Koncerts Īrijā varētu būt aizsākums jauniem dziesmu svētkiem

Pirmais Īrijas latviešu mākslas pašdarbnieku koncerts “Ieskandēsim vasaru” notika 7.jūnijā Dublinas priekšpilsētā Lucanā un saveda kopā dziedātājus, dejotājus un aktierus – un deva cerību iniciatoram Normundam Āboliņam, ka šadus pasākumus ir jāorganizē katru gadu.

Koncertu uzveda lielajā skolas zālē Griffeen Valley Educate Together National School, kur mājvietu ir atradis Latviešu bērnu aktivitāšu centrs (LBAC). Kā informēja Āboliņš, koncertā piedalījās Latviešu Biedribas Īrijā koris “eLVē” un LBĪ bērnu vokālā grupa “Mazais letiņš”, kurus vada Inguna Grietiņa, kā arī LBĪ deju grupa “Jampadracis” Solveigas Slaidiņas vadībā un LBĪ teātra studija “Cita bedre” Daces Ziemeles vadībā. Koncertu kuplināja arī LBAC bērni un skolotāji ar individuāliem priekšnesumiem.

Pasākuma režisore bija LBAC mūzikas skolotāja Skarleta Mukāne, asistente – LBAC vadītāja Ramona Āboliņa, pasākuma vadītāja – Sanita Lemeša.

Ziņojumā medijiem Āboliņš rakstija, “Vai tas būs latviešu māksliniecisko grupu atskaites punkts par iepriekšējā gadā paveikto, vai, kas zin – varbūt tiešām savu dziesmu un deju svētku aizsākums, patreiz vēl teikt pāragri, tomēr tas, ka šādiem koncertiem jākļūst par tradīciju, ir skaidrs gan dalībniekiem, gan organizētājiem.”

Sandra Bondarevska, Latviešu Televīzija Īrijā konsultante, intervijā ar Latvians Online piekrita domai, ka koncerts varētu būt dziesmu svētku aizsākums. LTĪ dalībnieki bija ieradušies uzfilmēt koncertu.

Atklājot pasākumu, LBAC vadītāja Āboliņa atgādināja cik svarīgi ir glabāt latviešu tautas valodas, kultūras un mākslas vērtības, it īpaši, dzīvojot tālu no dzimtenes Īrijā.

LBI teātra studijai “Cita bedre” šis pasākums bija īpašs, tādas kā pirmās uguns kristības, rakstija Āboliņš. Studija uzveda fragmentus no lugas “Skroderdienas Silmačos”.

“Pirmā uzstāšanās publikai pilnībā attaisnoja teātra studijas dalībnieku un aktieru ieguldīto darbu” – tā Āboliņš.

Pasākuma režisore Mukāne speciāli pasākumam par godu bija pat uzrakstījusi dzejoli par Latviju.

Pasākumā piedalījās arī Latvijas vēstnieks Īrijā Indulis Ābelis. Vēstniecības darbinieki bērniem bija sagatavojuši interesantu viktorīnu par Latviju. Par zināšanām un atjautību, bērni saņēma gan latviešu rudzu maizes klaipus un īstu no Latvijas nākušu medu, gan Laimas saldumus, gan skaistas dzintara rotaslietiņas un citas veltes.

LBAC vārdā Āboliņš pateicas centra bērnu vecākiem par finansiālo un morālo atbalstu pasākuma organizēšanā.

“Esam pārliecināti, ka nākamajā gadā, latviešu mākslinieku skaits Īrijā būs vēl lielāks. Tādēļ uz nākamo gadskārtējo koncertu ‘Ieskandēsim vasaru 2009’, sāksim jau gatavoties tagad” – tā Āboliņš.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Pete Anderson plays good old rock-and-roll

Description of image

Pete Anderson (or Pīts Andersons in Latvian) is one of the most unusual musicians in Latvia. His latest album, Brass-a-Billy, is an excellent collection of classic songs as well as Anderson originals. The album’s title comes from the style of music Anderson performs: a combination of brass instruments with rockabilly melodies.

Anderson’s entire career is based upon the concept that rock music pretty much reached its peak in the 1950s, and certainly a very strong argument could be made for that theory. The music Anderson plays glorifies that era, a time when music and lyrics were simple, fun and exuberant, and much of the angst of today’s music was nowhere to be found. Even in deepest, darkest Soviet times, Anderson was performing this style of music and was just about the only person in Latvia to do so.

His biography is at times tragic and at times inspirational. Playing rock-and-roll, not to mention songs in English, was frowned upon by the Soviets. Anderson was called before the State Security Committee many times, and one time the committee even threatened his family if he didn’t give up doing what he was doing. Fortunately, with time the situation changed and he was able to continue doing what he did best. Anderson has also performed in many different countries, including the United States, Great Britain and all over Europe.

On Brass-a-Billy, Anderson provides all the vocals and is joined by an impressive list of musicians. All the songs are in mildly accented English, but there is not much else that would indicate they are performed entirely by Latvians. If the goal is to authentically recreate a 1950s sound, that is quite the accomplishment.

Included on the compact disc are songs like “R-O-C-K” by Bill Haley and the Comets, “Little Sister” by Doc Pomus and Mort Shuman, “Am I Blue” by Grant Clarke and Harry Akst and many others.

Anderson also has a few originals on the album, including “Brassabilly Boogie” and “Red Corvette,” which seamlessly fit in with the classic tracks of the past.

Also included on the CD are two bonus tracks, “Calling all Comets” recorded in 1989 and “Jump, Jive an’ Wail” recorded in 1990—long before Brian Setzer had a big hit with the song. The CD also has the music video for “Jump, Jive an’ Wail.”

It is refreshing to hear a record that is so very unpretentious. Anderson’s goal is to play good old rock-and-roll, without any of the moroseness and misery that creeps into a lot of modern music. The music, as well as Anderson himself, is unabashedly retro and a blast to listen to from beginning to end.

Details

Brass-a-Billy

Pete Anderson

Razzle Dazzle Records,  2008

RDCD 101

On the Web

Pete Anderson

Pete Anderson’s official Web site has lots of background on the artist’s life and his music. His biography offers insight into how rock music was received during the Soviet occupation. EN LV RU

Where to buy

Purchase Brass-a-Billy from Amazon.com.

Note: Latvians Online receives a commission on purchases.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

The empires strike back

Latvia’s coalition government is determined to wield power and has worked hard to marginalise or co-opt the opposition and the newer political forces trying to provide alternatives in politics. Meanwhile, Russia is relentlessly trying to intensify its influence, buoyed by Latvia’s gas dependency and by a curious side-step into sport.

April saw a successful outcome of the trade union-led petition for a consitutional amendment to give the electorate the power to initiate the termination of the Saeima and force it to an election. Many more voters signed the petition than the required 10 percent of the number voting in the previous parliamentary election. The constitutional change process required the proposal be debated by the Saeima. If the Saeima agreed, it would become part of the constitution. However, if the Saeima rejected the proposal, the proposal would go to a referendum. The proposal—always opposed by the coalition government—was in fact rejected by the Saeima, leading now to a national referendum on Aug. 2.

The success of the petition, and the success in early opinion polls of new political groupings led by Sandra Kalniete and Ģirts Valdis Kristovskis (Pilsoniskā savienība, or Civil Union) and by Aigars Štokenbergs and Artis Pabriks (Sabiedrība citai politikai, or Society for a Different Politics), initially forced the coalition to tone down its political ambitions. The coalition’s previously much-questioned reappointment of Jānis Kažociņš as director of Latvia’s main intelligence organisation, the Constitutional Defence Bureau (Satversmes aizsardzības birojs) finally went through with all coalition parties publicly supporting him (though several coalition Saeima members it seems nevertheless voted against him in the secret ballot). More trouble arrived for the government when Ina Gudele, the minister in charge of “e-matters,” had to resign when she used government finances to pay for her birthday celebration, which included a media-appealing strawberry torte. Prime Minister Ivars Godmanis’ announcement of achievements during his first 100 days in office was decidedly muted.

Yet these setbacks have clearly stirred the coalition into renewed action, trying to bolster its flagging fortunes, regain the political initiative and still do well by its mates.

Almost as a godsend (or from more earthly powers?) for the coalition came the April revelation that around LVL 130,000 had been stolen from the Corruption Prevention and Combating Bureau (Korupcijas novēršanas un apkarošanas birojs, or KNAB). It was the previous government’s desire to dismiss KNAB Director Aleksejs Loskutovs that led to public outrage, the “umbrella revolution” and Prime Minister Aigars Kalvītis’ eventual resignation late last year. The unexplained theft brought Kalvītis and others to call once more for Loskutovs’ dismissal. Also related to money matters, the Saeima has just passed a late surprise amendment to water down a criminal law proposal for confiscation of illegally gained assets, leaving everyone wondering in whose interests this was done. President Valdis Zatlers has responded in a curious fashion. Although he has the power to ask the Saeima to reconsider, at the time of this writing he is cautiously asking an ad hoc committee to advise him on what he should do. And also related to criminal law, a dubious coalition-backed candidate, Ivars Bičkovičs, was voted in as chief judge of the Supreme Court by the Saeima.

Prime Minister Godmanis has worked hard, not always helped by his ministers, to regain public trust in his government. But in May normal political transmission was interrupted by an attention-grabbing stunt featuring Kalvītis again: a group of ice-hockey backers had succeeded in having a team Rīga Dinamo join the newly re-created Russian hockey league lavishly sponsored by natural gas giant Gazprom. Despite all protests about Latvia’s energy dependence on one Russian source, Gazprom will expand its business in Latvia with the imminent building of a new gas-fired power station. Among the backers for both the power station and the new hockey team is now ordinary Saeima deputy Kalvītis. The measure of the man is seen from this exchange on his hockey dealings in an interview in the newspaper Diena:

Diena: Your declaration of income [required of all parliamentarians] does not show that you will be able to pay for your Rīga Dinamo shares.
Kalvītis: Don’t worry. That’s my business. I have already paid 50,000 and over the next year I need to pay another 150,000.
Diena: Where will you get the money?
Kalvītis: I’ll earn it.

No doubt he will.

Meanwhile, the opposition parties and new political groupings struggled. In May’s opinion polls the Kalniete-Kristovskis and the Štokenbergs-Pabriks partiea both slipped below the 5 percent mark they had earlier reached. (Five percent is the threshold a party must reach to have members elected to the Saeima). New Era (Jaunais laiks), which Kalniete and others abandoned, slipped even further below the 5 percent barrier, aided by persistent rumours it may make an alliance with the coalition’s leading People’s Party (Tautas partija). Some commentators stressed that this was typical of a period of lull when elections are not near and apathy takes over, but others warned this signalled a deeper malaise within the new political forces, which were essentially not new people but known politicians recycled.

Internationally, Latvia-Russia relations again soured when the Latvian documentary Soviet Story was released. The film showed not only the publicly known face of Nazi-Soviet collaboration as in the Molotov-Ribbentropp pact, but hitherto unknown details of much longer collaboration between the SS and NKVD (KGB) on tactics and methods, down to anti-semitism and its uses in both Germany and the Soviet Union. Several prominent Russian historians contributed to the film. Although well received by western media, Russia reacted sharply. Director Edvīns Šnore was burned in effigy in Moscow by members of New Russia, the youth organisation fostered by former president and now Prime Minister Vladimir Putin. This alarmed members of the European Parliament (the film was partly subsidised by European Union money), who added this to their list of Russian anti-democratic initiatives that are now felt more sharply by some in Western Europe.

But to show that local Latvian politicians are every bit as able to undermine Latvia’s interests as any force across the border, there is renewed agitation to dilute the language Laws and give greater legitimacy to the use of Russian in Latvia. Former President Guntis Ulmanis waxed eloquent at a Latvia-Russia forum about the greater role the Russian language was playing in Latvia. Surveys show many companies and organisations continue to use Russian rather than Latvian in their work. And while Foreign Minister Māris Riekstiņš told the local Russian-language press he would no longer answer questions in Russian, Godmanis still uses Russian frequently in public to “explain” policy to Russian speakers, now some 19 years after the initial language laws restored official status to Latvian. Employer groups have fought moves to extend Latvian language requirements to more occupational groups, and a particularly dangerous initiative is being debated that may allow universities to teach in Russian again, threatening to restore a Soviet-era two-track higher education system.

Given summer’s arrival and the looming Song Festival, the coalition will have hoped the distracted population will pay even less attention to politics and to its particular machinations. But anger over the stolen assets legalisation, the appointment of Bičkovičs and the referendum could lead to a hotter summer than the coalition expected.