Ērglis teams with Pauls on album of pop tunes

Through the years, composer Raimonds Pauls has teamed up with quite a few young talents. The latest to benefit from the Pauls’ touch is Andris Ērglis, who worked with the composer to record the new album Caur rozā brillēm.

The 12-track album of light pop tunes was released a few weeks ago on the MICREC label. All lyrics are by Guntars Račs. Recorded in Liepāja, the album features guest appearances by singers Annija Putniņa, Ieva Kerēvica, Ance Krauze and Zane Biķe.

Ērglis, 27, has been associated with music since childhood. Born in Aizpute, he moved to Liepāja at the age of 15, according to a profile on MICREC’s Web site. He has performed both as a solo artist and as a member of bands, most notably the short-lived ensemble Cacao. Two years ago, he was a member of Bonaparti.lv, the six-man tenor act that performed the Italian-language “Questa Notte” as Latvia’s entry in the 2008 Eurovision Song Contest. His solo debut album, released in 2008, was Sirdspuksti.

Songs on Caur rozā brillēm include:

  • Divreiz
  • To, kā nav(a)
  • Dziesmas
  • Misters Liktenis
  • Ziemeļa glāsts
  • Nekādu cerību
  • Tik daudz ir bijis
  • Neskati vīru no cepures
  • Caur rozā brillēm
  • Jūra līdz ceļiem
  • Viss ir daudz vienkāršāk
  • Nekad un vienmēr

For more on Ērglis, see his page on the draugiem.lv social network.

Caur rozā brillēm

Composer Raimonds Pauls and singer Andris Ērglis collaborated on the album Caur rozā brillēm.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Reference work rescues long-lost Latvian terms

At 32 lats, the recently released Tautlietu vārdene compiled by Janīna Kursīte should be considered an investment. Drawing on mythology, folklore, history and ethnography, the 560-page reference book provides explanations of terms that today are often lost from everyday speech.

Published by the Latvian State Agency of Intangible Cultural Heritage (Nemateriālā kultūras mantojuma valsts aģentūra), the book was unveiled during a Feb. 19 presentation in Rīga.

Among other gems, the book lets readers learn about terms such as klibā diena, suveksis, piektais ritenis, laidavas and atkodējs, agency spokeswoman Baiba Bože said in a press release. The work also introduces crafts and other Latvian traditions.

Kursīte is a professor at the University of Latvia.

The book follows Kursīte’s 2007 dictionary, Neakadēmiskā latviešu valodas vārdnīca jeb Novadu vārdene and 2009’s Baltu un slāvu kultūrkontakti.

Tautlietu vārdene

Janīna Kursīte’s Tautlietu vārdene allows readers to learn about long-lost Latvian words.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Singer Aisha to represent Latvia in Eurovision Song Contest

Representing Latvia in this year’s Eurovision Song Contest in Oslo, Norway, will be singer Aisha performing the song “What For.” Let’s hope her voice improves by the time of the competition.

A total of 39 nations will compete in the contest, scheduled May 25-29. Last year in Moscow, the Belarus-born Alexander Rybak represented Norway and won easily with the hopeful song “Fairytale.”

Eirodziesma, the Latvian national contest to decide who would be sent to Oslo, took place Feb. 27 in Ventspils. For the first time, Latvian State Television provided a stream of the concert via the Internet through the official Eurovision Web site.

Aisha, the stage name of Aija Andrejeva, went into the contest as one of the favorites.

The music for “What For” was written by Jānis Lūsēns and the lyrics by Guntars Račs—both successful songsmiths.

The performances in Eirodziesma were evaluated by a five-person jury and by televoting from across Latvia.

Here’s what I saw and heard on the Internet stream.

The first to perform was the group PeR—three men named Pēteris Upelnieks, Edmunds Rasmanis and Ralfs Eilands. They sang “Like a Mouse,”  which was penned by Mārtiņš Freimanis. The tune had a 1950s American sound to it, but the performance lacked something. The vocals seemed a bit off.

Next up was Triānas parks with “Lullaby for My Dreammate (Diamond Lullaby),” led by singer Agnese Rakovska. This was the third time the alternative group has performed in Eirodziesma. If nothing else, Triānas parks puts some thought into its stage presence, but the song didn’t move me.

Aisha’s voice on “What For” was off key. The stage presence was odd, too. Aisha seemed dressed like a Greek goddess and she was surrounded by a trio of women hand-washing clothes. Facebook followers of the broadcast also were not kind to her. “What for are we listening,” one viewer asked.

Lauris Reiniks’ smooth voice on “Your Morning Lullaby” was pleasant even if the song sounded somewhat derivative. Of course, it wouldn’t be a Eurovision contest without derivative songs.

“My Religion is Freedom,” performed by Dons, was the fifth entry. The song, the most up-tempo up to that point, could certainly be a contender in Eurovision. Singing about freedom just seems to go well with a pan-European television event. However, I have never liked Dons. He can sing, but his stage presence is just creepy.

Is weird any better than creepy? “Digi digi dong,” performed by Konike Project, was supposedly a song in the ancient Konike language. Yeah, right. I could not get past the group’s strange tree costumes.

“It’s amazingly awful,” complained one Facebook follower. “Seriously, are there any decent artists left in Latvia. Or were there any at all? That’s a good question.”

H2O with “When I Close My Eyes” offered a return to something a bit more normal. Unfortunately, lead singer Jānis Strapcāns’ voice was terrible. One Facebook viewer correctly noted that he sounded like the lead singer for Crash Test Dummies, but way off base. Adding a couple of back-up singers in traditional Latvian folk costume did not help. And a note to the lyricist: It should be “When I was a young boy.” Why do Latvians insist on dropping the indefinite and definite articles when speaking and writing English?

Kristīne Kārkle-Puriņa’s performance of the Livonian-language “Rišti rašti” was nice. However, I could not see the song making its way into Eurovision. I would rather that Kārkle-Puriņa use her powerful voice to sing a more up-tempo song.

Ivo Grīsniņš-Grīslis had a nice pop song with “Because I Love You.” Finally, I thought, a tune that might just stand a chance in Oslo. It was his second time in Eirodziesma. Last year he performed with Iveta Baumane.

“Snow in July,” sung by Kristīna Zaharova, closed out the entries. The song was acceptable, but Zaharova lacked stage presence. Several Facebook viewers even panned her for wearing jeans. Zaharova, like Rybak born in Belarus, last year performed in both Latvia’s and Ireland’s national competitions.

Following the initial performances, three “super finalists” were named: Dons, Grīsniņš-Grīslis and Aisha. All three got to take the stage again. Unfortunately for Aisha, her voice sounded no better than the first time, but that didn’t stop the televoters and the jury from naming her the winner.

Aisha probably will not win in Oslo, but I don’t expect that she will fail, either. If she can improve her delivery, Aisha could just show “what for” Latvia continues to participate in Eurovision.

Aisha

Aisha (Aija Andrejeva) already is a popular singer in Latvia. She will represent her country in the Eurovision Song Contest scheduled May 25-29 in Oslo. (Publicity photo)

Aisha on television

The Latvian national contest, which was won by Aisha, was streamed live over the Internet.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.