Laiksne releases album with Latvian solstice-themed folksongs

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Hot on the heels of the similarly-themed winter solstice album Puzurs by Lauska record label mate Vecpilsētas dziedātāji, comes Es čigāna meita biju by folk ensemble Laiksne. Their first new album since 2010’s Putra, this album also presents winter solstice themed folksongs with modern arrangements.

Besides releasing similar albums, there are other parallels between Laiksne and Vecpilsētas dziedātāji. Both groups feature a large number of female members, nearly all of whom sing, so vocal harmonies play an important part in their music. Laiksne have more of a history, now being a veteran ensemble celebrating their 20th anniversary, and Es čigāna meita biju is now their fifth CD release.

One of many things that made Putra such a memorable folk release was that, besides containing performances of lesser known folk songs, Laiksne imbue their songs with energy and humor, creating records that are simply fun to listen to. Es čigāna meita biju is no different, and the album reveals the variety and vividness that can be found during the winter solstice time, which perhaps is slightly ironic, considering this is the darkest time of the year (listen to, for example, the very subdued winter solstice album Totari by Iļģi, which makes for a sharp contrast).

The group’s members include Lauma Garkalne, Dina Liepa, Vineta Romane, Baiba Indrēvica, Imanta Nīgale, Zanda Ancāne, Kaspars Indrevics, Gatis Gaujenieks, Aija Biezaite, Gundega Drava and Vēsma Putniņa.

The group’s skill with harmonies and arrangements appears on the song ‘Ai, bagāti Ziemassvētki’, an a cappella arrangement of the traditional folk song – all throughout the song there is the repeated mantra-like ‘Ziema, ziemassvētki’, and, over the course of the song, more and more voices join in, giving the song a very rich vocal performance. After the climax of the song, the voices depart one by one, perhaps like the slow departure of the budēlīši (roughly translated as mummers, much like ķekatnieki, masked visitors that travel throughout the village during the winter solstice).

A more modern arrangement of these ancient folk songs can be heard in the Latgallian song ‘Svātki guoja’, a driving, trance-like performance, with the solstice refrain ‘Kalado’ repeatedly chanted, with an almost hypnotic result.

The humor and enjoyment of the winter solstice can be found in the song ‘Labvakari, saimeniece’, a story of the mummers finally finding a place to rest and eat, after wandering and shivering the entire night. Sadly, there is no meat to offer them, as the children have already eaten all the meat and left only the bones in the pot, so the mummers continue on their journey.

Čigāni (normally translated as gypsies or Roma, though can also be roughly translated as ‘mummers’ in the context of these songs) are known not only for their colorful clothes, but also for their active songs with creative refrains. For example, in the song ‘Es čigāna meita biju’, a gypsy girl flirts with the boys while the rest of the mummers steal sheep, all the time singing ‘Aidā tidra kudra, aidā dīdā, ai duhaidā, ai fir lir lir, ai jumpidralalā’.

It is also worth noting the excellent production work on this CD, recorded at GEM studios and produced by Gatis Gaujenieks (not only an instrumentalist in Laiksne, but also bass guitarist and vocalist for Iļģi), as the songs have a fantastic sound and the production is quite crisp, especially the clarity and brightness in all the voices.

The CD booklet contains the lyrics to all of the songs, notes on the songs in English, as well as a brief explanation of the winter solstice season in both Latvian and English.

Though this time of year is dark and cold, Es čigāna meita biju offers a way to brighten up these gloomy days, with festive songs. Reaffirming their place as one of the premiere Latvian folk ensembles over their twenty year career, Laiksne reveals the multi-colored facets of the winter solstice time over the course of the album. Much like the spirited journey of the ķekatnieki, Es čigāna meita biju offers a vivid and memorable picture of the winter solstice season.

Laiksne website: http://www.laiksne.lv
Laiksne on Facebook: https://www.facebook.com/pages/LAIKSNE/118084614935325

 

 

Details

Es čigāna meita biju

Laiksne

Lauska,  2013

CD046

Track listing:

1. Ziemassvētki sabraukuši

2. Es čigāna meita biju

3. Ai, bagāti Ziemassvētki

4. Čyguonūs laizdamās

5. Kas duorzā

6. Mana balta māmuliņa

7. Lūdzama, māmiņa

8. Labvakari, saimeniece

9. Vakar kaza velējās

10. Vestienas čigānmeita

11. Tec, peleite, zierņu zogtu

12. Svātki guoja

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

New Latvian pianist Aurēlija Šimkus releases first CD

Latvian pianist Aurēlija Šimkus (known internationally as Aurelia Shimkus), younger sister of pianist Vestards Šimkus, has released her first CD entitled Scherzo. Containing renditions of works by Schumann, Beethoven, and Liszt, the CD was released by the German music label Ars Produktion (ARS 38 140).

Though Šimkus is only 16 years old, she began playing piano at age four and already was finding success at the age of 9 (1st prize at the Latvian National Young Pianists’ Competition), and then her first major recital at the age of 11 at the Kaunas International Chamber Music Festival.

The CD also features extensive liner notes on the compositions, as well as on Šimkus, in both German and English.

Works contained on the CD: Schumann – Piano Sonata No. 2 Op. 22, Beethoven – Piano Sonata No. 18 Op. 31 and Liszt – Scherzo and March

For more information, please visit Šimkus’ website at http://aurelia-shimkus.com/

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Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

The most wonderful time of the year… school’s out!

Latvians Online wanted to find out how new recruit Imanta Nīgale is faring, teaching in the Latvian school system with the Iespējamā misija program. Nīgale, a recent graduate originally from the United States, is currently teaching English using Iespējamā misija methodology at the Lithuanian School in Riga.

It’s the end of the semester.  My class is decorated with a beautiful Christmas tree, brought to us by one of my students and her father.  Everyone is dressed up, dancing to music, eating self-baked cakes and enjoying the final day together before the holiday vacation.  This is the life of a fifth grade teacher; trying to differentiate the happy screams from the hurtful ones, testing my patience and the many levels of loud my ears can tolerate.

It’s the most wonderful time of the year, but my greatest wonder comes from the inner satisfaction that I’ve conquered my first semester as an English teacher with Iespējamā misija.  I’ve succeeded in teaching my students some English and have had plenty to reflect on along the way.

If I think about how I felt at the beginning of the school year compared to this moment, what has changed the most is that now I have a much more realistic view of what my responsibilities are and am finally beginning to understand the ins and outs of the school system.  What’s even more is that I have had an eventful few months getting to know my students and now know what works and what doesn’t work with each group.  This, for me is one of the greatest comforts: to know what needs work, to know the goals of my students, especially when it comes to learning English, and to know how I can help them reach their goals.  Over the summer, when I received my position, I was very hesitant to have been put with high school students, having worked mainly with younger grades in the past.  However, I’m surprised how much I enjoy working with students who already have a foundation in English, which lets me come in and help them develop their skills further, giving them cultural perspective and real-life applications for using the language.

I’m lucky to be in a school that is already accustomed to IM teachers and so, my transition into the teaching collective hasn’t been all that difficult.  But I have noticed a gradually greater sense of openness from the beginning of the year up until the end of this semester.  As always with new colleagues it takes a while to warm up to each other and even more so in a society that tends to be closed off and weary of new-comers, especially strange Americans!  My fellow English teacher has played a strong role in supporting my transition, giving pointers and tips about the classes that she’s worked with in the past.  Iespējamā misija also makes sure that we each have a special “mentor” in the school who takes extra care to guide us and is our go-to person in case of any questions.  Having this sort of security blanket has made it much easier for someone who at times has felt truly lost in the shuffle of everyday school life.

That being said, it has been at times difficult to keep my set of expectations in check with what the school environment is like in Latvia.  I went to a small school in the countryside in Pennsylvania and now find myself in a minority school in the middle of a big city.  One of things that was new to me was the concept of class-looping, which means that the same set of students are in a class together, in all subjects, all of their schooling years.  This system is used all throughout Latvia and in other places as well, such as Waldorf schools.  As much as I appreciate the sense of stability it gives to students, in my case, I enjoyed the fresh start with every school year, not knowing who will be in your class or which teacher you will have.  In my opinion this taught me to adapt, to be able to interact with different classmates and teachers.  A few times now, I’ve noticed the negative effect of this system, which often results in high competition between classes and the resistance to interact with one another.  The lack of flexibility and readiness to go with the flow has also shown itself, even in such simple cases as rearranging desks for a new class activity,.

One of the topics we’ve discussed quite intensely in our training at Iespejamā misija is the project method and how it is perceived in Latvian schools.  This method, which encourages learning through doing, using interactive, hands-on approaches is not fully understood by teachers, parents and students.  It is rarely used as an everyday method in the classroom and is left to the “Project week” which happens once during the school year.  Unfortunately, this week is looked upon as a second holiday for students and a headache for parents who are often left scrambling to complete some kind of project for their children.  Our project week is still to come – in February- so I’m eager to see how things roll out at our school.  Students have already been offered project themes by teachers and have had to sign up with them (in typical Latvian style, with an “iesniegums”- official application).

If anything, this is a reflection of how post-Soviet education is still in transition and as much as everyone may agree that the project method is “good”, there is a lack of understanding and full comprehension from all parties about how this project and others should be executed.  Even when using everyday classroom projects, this semester has been a lot about teaching the basics – how to read and to understand a rubric grading system, what defines a quality product for a presentation or brochure, and what elements are necessary for presenting in front of the class.  Many times I’ve taken these skills for granted, having been taught them repeatedly since middle school years, that I’ve forgotten that now it’s my turn to teach these skills and that they are not second nature for everyone.

I’m very grateful for the support system that IM gives to its teachers.  We get to meet every other weekend to discuss various aspects of teaching, methods and personal development, sometimes covering topics that may not seem all that relevant, but show up later in the classroom.  While at training sessions, every free chance we get is spent sharing our experiences, receiving feedback on tried methods, listening to what others are doing and gleaning what might be useful for our own classes.  Most of us have established closer relationships with one or two people that are our “go-to” phone calls when we’re feeling especially down or need to share a special success.  It all comes down to the fact that there is no judgement in our successes or failures, we’re all here to learn and the learning experience is so much richer when we can share it together.

I have to admit that balancing everyday school tasks with IM training and a constant load of additional assignments takes a toll on a person.  However, I can’t say we weren’t warned about the change in priorities our lives would take once we started work and it’s something we were well aware of when we entered the program – the next two years are dedicated to school, methodology and self-development.  It teaches you to plan your time exceptionally well and as long as you plan ahead it really isn’t that bad!  In many cases,  IM training has become a refreshing break from the everyday classroom setting because it’s always a joy to be in a room of such talented and motivated adults, all working towards common goals!

Looking ahead, I’m definitely ready for a well-deserved break, but it won’t all be relaxing.  At the end of the semester students are asked to fill out a questionnaire about our performance with the goal of receiving honest feedback and constructive criticism to know where we need to develop our lessons further.  It will be interesting to read and to analyze my students’ responses and to take the time to reflect more in depth on my work so far.  What I’ve realized is that even if teaching may not be in my long-term plan, these skills of self-analysis and the ability to critically look at my own work will forever be transferable to other jobs.  I see myself and my colleagues growing into the leaders Iespējamā misija strives to support and produce and I’m excited for what lies ahead!