Opera’s first DVD aims for child audience

Putnu opera

Opera is a genre not usually equated with children’s entertainment. The usual perception is that opera is for adults with refined musical tastes. To entertain kids you need loud music, bright lights, colour, movement—and as children are not too discerning, you don’t need to worry about quality.

The recently released DVD Putnu opera proves this stereotype wrong. Just as you can get your kids to eat decent food and not live on sub-standard fare, you can also take your ankle-biters to the opera and come home with both parents and children content.

“Putnu opera” has been around for a few years. The premiere was six years ago on Dec. 22, 2000, and every year since the Latvian National Opera schedules a few performances. This is the first performance by the opera that has been digitized and made available on DVD.

The play is the successful collaborative effort of famous Latvian author and playwright Māra Zālīte and composer Jānis Lūsēns. Based on the children’s book characters created by Hugh Lofting—Dr. Dolittle and his loyal bevy of animals—the opera has a simple scenario. Dr. Dolittle and his friends are visited by a distressed opera diva, Pipinella the canary, who is searching for her canary friend Cheep, also an opera singer. During the search and rescue mission, which takes Dr. Dolittle and his entourage all over town and frees some captive birds, the animals decide to put on an opera and begin rehearsals.

The basic plot is enhanced by sub-plots; these are common elements in most operas. The difference here is that these side issues are not too confusing so children can easily follow the storyline without needing to get bogged down trying to understand the details. The beauty of DVDs are the subtitles that weren’t available in pre-DVD times. Even though the opera was in Latvian (not the traditional German or Italian, so theoretically it should be easy to follow), by reading the Latvian subtitles as well made it is much easier to understand the storyline.

The characters (and especially their costumes—kudos to costume designer Kristīne Jurjāne) are so exaggerated but at the same time stylized and easily recognizable that the children in the audience will remain mesmerized for most, if not all, of the performance. We even had a 3-year-old in our family audience of five and he sat through most of the 75-minute DVD without fidgeting, which says something about this opera!

A bonus features section gives a lighthearted behind-the-scenes look at the Latvian National Opera and the way a production is put together. The joint efforts of the various departments (artistic, musical, lighting, costume, stage management) are all mentioned, showing the viewers the complexity involved in staging an opera.

Getting kids to watch an opera is no mean feat.  But it is possible as all the elements of good entertainment are there—colour, movement, high-class opera—all in Latvian!

Details

Putnu opera

Mārā Zālīte and Jānis Lūsēns

Rīga:  Latvijas Nacionālā opera,  2006

Daina Gross is editor of Latvians Online. An Australian-Latvian she is also a migration researcher at the University of Latvia, PhD from the University of Sussex, formerly a member of the board of the World Federation of Free Latvians, author and translator/ editor/ proofreader from Latvian into English of an eclectic mix of publications of different genres.

Church encyclopedia reflects 13 years of work

Latvijas luterāņu baznīcas

A year ago, after the publication of the first volume of The Lutheran Churches of Latvia (Latvijas luterāņu baznīcas), the literary critic Pēteris Bankovskis wrote, “Only a pure enthusiast has enough energy for such grand works in such an adverse environment.”

Many people have felt the urge to photograph, document and compile Latvia’s cultural and historical heritage, but it is no secret that many of these efforts still lie in the drawers of their authors’ desks because it is nearly impossible to find a publisher. Vitolds Mašnovskis, though, has been lucky—the second volume of his encyclopedia has just been published, and only a year after the publication of the first volume.

Mašnovskis found a willing partner in Inta Bērente-Strenga, the director of the creative design agency DUE, who had the faith to even invest her personal finances in order to publish the encyclopedia. At the recent opening celebration for the second volume she stressed the great efforts of Mašnovskis and explained: “We became involved in this project four years ago, because we viewed this as a one-of-a-kind opportunity to take part in the creation of this voluminous reference material. It is a unique piece of work. I am convinced that another such grand research project about this topic will not be repeated any time soon.”

Mašnovskis spent more than 13 years gathering and compiling information for The Lutheran Churches of Latvia. He drove countless times from one end of Latvia to the other and spent hours and hours of his free time photographing each church and finding and reading historical documents in archives and museums. The encyclopedia is aimed at a wide audience, and it is the first publication that reflects upon the history, architecture and artwork of all 337 former and current Lutheran churches in the country. The first two volumes cover churches beginning with the letters A through L—from Abrene to Lutriņi.

Like the first volume, the second volume also contains beautiful color pictures of every church, highlighting masterpieces such as the elaborate Rococo style furnishings in the Liepāja Sv. Trīsvienības church. The author has painstakingly described the history of each church in great detail, much of which is usually connected to the German barons and their estates. The books therefore also include illustrations of German coats of arms. The encyclopedia contains many interesting, forgotten and little-known facts. For example, the graphic artist Sigismunds Vidbergs (who emigrated to the United States and was later known for the erotic themes in his artwork) drew the sketches for the stained glass windows in the Lielstraupe church.

The encyclopedia describes the harsh treatment of churches during the Soviet occupation of Latvia following World War II. For example, in 1949 local kolkhoz directors, led by visions of collectivization and atheistic propaganda, transformed the Allaži church into a cafeteria for a neurological hospital; later it was used as a warehouse. After the war, the Ādaži church was often vandalized, until in 1972 it finally became a warehouse for empty bottles and containers. The Garkalne church endured a similar fate, although surprisingly the painting “The Last Supper” by Johann Maddaus was spared. Unfortunately, no one knows the fate of the painting “Christ Blesses the Fields” by well-known artist Augusts Annuss, which was dedicated in the Allaži church in 1942.

The Lutheran Churches of Latvia is truly a comprehensive publication, and the English language summaries also allow non-Latvian readers to gain insight into the histories and architecture of Latvia’s many churches. The encyclopedia has become one of the most often requested books in Latvian libraries, and students use it as a source for school projects. Some readers have even begun to use pages copied from the encyclopedia as a tour guide when traveling around the country and familiarizing themselves with their cultural heritage.

Volume 2 of the encyclopedia contains 486 pages, 798 photographs and more than 140 schematic drawings and maps. All four volumes of the encyclopedia will contain a total of 4,000 photographs. At the opening celebration, Minister for Children and Family Affairs Ainārs Baštiks stressed that the encyclopedia’s thoroughness in the field of cultural history will help popularize Latvia’s image in the world. The art historian Ingrīda Burāne expressed her hope that the encyclopedia will become an heirloom for families to pass down from generation to generation.

Details

Latvijas luterāņu baznīcas, 2.sejums

Vitolds Mašnovskis

Rīga:  DUE,  2006

ISBN 9984990699

Where to buy

Purchase Latvijas luterāņu baznīcas, 2.sejums from BalticShop.

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We may all be in for a tough four years

The past year in Latvian politics was not only eventful, but one that could well be pivotal: an election and a new government (and, surprisingly for Latvia, a continuation of the previous government); a successful NATO defense alliance summit; a continuing high profile for President Vaira Vīķe-Freiberga; an economy running almost red hot, and a by now usual lot of scandals, new and continuing.

The central political event—the 9th Saeima election—was unique. No new party arose to challenge the major incumbents, which had been a recurring pattern in previous elections. Moreover, this was the first time the coalition that governed before an election was able to achieve a majority in the election, and the first time that a prime minister holding office before an election was reappointed after that election. The coalition of Tautas partija (People’s Party), Zaļo un Zemnieku Savienība (Union of Greens and Farmers) and Latvijas Pirmā partija (First Party of Latvia, or LPP, now combined with the Latvijas ceļš, or Latvia’s Way) gained a bare majority of 51 spots in the 100-seat Saeima. But the coalition took the small Tēvzemei un brīvībai / LNNK (For Fatherland and Freedom/LNNK, or TB/LNNK) into the coalition to feather the majority.

The big losers were Jaunais laiks (New Era), strongly supported by Latvian voters in the West, but losing favour in Latvia itself after withdrawing from the coalition in early 2006 and its once popular leader, Einars Repše, becoming widely distrusted.

A big winner was Saskaņas centrs (Harmony Center), which broke away from the previous pro-Russian coalition Par cilvēku tiesībām vienotā Latvijā (For Human Rights in a United Latvia, or PCTVL) and re-badged itself as a party willing to take a constructive place in Latvian politics and government.

How should this surprising election result, and seeming stability at last in political party composition, be understood? Two fundamentally irreconcilable interpretations have quickly come to the fore. One is the claim of stability and a consolidation of effective government. The coalition is popular, has not made any huge mistakes in government, its leading opposition party is in disarray, economically the country is bounding ahead and the government is attending effectively to seemingly insuperable problems of low incomes and poor social conditions. (You can see this line continually supported in the daily newspaper Neatkarīgā Rīta Avīze.)

Equally strongly, critics of this government (you can see them clearly in another leading daily newspaper, Diena) see it as a consolidation, certainly, but a consolidation of oligarchy. For these critics, the leading party officials see government as their own private business, particularly Prime Minister Aigars Kalvītis, Tautas partija’s behind-the-scenes leader Andris Šķēle and the head-kicking leader of LPP, Ainārs Šlesers.

Certainly, one of the most worrying aspects of the new government is the steady politicisation and insisting on appointing its own (“savējos“) to sensitive positions. Most recently, the main coalition parties tried but failed to appoint Tautas partija member Ringolds Balodis to the position of ombudsman. A spectacularly poorly qualified candidate, this law professor‘s main specialty is law of religion. He seemed totally out of depth and was proven to be so quite starkly in a television debate with the other candidate, Rasma Kārkliņa. Proposed for the position by TB/LNNK, she is a Western Latvian and author of a recent major work on post–Soviet corruption, The System Made Me Do It. But she was anathema to the ruling coalition parties, so in the end no candidate got sufficient votes in the Saeima, leaving the president fuming—once more—over the indecisiveness of the Saeima.

Even worse for its implications was the appointment to the Constitutional Court (Satversmes tiesa) of three candidates who were each severely criticised as inadequate by the Saeima’s own Judicial Affairs Committee. But the same parliamentarians from the coalition parties who expressed this criticism in the end voted for the candidates in the Saeima.

And in a move of extreme cynicism, the coalition appointed once-head LPP guru Jānis Šmits to chair of the Saeima Human Rights and Social Affairs Committee. Šmits, a Lutheran prelate, was notable in 2006 for his extreme homophobia and sustained attack on the Rīga Pride march, and his otherwise overtly authoritarian stance on every social issue. So bad had his reputation become that he was not elected in his own right to the Saeima (his own party supporters crossed out his name in droves), but came into the Saeima with a so-called “soft mandate,“ replacing another LPP member who was appointed a cabinet minister.

Increasing concern over the coalition parties—matched by a total impossibility of any chance of redress—came to a head when a group of minor parties brought a court action claiming illegal overspending by the coalition parties during the election campaign. Groups of people closely allied to the coalition had organised themselves into independent NGOs and produced extensive advertising before the election, praising the incumbents and the economic prosperity they had brought to Latvia. The court came to the not very difficult conclusion that this was a subterfuge to circumvent campaign spending limits, but declined to order the elections invalid.

And another moment of foreboding is the government’s volte face on the need to sign a border agreement with Russia with a unilateral attachment detailing the past history of border agreements, which also includes the loss of the previous Latvian territory of Abrene. Having derailed a previous attempt to sign the border agreement by insisting on such an attachment, the government now insists the signing can go ahead without such a statement, and that the legal continuity of the Latvian state back to pre-World War II days can be guaranteed by other means. This will demand the closest scrutiny.

The present mood of the coalition may spell a difficult time for Latvians abroad. The hostility to Kārkliņš revives a previous history of antagonism to Latvians from the West, most notably in the temporarily lapsed proposal to make a large number of public positions closed to people with dual citizenship.

Moreover, the LPP is increasingly warming to the idea of uniting with the large Saskaņas centrs, which has been downplaying being pro-Russian and now presents itself as a party very much of the centre with a desire to be in government. This too has a background: over the past couple of years Moscow has slowly turned away from its previous great hope—the hard-line pro-Moscow faction in PCTVL with its strident oppositionalism—and has increasingly wanted a party that could be in government. Saskaņas centrs fits this bill perfectly, and the question can be asked whether we are seeing a genuinely moderate new party or a Trojan horse.

Meanwhile, for LPP and its ambitious leader Šlesers an amalgamation would provide an opportunity to become the largest party in the Saeima. The politicians of Saskaņas centrs (and of course PCTVL) are unreservedly hostile to Latvians from abroad playing any part in Latvian affairs. Unless the coalition in its present or expanded form trips up on its own ambitions—a not impossible course of events—we may all be in for a tough four years.