Enlarged NATO among his priorities

Aivis Ronis is the third Latvian ambassador to the United States since 1991. The new envoy, who succeeded Ojārs Kalniņš in April of this year, brings with him nine years of experience at the Ministry of Foreign Affairs. He has served as deputy secretary for foreign affairs and also as ambassador to Turkey in 1999. In a profession where gray hair is considered a virtue, the 31-year old ambassador is an exception. In fact, citing his age, the Latvian parliament’s foreign affairs committee deadlocked Ronis’ nomination as the new ambassador. Ronis was appointed without the committee’s approval. The new ambassador, who takes over at a time when Latvia is trying to join both NATO and the European Union, now has a challenging tenure ahead. He recently spoke with SVEIKS.com in the Latvian embassy in Washington, D.C.

Question: What are your priorities as the ambassador to the United States?

Ronis: I have five priorities. First, ensuring the continuity of the Latvian-American relationship once the next administration takes charge early next year. Second, garnering wider support for NATO enlargement and the invitation of the Baltic states to join the alliance. Third, enhancing U.S.-Latvian economic cooperation, in particular U.S. investment in Latvia in the fields of energy and information technologies. Fourth, ensuring the participation of American non-governmental organizations in the integration and modernization of Latvian society. And last, strengthening Latvian identity among Latvian Americans and enhancing their ties with Latvia.

Q: Concerning NATO expansion, what are the chances that all the nine candidates are invited to join NATO at once, especially after the Vilnius statement (made during May’s conference in Vilnius between representatives of the nine NATO candidates) received wide international response, including support of both U.S. presidential candidates?

Ronis: The chances to get invited are as bright as the chances not to get invited. It is important that the solidarity of the nine countries has attracted attention and, even more importantly, gained approval in the United States and Europe. The NATO aspirants are heading in the right direction by showing solidarity and agreeing on a common goal. (The NATO aspirants are Albania, Bulgaria, Estonia, Latvia, Lithuania, Macedonia, Romania, Slovakia and Slovenia – ed.). This increases the possibility of the U.S. deciding in favor of inviting all of the nine countries to join either simultaneously or in small groups. These countries have to become members of NATO, if Europe is to be united and free.

Q: There are apprehensions about Latvia being left alone while Lithuania is advancing towards NATO and Estonia towards European Union.

Ronis: Analysts say different things. Their conclusions and prognoses often change, nevertheless they influence the opinion of people who are not very familiar with the NATO expansion issue. I don’t see any logical, persuasive and rational argument for not inviting all the Baltic countries at the same time. In general, all the current NATO aspirants have reached the same level, with only slight differences, as regards defense structures, democracy and other areas. The only exception is a different degree of economic development in these countries. And that is where Latvia, Estonia and Slovenia stand out.

Q: As far as Latvia is concerned, which U.S. presidential candidate would be ideal, with respect to U.S.-Latvian relationships, particularly NATO enlargement?

Ronis: Both Democrat Al Gore and Republican George Bush are excellent candidates if one considers them from the perspective of Latvia and the whole Baltic region. But the U.S. policy vis-a-vis Europe, the Baltics and Russia will depend rather on the evolution of world affairs (such as the effectiveness and speed of reforms in the Baltic region, European integration and security, and the tendencies in the hot spots of the world, as well as internal processes in Russia and America). The above-mentioned factors, not the presidential candidate who wins, will determine the policy of the next U.S. administration.

Q: How do you see the role of Baltic American organizations—such as Joint Baltic American National Committee, Baltic American Freedom League, and Expand NATO—in the NATO expansion debate?

Ronis: Local Baltic organizations will, of course, be of great importance in the debate. Nevertheless, it will be hard for these organizations alone, without the support of other ethnic groups of Central European origin, to impress themselves upon U.S. legislators. That’s why the cooperation not only among the nine NATO candidates in Europe, but also among the respective ethnic groups in the United States, is so important. Baltic organizations in America are very efficient, despite the relatively moderate size of Baltic population. Still, one has to keep in mind that other ethnic groups, for example Poles, Hungarians and Czechs, are much bigger and could be of great help.

Q: Does the embassy have a good cooperation with Latvian-American organizations?

Ronis: Yes, we have an excellent working relationship. The embassy is grateful to these organizations for the support they provide in helping different Latvian organizations and individuals, as well as cooperating with Latvian state institutions. We are frequent guests at the American Latvian Association and other organizations, as well as at different Latvian communities here in America. Likewise, Latvian Americans are greatly interested in what Latvian Embassy does and what happens in Latvia. For instance, we were very pleased to see that the previous ALA congress in Boston was devoted to Latvia’s integration to NATO.

Q: What do you think are the main interests of the United States in the Baltic region?

Ronis: First and foremost, it is security. Second, it is a free and united Europe, one that could be a more unified partner of America on the global stage.

Q: How would you evaluate U.S.-Latvian economic relations?

A: Until now, American companies that wanted to participate in the investment projects in Latvia encountered different problems, due to hindrances posed by Latvian legislation and the privatization process. Also, American companies were not as interested in these projects as we would like them to be. It seems that the remote geographical position and the different scope of Latvian and American industries also slowed down the business contacts. Even though many projects were hampered by the drawbacks of Latvian legislation and too strict an administration policy both on the level of local municipalities and central government, the cooperation has been successful. We shouldn’t be shy about it. At present, we feel a stronger U.S. interest in the Latvian economy. As it is approaching the European Union, Latvia has become more attractive. European integration and the economic development of Russia will be the main factors that will influence U.S.-Latvian cooperation in future. If reforms in Russia are successful, we can expect a more active U.S. involvement in Latvian economy.

Q: What are the most promising areas of cooperation?

Ronis: Several American energy companies are interested in the Latvian energy monopoly Latvenergo (which is being offered for privatization, although that privatization is being challenged by some officials and members of the public – ed.). The other lucrative field is information technologies where different projects, for example, between IBM and Latvian companies, have already been started. It is important that the Latvian government is willing to make the investment environment more hospitable, particularly in relation to these areas.

Q: What do you consider your main achievement since you became ambassador?

Ronis: (Laughs.) I have adjusted to the time difference.

Q: What do you like in America? What do you dislike?

Ronis: I don’t like calling people and hearing an answering machine. Very rarely, there is a live voice answering. It’s almost always a mechanical answer by robot or a recorded tape. That’s irritating, and it makes me say, “Come on, I want to talk to a human being.” I’m also surprised that American football games take place on Monday evenings. That’s a unique phenomenon; you can’t find it in Europe. Europeans either work at that time on Mondays or watch TV. But things that baffle me can also please me. It all depends on mood, situation and environment.

(Editor’s note: This article orginally appeared on SVEIKS.com.)

Aivis Ronis

Aivis Ronis is Latvia’s third ambassador to the United States since 1991.

Čikāgas Piecīši re-releases are history lessons

Čikāgas piecīši

For nearly 40 years, Čikāgas Piecīši have been recording songs in their unique Latvian style, as well as playing to audiences all over the world. The Piecīši, although their number has rarely been five, have long been an institution and an important musical voice during the years that Latvia was occupied by the Soviet Union. Unfortunately for many of their fans, the records they released in the 1960s and 1970s have been long out of print and extremely difficult to find. And even when found, the years had taken their toll on the recordings, leaving the original releases scratchy and unlistenable.

Thankfully in this compact disc age, those great old albums have found a second life in digital format. These two compact discs collect four older albums: Sanfrancisko – Rīga, No Lielupes tilta, Vakarziņas and Čigākas Piecīši koncertā. These albums were recorded in a time when the prospect for Latvia’s future independance was very bleak. They paint a picture of what it was like to be a Latvian exile at that time, about people adapting to life in the United States and other foreign countries, while still never forgetting their Latvian origins.

Actually, three of the four albums reviewed here are not true Čikāgas Piecīši recordings. Sanfrancisko – Rīga and No Lielupes tilta are recorded solely by Alberts Legzdiņš and Janīna Ankipāne; Armands Birkens joins them for Vakarziņas. The only album that features the entire Piecīši ensemble is Čikāgas Piecīši koncertā. However, all the records fall under the Čikāgas Piecīši umbrella due to the presence of their leader and main songwriter, Alberts Legzdiņš. Legzdiņš is perhaps one of the greatest Latvian songwriters and lyricists, and these albums are a testament to that.

Čikāgas Piecīši draw influences from all areas, including Latvian folk songs and American instruments and sounds—such as the banjo and harmonica. Their songs range from humorous observations on everyday life to more melancholy melodies. A recurring theme throughout many of their songs is what it is like to be Latvian in the United States.

The oldest album here is Sanfrancisko – Rīga, a collaboration between Legzdiņš and Ankipāne released in 1969. Here the Latvian folk song influence is at its most apparent, as many of the recordings on this album are either Latvian folk songs or sound very much like them. The Latvian folk songs include “Es adiju raibus cimdus,” “Staburadze” and “Mans brūtgans ir jātnieks,” a song I remember singing in Latvian camp. A favorite on the record is “Es savai līgavai,” a Legzdiņš original. A recurring theme in Legzdiņš’ songwriting is the paucity of Latvians around the world. This theme appears in the song “Tautas skaitīšana.”

No Lielupes tilta, released in 1971, also teams up Legzdiņš and Ankipāne, for a very similar record as Sanfrancisko – Rīga, as it is also a folk song-influenced record. One of my favorite Latvian folk songs, “Nāks rudentiņis,” is performed here. Another favorite Legzdiņš original is “Piektdienas vakars,” a song about the adventures of the narrator and “Braunu kundze” (Mrs. Brown) while the narrator waits for ground beef to thaw in the sink one particular Friday night.

The track listing on Sanfrancisko – Rīga / No Lielupes tilta appears to have one error, as the song “Ezers tīruma galā,” although listed as being on the Sanfransisko – Rīga portion of the CD, actually appears later on the No Lielupes tilta portion.

Vakarziņas, originally released in 1970, contains some more melancholy moments. One of the sadder songs on the record is “Mātei dzimtenē,” a song about a mother in Latvia who in vain awaits the return of her sons. Vakarziņas also contains one of the most beautiful songs in the Piecīši library: “Līgo dziesma,” a song about the Latvian celebration of Jāņi (Midsummer). “Līgo dziesma” is a song urging mothers and fathers to teach their children all the songs of Jāņi so that they will never be forgotten.

The humorous side of the Piecīši also is very much alive and well on this record, as songs like “Man garšo alus,” a song with a well-known Latvian theme: beer, and how no other alcoholic beverage can compare to it.

Čikāgas Piecīši koncerta, released in 1975, as far as I can tell is a live recording of a Čikāgas Piecīši performance. I’m not entirely positive that it is a live recording, as the audience’s clapping and song introductions seems to be pasted together with the songs themselves. However, it is still a collection of great songs. This is the only album (of the four reviewed here) to feature the full Čikāgas Piecīši group. Perhaps one of the most famous Piecisi songs is “Pazudušais dēls” (The Prodigal Son), with words written by Uldis Streips about Latvians returning to visit Latvia after having left the country many years ago. The “Amerikāņu popurijs” (American Potpourri) on Čikāgas Piecīši koncertā is different than the one on the 1996 “best of” collection, Agrīnie gadi. This version contains a lengthy section about Latvian-American leader Uldis Grava. Another beautiful tune from the pen of Legzdiņš is “Es redzēju bālēliņu,” a song about young men going to war and how they leave behind loved ones, as well as how their great deeds are forever remembered in the words of folk songs.

One of the more amusing tracks is “Sekss ir labs” (Sex Is Good), which is a song about procreation sung to the tune of a Latvian children’s song. As introduced on the record, the song is meant to be taught to children at a young age to decrease the low childbirth rate among Latvians. And how can you argue with a line like “Gliemeži ir pacietīgi, eži dara uzmanīgi, vāveres uz katra zara, Dievs zin kā to čūskas dara” (“Snails are patient, hedgehogs do it carefully, squirrels on every branch, Lord knows how snakes do it”)?

The major complaint I have about the CDs is the packaging. There is very little of it. Besides the album cover and list of songs (and, in the case of the Sanfrancisko – Rīga CD, a brief statement from both Legzdiņš and Ankipāne) there isn’t anything else! Lyrics are especially missed. Many times I can’t really catch what is being sung. Legzdiņš being the great songwriter that he is, I think it would be of benefit to many to have the lyrics available. And because Čikāgas Piecīši have such a lengthy and interesting history, pictures and stories from their past would be fascinating, too.

Packaging aside, these are great records, and I recommend them highly. Hopefully the interest in these CDs is great enough to warrant the re-release of the other Cikagas Piecisi albums. I’m especially waiting for Mēs, puisēni, an album I used to listen to over and over again when I was a little kid. I still have the severely battered vinyl record somewhere.

These records show a great group at the height of their songwriting and performing, and still sound great today, almost 40 years later.

(Editor’s note: This article orginally appeared on SVEIKS.com.)

Details

Vakarziņas and Čikāgas Piecīši koncertā

Čikāgas Piecīši

Čikāgas Piecīši,  1998

Notes: Also reviewed is San Francisko – Rīga / No Lielupes tilta, a 1998 re-release of two albums by Janīna Ankipāne and Alberts Legzdiņš.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

This album will put you to sleep

Šūpuļdziesmas

After a visit from his grandparents, many sugary foods and being cooped up in the house for a long, rainy afternoon, our two-year-old was definitely overstimulated. He was having a tantrum just as I put this compact disc in to listen to for the first time. By the third or fourth song, he had quieted down and was playing and babbling by himself. I like to think it was this music that calmed him. And it really might have been. After all, these are lullabies, time-tested melodies that are specifically meant to calm a baby.

The first song on this newest album in the Latvian Folk Music Collection, Šūpuļdziesmas (Lullabies), is slow to develop. But, then, lullabies are supposed to put you to sleep, aren’t they? I don’t mean that as a criticism—actually, I think this is a beautiful recording! This album is produced by Ilga Reizniece and Māris Muktupāvels, both of the post-folklore group Iļģi. Although Iļģi have moved on to much more modern and upbeat renderings of Latvian folk tunes, this album reminds one of their earliest recordings. It is simple, traditional, meditative and, above all, very calming.

Šūpuļdziesmas sounds very “live”—it often seems like you’re right there on the bed next to the child being sung to. The singers sometimes repeat verses, improvise, hum—just as any mother does when her child has not yet fallen asleep by the end of the song.

Many of the songs are accompanied by only one instrument. A full third of them are sung a capella. A couple of the songs, for example “Aijā, Ancīt’, aijā,” are new arrangements, but most are just simple, straight-forward lullabies. It is, for the most part, not the typical lullaby repertoire that most Latvians in North America heard as young children, but they are all bona fide traditional Latvian melodies and texts. The liner notes tell of the hope that these lesser known lullabies will not take the place of our “old favorites,” but rather inspire us to learn new ones.

The lullabies on this album are sung and accompanied by well-known musicians in the the Latvian folk and folk/rock scene. My favorite is Biruta Ozoliņa, who has a whole album (Bolta eimu) devoted to her music in the Latvian Folk Music Collection. Her voice just seems so perfect for this. She sings, as usual, in the Latgalian dialect. I was happy to hear “Aijā, žūžu, lāča bērni” and “Pele brauc, rati čīkst” sung by men and fathers. When a child’s name is called for in certain lullabies, the singers name their own children, giving the songs a truly personal touch.

My only complaint about this album is the use of the synthesizer on a few of the tracks. It’s fairly inconspicuous on the first and last songs, but I really don’t like the trite New Age feeling of calmness that it is trying to evoke on “Velc, pelīte, bērnam miegu.” It’s a beautiful song, but the accompaniment kind of ruins it.

Interestingly, songs No.1 (”Čuči, guli, mazbērniņš”) and No. 12 (”Čuči, guli, mozi bērni”) are so similar that I had to compare them several times before figuring out that they are two different melodies. No. 1 is in fact a song that Iļģi recorded back in 1987 and 1989. The arrangement, though, has changed a bit. Those older Ilgi recordings of lullabies placed more emphasis on the instruments, and the vocals were more arranged. Their lullabies back then seemed to be arranged more for performance than the Šūpuļdziesmas album.

I tried playing this CD several days later when our son was again in a really irritable mood, this time specifically to see if the music would calm him. And it worked again! This time, about half way through the album, he even said, “Mamma, I want to be in that song.” Wow!

For you Latvians out there, this album will give you some simple, fresh ideas to expand your lullaby repertoire (in case you’re sick of “Aijā, žūžu”). Sing them to your child, your dog, yourself or your significant other.

For everyone else, put this CD in at the end of a long day and just enjoy the relaxing music!

Details

Šūpuļdziesmas

Latviešu tautas mūzikas kolekcija

UPE Recording Co.,  2000

UPE CD 018