Estonia jumped, but will Latvia follow?

In a Sept. 14 referendum, nearly 67 percent of Estonian voters said “yes” to joining the European Union. While a spirited “no” campaign had been waged, the issue in Estonia was never really in doubt. So far eight candidate countries have put this question to a referendum over the past year, and all have voted “yes.”

Latvia is now the last to hold a referendum, scheduled for Sept. 20. The past few weeks of feverish activity by pro-EU forces seems to have halted the steady rise of a “no” sentiment. And they will certainly loudly trumpet the Estonian result. Even at this late stage, however, a positive outcome is not guaranteed.

(A total of 10 nations have been invited to join the EU in 2004. Nine countries, including Latvia, decided to put the membership question to a popular referendum. Cyprus ratified membership without a referendum.)

Recent polls in Latvia show little change from that of July, with still a bare majority favouring “yes,” but with a huge question mark over whether those opposed will show up to vote.

The shoring up of support for a “yes” result seems to be a significant achievement of Latvia’s popular President Vaira Vīķe-Freiberga. The Latvian presidency is a largely formal position with only limited political power, and one which convention dictates stays out of day-to-day politics. On this issue Vīķe-Freiberga has chosen not to be a figurehead, but has thrown herself energetically into the campaign over the past month, riding her popularity to urge a positive vote.

Also—and ominously—she has warned the government that continued wrangling over the budget and other political sideshows can only harm the pro-EU cause. She has held numerous meetings with various social organisations and appeared at several public functions to encourage a “yes” vote, stressing the historically decisive nature of this decision for Latvia. And in case even this will not be enough, a host of European heavies including presidents and prime ministers have been visiting Rīga before the referendum to urge sceptical Latvians to embrace Europe.

Why has it been such hard labour for those who favour joining the EU? In terms of likely economic benefit, support for infrastructure, access to markets and the perceived security of the EU vis a vis Latvia’s eastern neighbour, the argument for joining the EU would seem to be quite self-evident. I wrote earlier about a series of political blunders that seem to have turned the populace against the government and by extension against the referendum on the EU, with proposed budget and welfare cuts being the main culprits. But the opposition to the EU has been more frustrating and more puzzling than simply a reaction to poor government politics. It seems also to demonstrate a tremendous shortcoming in public understanding of a complex but certainly not obscure issue.

Opposition to joining the EU has been much more a consolidation of untested prejudices almost stunning in their irrelevance yet with great ability to cause fear. Will petrol rise by 5 santīms or 15 santīms? Will all Latvian land be sold to foreigners? Will Latvia be flooded with immigrants of varied races? Will most farmers be put off the land?

Getting even more bizarre, Latvian chauvinists have argued that joining the EU will mean the EU will enforce Russian as a second official language, while Russian chauvinists have argued that joining the EU will obliterate Russian and lead to Latvian-only instruction in schools, thus scaring two large constituencies at the same time.

Equally concerning, however, has been the incompetence of much of the “yes” campaign—apart from the president’s intervention—in which official spokespeople have seemed poorly briefed on the EU, and offer only vague propaganda rather than specific information that could prove decisive.

The doyen of Latvian’s print journalists, Aivars Ozoliņš of Diena, has given the sternest warning, slamming the absolute irresponsibility of those who dithered with idiotic objections to the EU, or those who could not make up their minds because they seemed incapable of grasping the issues and the seriousness of the impending decision. He cites the example of a young Latvian opera singer, training elsewhere in Europe and looking forward to a life of European achievements, who when asked by journalists says she can’t make up her mind which way to vote in the referendum and changes her mind from day to day. What, asks Ozoliņš, changes from day to day in Latvia’s geopolitical situation, or its historical links to European culture, or the importance of the EU for Latvia’s economic or social future? Ozoliņš warns that the pro-EU camp’s assumption that the “simple common sense” of the people will bring the right result is a very dangerous assumption indeed.

Given this poor standard of public debate, are we seeing some uncomfortable evidence of a still infantile inability to face up to serious political decisions, and even more evidence of an astonishingly naive and provincial belief that sturdy Latvia can go it alone and doesn’t need anyone else for support?

Hopefully, the Estonian result, as well as Lithuania’s earlier decision, may just sway enough Latvian voters to follow their two neighbour states into the EU.

Unfortunately, the Estonian result is not the only international event that has shaken Baltic perceptions of the EU. The tragic assassination of Sweden’s foreign minister, Anna Lindh, in a Stockholm department store had reverberations. Swedes in their own referendum voted against joining the euro monetary zone. Although it is a staunch member, Sweden maintains a sceptical stance towards some of the projects of the EU, particularly the union’s perceived lack of democracy and accountability. Citizens are picking and choosing what they will or will not support regarding the EU, and despite Lindh’s enthusiastic advocacy of adopting the euro, even her dramatic death could not persuade Swedish voters.

The stakes could not be higher for Latvia.

San Francisco festival brings out the sun

According to a West Coast Latvian Song Festival insider, the management of last summer’s song festival hotel in Chicago had only one complaint about the Latvian guests who overtook their hotel last July: too many tried to cram into the elevators, causing one elevator to get stuck with approximately 27 guests onboard. This might explain the brightly colored signs warning guests not to crowd into elevators in San Francisco’s Cathedral Hill hotel, site of the recent 14th West Coast Latvian Song Festival.

I knew I was in for a good Latvian week soon after my arrival in California. A friend (Latvian, of course) and I flew to San Francisco, and did some driving and sightseeing for a few days before settling down in San Francisco for the festival, which ran from Aug. 28-Sept. 1. Our first evening was spent in Monterey, where we ran into Zinta Zariņa, head of the festival’s organizing committee, and her husband in a grocery store. The world sure is small when you’re Latvian!

I was surprised at the number of Latvians who made the trip to San Francisco from places such as Minneapolis or New York. But I suppose some of us have a great (or, maybe, unnatural) love for song festivals and wish to generously support the travel industry. Perhaps some had heard about previous West Coast song festivals—how the smaller scale make them very friendly and relaxed.

The festival began Aug. 28 with a cabaret performance and a cable car bar-hop aimed at the younger crowd. Naturally, the younger people on the cable car tour had a great time. And the reviews I heard of the cabaret were nothing but rave.

Friday, Aug. 29, was the busiest day for most festivalgoers. It began with the opening ceremony, which, like most such Latvian events, featured speeches that tended to run a few sentences too long.

But the entertainment portion featured the wonderful Los Angeles men’s choir, looking rather dashing in their tuxedos. These 18 men, many of whom are on the younger side (particularly for a Latvian choir), were a joy to listen to and watch, particularly when singing more energetic songs. The audience most enjoyed the song “Mūžu mūžos būs dziesma,” with its appropriate words: “Mūžu mūžos būs dziesma, mūžu mūžos alus smeķes; Un dziesmu svētkos ies meitenes baltās zeķēs.” Another song that emphasized their masculinity had the words, “Meitenes brunči ir karogs man” (at which point the choir saluted). The encore, “Manai dzimtenei,” also was a hit.

Unfortunately, the event began late, and ended only a few minutes before the next one was supposed to begin. This had major ramifications for the rest of the day.

The youth musical, “Gudrais padomiņš” (Good Advice), began a half-hour late, and suffered bouts of poor sound quality. Neither of these problems really distracted from the brilliance of this new musical. The text author and director Andra St. Invanyi Berkolds, composer and musical director Lolita Ritmane and lyricist Andris Ritmanis wrote a truly enjoyable musical and did a magnificent job encouraging an incredibly talented and spunky group of kids and teens to bring the story to life.

The main characters, Linda and Miķelis, played by 15-year-old Brita Stepe and 16-year-old Aleksanders Auzers, did truly commendable jobs in their large roles. And the talent of some of the younger performers was quite amazing. The very professional set decorations, costumes and lighting added additional panache to the musical. The longer-than-expected performance (fine for adults, but a bit long for the youngest audience members) featured eleven songs. Those of us willing to spend USD 6 could purchase a beautiful program book with all the song texts, a good synopsis and fun biographies of the performers. Everyone in the room, both audience and performers, seemed to enjoy this fabulous performance. I can only hope that the musical will be performed in the future—whether by the same or different cast—so that others will be able to relish the fun story of a Latvian-American teenage girl from California and a Latvian boy from the past.

The late start of “Gudrais padomiņš” and the short period of time between the two events, held in the same ballroom, caused technical problems for the next event, the concert by Latvia’s Iļģi. Their performance began 40 minutes late, and the first half of the concert was hampered by problems with sound. By the second set, the problems were partially overcome. The second set was especially energetic and certainly many would have preferred dancing to sitting at that point. Many of the older generation, apparently not knowing what to expect, did not enjoy the concert as much as those of us who already know and love one of Latvia’s best bands.

The day ended with a 1960s theme party, where quite a few attendees wore appropriate attire. The ‘60s music played by the always-great Latvian-American band, Los Pintos, was a great addition to the party.

The big event on Saturday, Aug. 30, was the folk dance performance. The theater, located in the beautiful Palace of Fine Arts complex, had 1,000 seats and every single one was occupied. Fortunately, even the view from the very last row, where I sat, was good.

For those of us used to large-scale, arena-filling performances featuring several hundred dancers, this performance, with dance groups from only a few cities, was a drastic change. Some audience members found it refreshing, others a bit dull. However, everyone I spoke to agreed on one thing: We couldn’t understand the significance or the need for an opening solo of a song about San Francisco—in English! I, for one, do not attend Latvian folk dance performances to hear songs in English. Of the many dances performed, the crowd favorites were anything where children performed and the dance “Zaļumballe,” performed by Seattle’s Trejdeksnītis, which saw an encore. It’s hard not to enjoy a dance in which a female dancer is thrown by two male dancers into the arms of another male dancer. The dancing was greatly enhanced by the live music provided by Denveras Jurmalnieki and Iļģi.

That evening many people attended the musical “Tobago!,” about which I heard mixed reviews. At the same time the always fun Denveras Jurmalnieki were performing a free concert of dance music in the hotel. It was encouraging and rather heartwarming to see a good number of younger Latvians (mostly middle-school aged and younger) enthusiastically and willingly participating in rotaļas and dances.

The last performance was the unified choir concert. I had expected the choir to be a bit bigger; however, the beautiful and acoustically excellent San Francisco Symphony Hall did cause the choir to sound larger. The performance had been scheduled to take place at the Herbst Theater, but a few days before the festival, the city’s fire department decided that the expected number of people would be too many for the theater.

Each Latvian has choir songs they like and don’t like. A typical concert usually contains a few of each. In this concert, the overwhelming crowd favorites were anything with the children’s choir, who not only sang with the larger united choir, but also performed four songs on their own. The audience enthusiastically requested that “Jūras māte man vaicāja” (complete with appropriate gestures) be repeated. The most interesting work was “Rudentiņš pie durvīm klauvē,” featuring lyrics by Andris Ritmanis and music Lolita Ritmane, conducted by Brigita Ritmane. It was both an appropriate and very enjoyable piece.

The evening’s festival ball featured an unbeatable combination of musicians: Iļģi and Los Pintos. At times they played separately, at times together. Late in the evening an enthusiastic and well-received rendition of Van Morrison’s “Brown-Eyed Girl” was sung by guest performer Artūrs Rūsis (maybe better known as producer of the now-cancelled NBC television drama, Providence). The greatest cheers were elicited when he sang “Latvian girl” instead of “brown-eyed girl.”

The hotel wanted the party to be over at 2 a.m., but the partygoers and bands resisted. After the bands played a rocking, marathon version of the folk song “Bēdu, manu lielu bēdu,” the partygoers were asked to leave the ballroom. However, hotel employees did push a grand piano into the foyer—apparently in an attempt to get all those crazy Latvians to stay in one place rather than wander throughout the entire hotel. A loud and energetic singing marathon ensued, led by Chicagoan Sandra Bērzupe on the piano and a bunch of song-happy teenagers.

By the time the singing was winding down around 4 a.m., most of the Iļģi appeared with their instruments and amplifier. Band leader Ilga Reizniece loves to teach traditional Latvian dances, which is what she did for two hours (occasionally playing the fiddle and dancing simultaneously). The number of dancers and onlookers varied from about 15 to 40. The band played its final song around 6 a.m.

Then someone suggested going up to the roof to watch the sunrise. A small group of people, some of whom were still sharp enough to ensure the doors would not lock behind us and leave us stranded on the roof, did exactly that. Somehow it was an appropriate way to top off a very enjoyable West Coast Latvian Song Festival.

Indiana floodwaters claim Latvian woman’s life

Divers in Indianapolis, Ind., have recovered the body of a 78-year-old Latvian woman who died when the pickup truck she was driving disappeared in floodwaters along Fall Creek, according to local television station WTHR.

Maiga Elberts disappeared the evening of Sept. 1 after record rainfall caused flooding across central Indiana. She was one of several people authorities suspected may have been trapped by floodwaters.

Rescuers were thwarted by fast-flowing water and debris in Fall Creek, according to media reports. They finally reached the pickup truck early Sept. 3.

Maiga Elberts had driven to a local drug store buy supplies for a church newsletter, her husband, Jānis Elberts, told WTHR. She volunteered at the Latvian Evangelical Lutheran Church of Indianapolis.

Authorities temporarily suspended the search for Maiga Elberts on Sept. 2. While she might still have been trapped in the vehicle, one police official expressed doubt that she could still be alive, according to The Indianapolis Star.

In addition to her husband, Maiga Elberts is survived by three children, including a son, Aldis. Aldis Elberts is pastor of the Church of the Holy Cross in Melbourne, Australia, and oversees online discussions about religious faith for Latvians Online.

Central Indiana received more than seven inches (about 18 cm) of rain on Sept. 1, breaking a 108-year record.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.