Prokopčuka wins New York City marathon

Jeļena Prokopčuka appeared to be on her way to finish well in the women’s race of the New York City Marathon, but she did even better, zipping first past the finish line and claiming a USD 130,000 prize.

A glowing Prokopčuka wrapped herself in a Latvian flag after her Nov. 6 victory.

“This is a big victory for such a small country,” she told The New York Times.

The 29-year-old Prokopčuka crossed the finish line 2 hours, 24 minutes and 41 seconds after starting the 26-mile course, 14 seconds ahead of Susan Chepkemei of Kenya. Chepkemei seem assured of victory, according to media reports, and was running ahead of the pack, but three miles from the finish became sick. Prokopčuka took advantage of the situation and soon closed the gap.

Last year, Prokopčuka finished fifth in the New York marathon with a time of 2:26:51.

Prokopčuka is coached by her husband, Aleksander Prokopčuka.

She was one of four runners from Latvia in the marathon. Also participating were Andrejs J. Lazda, 33; Valdis Blūms, 50, and Raivis Zaķis, 25.

Jeļena Prokopčuka

Jeļena Prokopčuka is the winner of the 2005 women’s race in the New York City Marathon.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Latvia denies it’s home to CIA base

A government spokesman says Latvia is not one of the East European countries that reportedly have been home to secret CIA bases where suspected al Qaeda members are interrogated.

The location of all official detention sites is publicly available information, Arno Pjatkins, press secretary for Prime Minister Aigars Kalvītis, told the Web portal Delfi on Nov. 3.

The Latvian government’s denial was one of several from East European officials following a Nov. 2 report in The Washington Post. The newspaper reported that the CIA over the last four years has used secret bases in eight countries, include “several democracies in Eastern Europe” that were not named.

The secret detention sites, the newspaper said, were used to hide the interrogations from the public and even from Congress.

Although the paper reported that Thailand and Afghanistan are among the eight countries, it did not name the other nations at the request of U.S. officials.

“They argued that the disclosure might disrupt counterterrorism efforts in those countries and elsewhere and could make them targets of possible terrorist retaliation,” the newspaper reported.

The New York-based Human Rights Watch on Nov. 3 suggested two of the countries might be Poland and Romania. The organization used flight records to draw its conclusion. Polish and Romanian offjcials denied that their countries have CIA bases.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Auļi makes noise even a mother might like

Auļi

The Latvian composer and folklorist Emilis Melngailis wrote in 1949 that the Latvian tradition of drumming had completely died out. But in the same breath he longed for its renewal, coupled with the bagpipes, which complement the drums so well. It seems the time has finally arrived with Auļi and the compact disc Sen dzirdēju.

Auļi is a sympathetic group of young Latvian men and one Estonian woman who play exactly that combination of drums and bagpipes. The group includes Leanne Barbo, Kaspars Bārbals, Andris Buls, Mikus Čavarts, Gatis Indrēvics, Kaspars Indrēvics, Māris Jēkabsons, Edgars Kārklis, Normunds Vaivads and Gatis Valters.

Formed in 2003, Auļi is a relatively new group in the world of Latvian folk music and plays energetic arrangements of traditional music along with a few of its own compositions.

Auļi is great to watch live, because the group members have so much fun on stage. Unfortunately, drums and bagpipes just aren’t the same on a recording as they are live. But it’s still obvious from the 12-track CD that Auļi enjoys creating “bungu raksti” (weaving and craft terminology used to describe drumming patterns) and playing around with all the possibilities of bagpipes. The group rounds out its sound with flutes, the Jew’s harp and singing.

The CD starts out with Auļi’s signature song, “Sen dzirdēju.” It is followed by the whispers and yells of “Cīrulītis.” “Sūda dziesma” is a song in honor of, yes, manure. “Depo” (the calmest song on the disc) and “Pieci” are original compositions for bagpipes and drums, respectively. “Reigi valsis,” “Pāvs,” “Balabaska” and “Apaļdancis” are all dance tunes, the last of which contains some unusual bagpipe effects and harmonies.

There’s no mystery as to why Auļi is popular among a certain segment of the young population. The music and vibrations touch that primitive nerve deep in the stomach.

Auļi’s sound is also unmistakably military. That’s because historically bagpipes and drums have been associated primarily with war. But surprisingly, only two of the songs have texts about going off to battle.

Auļi fits very well into the niche of medieval and folk-metal festivals. So, if that’s your niche as well, and if you don’t mind the constant buzz of bagpipes and driving drum beats, you’ll probably like this CD.

As the liner notes say, the group “makes noise.” But I know plenty of people age 30 and older who like Auļi, and I think my mother will like the group, too.

Details

Sen dzirdēju

Auļi

Lauska,  2005

CD 04