Baltic Sisters share common bond of song on their first album

The three Baltic countries – Estonia, Latvia, and Lithuania – have long shared an intertwined history. As three small and culturally unique cultures on the shores of the Baltic Sea, their location between larger historical powers has meant that war has spread over their lands for centuries. However, their vibrant and deeply rooted cultures have survived the tribulations of their history, and have endured to become stronger than ever. Even though there are cultural and religious differences, Estonians, Latvians, and Lithuanians all share the common bond of song.

Recognizing this shared trait between them, originally three (now four) singers from the Baltic nations gathered to celebrate their shared affinity for folk songs and folk singing. The ensemble called themselves the Baltic Sisters, and united singers Marion Selgall from Estonia, Vineta Romāne and Liene Skrebinska from Latvia, and Laurita Peleniūtė from Lithuania. Originally the group focused on the Lithuanian singing style called Sutartinės, but have expanded their repertoire to include songs of all the Baltic peoples. The Baltic Sisters released their first album – Värav / Vārti / Vartai (the word for ‘gate’ in all three languages) – on the German music label CPL-Music in 2025.

On her website Peleniūtė describes sutartinės as “ancient Lithuanian multipart songs”. The songs on Värav / Vārti / Vartai are mostly sung unaccompanied, with multiple interwoven distinct vocal lines. This gives the songs a hypnotic, ritual atmosphere, such as the Lithuanian song ‘Sesė sodą sodino’, a song about planting a garden with apple trees, and the voices and their distinct melodies and texts, conjures an engrossing pastoral vision.

From the Latgallian repertoire, the group performs “Soka Saule rītiedama”, an orphan’s song from singer Domicella Līpeņa’s repertoire. The sparse vocal arrangement highlights the tragic nature of the song, and the repeated phrases, like ‘naraud gauži’ (do not cry bitterly) enhance the melancholy atmosphere of the performance.

Though many of the songs have a somber character, there are still moments of happiness and exuberance, such as on the Estonian “Sõrmemähkimise mäng”, a cheerful song about a young man meeting his bride after running to help her after she cut her fingers on some straw. This performance also shows the playful side of the ensemble.

Though most songs are sung with minimal accompaniment, for the Lithuanian “Turėjo Liepa”, the singers are joined by percussion and bass guitar, to give this ancient song about a linden tree with nine branches that loses its branches during a storm a more modern feel. The number nine is significant in the folklore of all three Baltic nations, deep with symbolism, and this song highlights the magical and mystical nature of this folk belief.

Mystical and atmospheric, somber and hypnotic, Värav / Vārti / Vartai envelops the listener with its rich and haunting melodies from all three Baltic states. Bringing together ancient songs from Estonia, Latvia and Lithuania, the Baltic Sisters display not just their singing skills, but also their ability to reveal the transcendent nature of the songs of the region. Though three distinct cultures, the album seamlessly melds the music and songs of each nation into a engaging and meditative whole.

For further information, please visit the Baltic Sisters Facebook page and the CPL Music website.

Värav / Vārti / Vartai

The Baltic Sisters

CPL-Music, CPL070, 2025

Track listing

  1. Sesė sodų
  2. Soka saule rītiedama
  3. Sõrmemähkimise mäng
  4. Cuckoo song
  5. Ėjau rytelia čiūta
  6. Aja kari siia!
  7. Dai kas padunda
  8. Svirtis svira
  9. Saulala sadina
  10. Nuslaida saulala
  11. Sviro lingo
  12. Tumsīnā, vakarā
  13. Treputė martela
  14. Turėjo liepa

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

New York Latvian School celebrates its 75th anniversary in May

The New York Latvian School (formerly the Bronx Latvian School) celebrated its 75th anniversary on May 9, 2026.

As part of the anniversary celebration at the Latvian Church in Yonkers, New York, USA, the school prepared a documentary film on the school’s history. Titled Ņujorkas latviešu skola no paaudzes paaudzē (The New York Latvian School through the Generations), the film traces the history of the school from Latvian schools in Displaced Person camps after World War II, to the school’s formal founding on May 5, 1951, to the school as it is today.

The film, developed by Zane Kaljo and Belinda Video Productions can be viewed on the New York Latvian School website.

The full film, in Latvian, is two hours in length, but there is also an abbreviated version available for viewing, in Latvian with English subtitles.

The film includes in-depth interviews with many former teachers and students, and also goes into detail about singing and dancing traditions at the school and discusses the challenges facing diaspora Latvian schools today. Supplemented with many historical photographs, the film is dedicated to all the students, teachers and principals of the New York Latvian School.

Film and event sponsors and supporters

The New York Latvian Evangelical Lutheran Church

The Latvian Cultural Society TILTS

The American Latvian Association

Daugavas vanagi USA

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Anda Eglīte performs timeless melodies on the kokle on recent release

The Latvian kokle, a plucked string zither-like instrument, is an indelible element of Latvian folklore. However, the instrument is often considered, unfairly, to be purely a traditional instrument, mainly meant for Latvian folk songs or dances. This would be a very short-sighted view of the kokle, whose sounds can be used to convey many different emotions, and can be used to exquisitely perform both the classic and modern repertoire.

Anda Eglīte, the head of the kokle and guitar classes at the Latvian Academy of Music, has for many decades been one of the premiere kokle performers, both as a solo artist as well as a member of the Altera Veritas quartet. Among the awards she has won are the Latvian Great Music award in 2003 and the Annual Folk Music Award in 2007. She has recorded six albums of kokle music for the Prima Classic label, the most recent of which is 2025’s Sandglass.

As per the album’s press release, “Sandglass invites you into a world of peace and reflection”, as the recordings on this album spotlight the dreamy and meditative sound of the kokle through both early and modern compositions.

Eglīte presents beautiful arrangements of baroque compositions, including Johann Sebastian Bach’s Prelude from Suite No. 1, the famous Canon by Johann Pachelbel, and the Andante from Antonio Vivaldi’s Concerto for Two Mandolins. These ancient, yet timeless melodies are given new textures in the sound and the music of the kokle.

Eglīte’s repertoire also includes works by contemporary Latvian composers, including two works dedicated to Eglīte – ‘Feeling? Like an endless stream, love flows…’ by Agnese Boitmane and ‘Mood’ by Dzintra Kurme-Gedroica. Boitmane’s contemplative and emotionally rich work is a kind of rumination on love, with both gentle and more tempestuous moments. ‘Mood’ is pensive and introspective, and Eglīte’s kokle creates a reflective and melodic ambience. Eglīte herself is also a composer, and she displays her compositional skills on the atmospheric and mystical ‘Paraphrase’.

Eglīte’s confident, yet delicate performances on Sandglass take the listener on a dreamy and calming musical journey, guided by the ethereal and gentle sound of the kokle. With a selection of works that cover a span of many centuries, Eglīte’s kokle talents reveal how the instrument can beautifully and memorably capture the spirit of many different eras.

For further information, please visit the Prima Classic Anda Eglīte page.

Sandglass

Anda Eglīte

Prima Classic, PRIMA070, 2025

Track listing:

1. Sandglass – Līga Ančevska

2. Suite No. 1 in G Major BWV 1007: I. Prelude – Johann Sebastian Bach

3. Paraphrase – Anda Eglīte

4. Dances D’Automne: No.5 – Bernard Andrès

5. Canon and Gigue in D major: Canon (Arr. by Jenifer Cook) – Johann Pachelbel 

6. Feeling? Like an endless stream, love flows… – Agnese Boitmane

7. Pavana – Francisco Tárrega

8. Souvenir – Freddy Alberti

9. Concerto for Two Mandolins in G major, RV 532: II. Andante (Arr. by Fred Nachbaur) – Antonio Vivaldi

10. Father’s house – Vilnis Salaks

11. Mood – Dzintra Kurme-Gedroica

12. Suite No. 1: Remembrance – Domenico Sodero

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.