next year. Second, garnering wider support for NATO enlargement and the invitation of the Baltic states to join the alliance. Third, enhancing U.S.-Latvian economic cooperation, in particular U.S. investment in Latvia in the fields of energy and information technologies. Fourth, ensuring the participation of American non-governmental organizations in the integration and modernization of Latvian society. And last, strengthening Latvian identity among Latvian Americans and enhancing their ties with Latvia.

Q: Concerning NATO expansion, what are the chances that all the nine candidates are invited to join NATO at once, especially after the Vilnius statement (made during May’s conference in Vilnius between representatives of the nine NATO candidates) received wide international response, including support of both U.S. presidential candidates?

Ronis: The chances to get invited are as bright as the chances not to get invited. It is important that the solidarity of the nine countries has attracted attention and, even more importantly, gained approval in the United States and Europe. The NATO aspirants are heading in the right direction by showing solidarity and agreeing on a common goal. (The NATO aspirants are Albania, Bulgaria, Estonia, Latvia, Lithuania, Macedonia, Romania, Slovakia and Slovenia – ed.). This increases the possibility of the U.S. deciding in favor of inviting all of the nine countries to join either simultaneously or in small groups. These countries have to become members of NATO, if Europe is to be united and free.

Q: There are apprehensions about Latvia being left alone while Lithuania is advancing towards NATO and Estonia towards European Union.

Ronis: Analysts say different things. Their conclusions and prognoses often change, nevertheless they influence the opinion of people who are not very familiar with the NATO expansion issue. I don’t see any logical, persuasive and rational argument for not inviting all the Baltic countries at the same time. In general, all the current NATO aspirants have reached the same level, with only slight differences, as regards defense structures, democracy and other areas. The only exception is a different degree of economic development in these countries. And that is where Latvia, Estonia and Slovenia stand out.

Q: As far as Latvia is concerned, which U.S. presidential candidate would be ideal, with respect to U.S.-Latvian relationships, particularly NATO enlargement?

Ronis: Both Democrat Al Gore and Republican George Bush are excellent candidates if one considers them from the perspective of Latvia and the whole Baltic region. But the U.S. policy vis-a-vis Europe, the Baltics and Russia will depend rather on the evolution of world affairs (such as the effectiveness and speed of reforms in the Baltic region, European integration and security, and the tendencies in the hot spots of the world, as well as internal processes in Russia and America). The above-mentioned factors, not the presidential candidate who wins, will determine the policy of the next U.S. administration.

Q: How do you see the role of Baltic American organizations—such as Joint Baltic American National Committee, Baltic American Freedom League, and Expand NATO—in the NATO expansion debate?

Ronis: Local Baltic organizations will, of course, be of great importance in the debate. Nevertheless, it will be hard for these organizations alone, without the support of other ethnic groups of Central European origin, to impress themselves upon U.S. legislators. That’s why the cooperation not only among the nine NATO candidates in Europe, but also among the respective ethnic groups in the United States, is so important. Baltic organizations in America are very efficient, despite the relatively moderate size of Baltic population. Still, one has to keep in mind that other ethnic groups, for example Poles, Hungarians and Czechs, are much bigger and could be of great help.

Q: Does the embassy have a good cooperation with Latvian-American organizations?

Ronis: Yes, we have an excellent working relationship. The embassy is grateful to these organizations for the support they provide in helping different Latvian organizations and individuals, as well as cooperating with Latvian state institutions. We are frequent guests at the American Latvian Association and other organizations, as well as at different Latvian communities here in America. Likewise, Latvian Americans are greatly interested in what Latvian Embassy does and what happens in Latvia. For instance, we were very pleased to see that the previous ALA congress in Boston was devoted to Latvia’s integration to NATO.

Q: What do you think are the main interests of the United States in the Baltic region?

Ronis: First and foremost, it is security. Second, it is a free and united Europe, one that could be a more unified partner of America on the global stage.

Q: How would you evaluate U.S.-Latvian economic relations?

A: Until now, American companies that wanted to participate in the investment projects in Latvia encountered different problems, due to hindrances posed by Latvian legislation and the privatization process. Also, American companies were not as interested in these projects as we would like them to be. It seems that the remote geographical position and the different scope of Latvian and American industries also slowed down the business contacts. Even though many projects were hampered by the drawbacks of Latvian legislation and too strict an administration policy both on the level of local municipalities and central government, the cooperation has been successful. We shouldn’t be shy about it. At present, we feel a stronger U.S. interest in the Latvian economy. As it is approaching the European Union, Latvia has become more attractive. European integration and the economic development of Russia will be the main factors that will influence U.S.-Latvian cooperation in future. If reforms in Russia are successful, we can expect a more active U.S. involvement in Latvian economy.

Q: What are the most promising areas of cooperation?

Ronis: Several American energy companies are interested in the Latvian energy monopoly Latvenergo (which is being offered for privatization, although that privatization is being challenged by some officials and members of the public – ed.). The other lucrative field is information technologies where different projects, for example, between IBM and Latvian companies, have already been started. It is important that the Latvian government is willing to make the investment environment more hospitable, particularly in relation to these areas.

Q: What do you consider your main achievement since you became ambassador?

Ronis: (Laughs.) I have adjusted to the time difference.

Q: What do you like in America? What do you dislike?

Ronis: I don’t like calling people and hearing an answering machine. Very rarely, there is a live voice answering. It’s almost always a mechanical answer by robot or a recorded tape. That’s irritating, and it makes me say, “Come on, I want to talk to a human being.” I’m also surprised that American football games take place on Monday evenings. That’s a unique phenomenon; you can’t find it in Europe. Europeans either work at that time on Mondays or watch TV. But things that baffle me can also please me. It all depends on mood, situation and environment.

(Editor’s note: This article orginally appeared on SVEIKS.com.)

Aivis Ronis

Aivis Ronis is Latvia’s third ambassador to the United States since 1991.