‘My Century’ – autobiography of Kristaps Keggi M.D. is a remarkable life story

My Century by Kristaps Keggi M.D., 2022, 360 pages

Of the many remarkable American Latvian success stories, the life and career of Kristaps Keggi M.D. is one of the most exceptional. A child fleeing war and Soviet terror departs Latvia, spends time in refugee camps, then arrives in the United States with his family, not much to his name, but grows up to become one of the most respected orthopedic surgeons in the world.

Now nearly 90 years in age, his storied career took him all over the world – from the United States, to Vietnam, throughout Russia, as well as back to Latvia. Dr. Keggi has collected his many experiences and, in 2022, published a memoir entitled My Century, subtitled “A memoir of war, peace and pioneering in the operating room”. At times terrifying, other times humorous, it even has some unexpected intrigue, particularly in Keggi’s travels in the former Soviet Union. Keggi also writes about his experience being a surgeon during the Vietnam War. Keggi is also blessed with an exceptional memory, and he shares many detailed anecdotes about the people who he has met throughout his life, even if briefly – the stories are often touching, occasionally tragic.

Keggi writes in a brisk, matter of fact style, even laconic at times. Perhaps befitting a surgeon, the writing is crisp and to the point, without unnecessary flowery adornments (for example, one chapter is simply entitled ‘Other Russian People and Places’). He also helpfully provides historical background for many of the events in his life, such as Latvian history, which may not be familiar to all readers. He also goes into medical detail about his many innovations in orthopedic surgery, particularly hip procedures. Keggi also writes extensively about his teaching and his sharing of knowledge with medical professionals all over the world, as well as his extensive charitable work. Keggi also has a droll sense of humor, amusingly using medical terminology in sentences like this about a Playboy Playmate visiting Vietnam – ‘They had to settle for a view of her deltoids, having hoped for bared gluteus maximus muscles which … would have been worth visualization.’

Anecdotes that Keggi shares include the shocking story of the time he was a person of interest in a murder investigation (the still unsolved murder of Dr. Mary Sherman of New Orleans, who Keggi was supposed to meet while traveling through the area), as well his work and friendship with Aleksey Stepanovich Shindjajev – the #2 man in the KGB, with whom Keggi worked with extensively, and Keggi details many adventures that could even be considered Cold War thrillers.

The most harrowing and poignant section of the memoir is Dr. Keggi’s experiences as a surgeon in Vietnam during the war. Life and death situations, difficult decisions, and the near constant presence of death and terror fill Keggi’s time in Vietnam, including the story of being part of a “lost hospital”, a surgical hospital that was the scene of a chaotic withdrawal, leaving the surgical team members abandoned near the Cambodian border.

Though Dr. Keggi has had an amazing, successful life, he does concede that there has been quite a bit of good luck and fortune that has helped him throughout his life. From the Soviet army pausing before their assault on Riga at the end of World War II (which gave Keggi’s family time to escape) or surviving a fire in a burning tent full of explosive medical materials in Vietnam, and even enduring the mental breakdown of a soldier with a loaded rifle that luckily jammed, also in Vietnam.

Keggi’s memoir is also timely, having been released not long after the Russian invasion of Ukraine. Though Keggi does make a case for the benefits of the United States having a positive relationship with Russia, particularly due to the many positive relationships and friendships he has had with Russians throughout his career, he added a postscript to the memoir about a colleague Olafs Libermanis from Latvia who immediately traveled to the war zone in Ukraine to help, and Keggi is there with him in spirit.

My Century by Kristaps Keggi M.D. is an amazing story of war, medicine, and the many noteworthy people who have passed through Keggi’s life. It makes for engaging and informative reading for Latvians, medical students and professionals, or anyone interested in history. Dr. Keggi’s story is an inspiration, and his attention to detail imbues his memoir with vivid images and scenes, making for a remarkable and memorable life story.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Dzintra Erliha celebrates women composers of solo piano music on new album

Distinguished, award-winning Latvian pianist Dzintra Erliha has, throughout her career, premiered and championed the works of women composers. To celebrate the contribution of women composers to the field of solo piano music, Erliha recorded the album Serena, which is a collection of works by Latvian and American women composers, all of which were composed in the 21st century. The album was released in 2023 on the Prima Classic label.

The works collected on Serena are emotionally deep, plumbing the depths of the psyche and the soul, and this is exhibited on the uneasy, brittle Ballads Nos. 1 and 2 by American composer Sharon Farber. In the CD booklet, Farber notes that the work was inspired by a friend who was struggling with her mental health, and envisioned herself as a free spirit, flying above the earth. Erliha’s nuanced performance captures both the difficult struggle and inner turmoil, as well as the glimmers of hope, that are interwoven in Farber’s work.

Erliha displays her technical skill when performing the challenging ‘Variations’ by American composer Leanna Primiani, as the work makes sudden changes in tempo and mood, quiet and playful at one moment, then contemplative, and surging to a thunderous conclusion, and Erliha’s adept performance reveals the nuances and intricacies of this composition.

Many of the works on the album are dedicated to Erliha, including ‘Hope’ by Latvian American composer Lolita Ritmanis, who has won many awards for her music for television and film, and among her credits is the soundtrack to the Latvian film Dvēseļu putenis. ‘Hope’ is sonorous and meditative, and allows Erliha the opportunity to display her talents with melody, as she imbues Ritmanis’ sweeping work with a tonal richness.

Erliha frequently collaborates with Latvian American composer Dace Aperāne, and this close relationship has led to many fruitful works, including the three part ‘Pastorāles’ included on Serena. According to the CD booklet, Aperāne was inspired by works of art by the Latvian painter-symbolist Pēteris Krastiņš. Erliha performs the gentle, contemplative ‘New Moon’ with a light touch, giving the work an almost fragile atmosphere, while ‘Clouds’ is dramatic and mysterious, and ‘Small Forest’ is a tender, bucolic work, partly inspired by bird calls, and Erliha conjures an enveloping pastoral atmosphere with her graceful and delicate performance.

Nature also inspires Latvian composer Mārīte Dombrovska, and her work ‘Serena’ was born of time spent in the countryside. Though initially quiet and reserved, the work builds in intensity to a storm of turmoil, then quietly dissipates at the conclusion. The work seems to tell a story (the composer notes the ‘serena’ is a song of forbidden love performed by the troubadours of Provence), and Erliha brings forth the emotional depth of this work.

Latvian composer Sabīne Ķezbere’s notes that her composition ‘Divine Feminine’ “has nothing to do with feminism” but was more to create a “fragile, sensitive and at the same time strong musical character.”” The work is quiet and introspective, and, though the work is reserved, Erliha’s playing displays the inner strength and power in this composition.

The album concludes with the four part ‘Porcelain Sonata’ by Latvian composer Ilona Breģe. Inspired by the Riga Porcelain Factory, which was famous worldwide for the quality of its porcelain products. The vivacious and energetic ‘Morning Tea Cup’ leads to the more somber ‘Sugar Bowl without a Lid’, a work composed only for left hand, which results in a work full of rich bass notes, though imbued with a sense of loss. ‘Hand Painted Flower Vase’ is rich with colors and textures, while ‘Gilded Coffee Set for the Evening’ is resonant and resplendent, and Erliha’s playing is animated and bright, musically displaying the beauty and fragility of these porcelain inspired compositions.

Pianist Dzintra Erliha’s album Serena reveals a wide panorama of sounds and images created by many distinguished American and Latvian women composers. Each work has its own personality and story, and Erliha’s adept and skilled performances reveal the many emotional layers and sonic facets of all these diverse and varied works.

Dzintra Erliha will be performing in the Weill Recital Hall at Carnegie Hall in New York City on Friday, February 9, 2024.

For further information, please visit Dzintra Erliha’s website.

Serena

Dzintra Erliha

Prima Classic PRIMA020, 2023

Track listing:

Sharon Farber

  1. Ballad No.1
  2. Ballad No.2

Leanna Primiani

  • Variations

Lolita Ritmanis

  • Hope

Dace Aperāne

Pastorales

  •  New Moon
  • Clouds
  • Small Forest

Mārīte Dombrovska

  • Serena

Sabīne Ķezbere

  • Divine Feminine

Ilona Breģe

Porcelain Sonata

  1. Morning Tea Cup
  2. Sugar Bowl without a Lid
  3. Hand Painted Flower Vase
  4. Gilded Coffee Set for the Evening

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Parša and Osokins release album of Melngailis’ solo songs

When Latvian composer Emilis Melngailis died in 1954, he left behind a sizable contribution to Latvian music – choir arrangements, chamber music, and solo songs. Much of what Melngailis wrote and arranged was influenced by Latvian folk songs, particularly musical and harmony elements.

Though Melngailis’ choir works and arrangements might be better known, his solo songs, though much fewer in number than his choir works, are also treasures of Latvian music. Recognizing this, two distinguished Latvian talents – mezzo-soprano Ieva Parša and pianist Andrejs Osokins have recorded an album of Melngailis’ solo songs. Entitled i bērzs, i smilgas…, the album was released in 2022. In addition to works by Melngailis, the album also includes solo songs by modern Latvian composer Kristaps Pētersons.

Melngailis is considered a romantic composer, and this is evidenced by the emotionally deep and musically rich works presented on this collection. The poem by Rūdolfs Blaumanis ‘Nebij’ mēnesnīcas, nebij’ ziedu’ is somewhat unromantic – in that it is a more matter-of-fact expression of love. Lines like ‘Nekritu es tavā priekšā ceļos’ (I did not get down on one knee) and ‘Tad ēdu, dzēru, jo es visu rītu salcis biju’ (Then I ate and took a drink, for I had been hungry all morning) seemingly would not lend themselves to a romantic song, but the music of Melngailis reveals the inner beauty of this otherwise ordinary scene.

Composer Emīls Dārziņš was a contemporary of Melngailis, and though perhaps Dārziņš’ solo songs are more well known, Melngailis’ songs stand on equal footing. Both composers wrote music for the Blaumanis poem ‘Kā zagšus’, and the stealth of the title is accentuated by Parša’s tender and sonorous singing, backed by Osokins’ delicate piano performance.

Melngailis’ appreciation of Latvian folk texts is woven throughout the lively, celebratory ‘Ganiņš’, a song of spring and summer, and Parša gives an emotive and stirring performance. Melngailis’ works also have a childlike innocence and playfulness, such as the dreamy ‘Pasaciņa’ and the animated ‘Pār ceļu zaķītis pārskrēja’

The inclusion of recent works by Kaspars Pētersons is curious artistic choice, as Pētersons’ songs and compositions are dramatically different in style and sound than Melngailis’ works. The transition from the works from one composer to the other can be quite jarring, but perhaps that is the idea – while the listener is reminiscing with the music of Melngailis, reflecting on an earlier, perhaps simpler time, the music of Pētersons returns us to the present day, reminding us of the occasional harshness and hardships of today. This can be observed in the somber, even ominous ‘Music for Piano’, a solo performance by Osokins that allows the pianist to demonstrate his talent for expressive and dramatic piano performance.

Parša also provides a solo performance in Pētersons’ haunting ‘Smilgas’, which combines Parša whistling, singing and whispering, and the only text in the work is the works ‘smilgas’ (blades of grass) and ‘ilgas’ (longings).  Paršas performance gives the work an eerie atmosphere, perhaps to suggest the fragility of nature.

In the hands of two accomplished and talented musicians like mezzo-soprano Ieva Parša and pianist Andrejs Osokins, the songs of Emilis Melngailis and Kristaps Pētersons collected on i berzs, i smilgas… become picturesque and resplendent, vividly displaying colors and emotions. Parša’s rich voice and Osokins expressive playing combine to bring out the many facets and layers in these songs, adeptly bridging the century between these two composers.

For further information, please visit the Skani website.

i bērzs, i smilgas…

Ieva Parša – mezzo-soprano, Andrejs Osokins – piano

LMIC/SKANI 136, 2022

Track listing

Emilis Melngailis

1. Nebij mēnesnīcas, nebij ziedu

2. Kā zagšus

3. Ganiņš

4. Jaunā gaisma

5. Pirmais marts

Kristaps Pētersons

6. Mūzika klavierēm

Emilis Melngailis

7. Pasaciņa

8. Pār ceļu zaķītis pārskrēja

9. Uz rīta pusi

10. Zeltītas lapas

Kristaps Pētersons

11. Dziesma ar Eduarda Veidenbauma dzeju

Emilis Melngailis

12. Man mirdzēja zvaigzne

13. Kā diena bez saules

14. Vientulība no cikla klavierēm Mazie meti

Kristaps Pētersons

15. Smilgas

Emilis Melngailis

16. Rauduves balss

17. Bērzs i varavīksna

18. Divas mazas rociņas

19. Alpu kvēles

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.