Folk song golden oldies compilation a winner

Lini un draugi Dzied pazīstamas latviešu tautas dziesmas

The “oldies but goodies” of Latvian folk songs on one compact disc has for a long time been an elusive compilation to track down. We’re talking the basic songs and rotaļas, the staple of all Latvian gatherings the world over, such as “Nu ardievu, Vidzemīte,” “Div’ dūjiņas gaisā skrēja,” ” Kas dārzā,” “Skaisti dziedi, lakstīgala,” “Līgo laiva uz ūdeņa,” “Rīga dimd” and many others that have been sung for decades. And, more importantly, without all the bells and whistles of fancy musical arrangements and modern interpretations—just the good old songs that are always in the repertoire when the chance to get together and sing arises.

The two-disc Lini un draugi Dzied pazīstamas latviešu tautas dziesmas is exactly this.

Lini is a Latvian folk ensemble, established in 1994 by four second-generation Latvian-Americans, based in Minneapolis: Ingrīda Erdmanis, Gunta Pone (now Herron), Amanda Zaeska (now Jātniece) and Zinta Pone. The folk singers say of themselves, “When our parents and grandparents were forced to leave Latvia during World War II, among the few things they could take with them were their folk songs. During the early years of exile in the Displaced Persons camps and later in their adopted homelands, not a single celebration, party, or gathering took place without singing. Latvians continue to sing these well-known songs and pass them on to their children and grandchildren.”

All the singers have grown up immersed in Latvian music in their childhood (some of their parents are part of the long-standing Minneapolis folk group Teiksma) and have innate musical talent. Their voices are not specially trained to perform choral works: these are the voices of four wholesome Latvian women, melodic and still sounding youthful. The accompaniment is simple and at the same time effective: an accordion in one song, the sweet sounds of the Latvian kokles, or the guitar in another, with a tambourine adding rhythm to the song. Quite a few of the songs are sung a capella and performed so well that an instrument would only have interfered and “stolen the show” and detracted from the pure vocals.

Some songs are sung with a larger group—the “friends” of Lini—invited to join in and help create the atmosphere of get-togethers in the exile Latvian communities of the 1950s and 60s. According to Jātniece, “W@e wanted to recreate the mood experienced by our parents and their friends back in their youth in the early years in the U.S. We were actually surprised how much we enjoyed the process of recording these songs, that had been sung ad nauseum in our childhood. It was a real thrill to explore them as an adult.”

This compilation of “the best of” Latvian folk songs is a good resource for various reasons. For one, it is a fantastic educational resource. It can be used by Latvian schools, both in Latvia and outside, for the words and tunes to classic folk songs and rotaļas (dancing games). These are the building blocks for the repertoire of every young Latvian. Start with these songs, teach them so he or she knows them by heart, and your child or pupil will be well on their way.

Then there’s a few other scenarios, such as the adult who learned these songs in their childhood, many moons ago, and now only remembers brief snippets, or the tune and not the name of the song, or maybe a few words but not the tune. This CD can help piece together the missing links and provide answers to these musical riddles. The CD is also perfect for the non-Latvian learning about Latvia and its language, culture and history, or the second- or third-generation Latvian who never learnt the language and culture in their childhood and is now on the journey of finding their roots. And last, but not least, there’s the Latvian who simply wants a handy CD with all the standard folk songs in one place.

The CD was produced in the U.S. with the financial support of the American Latvian Association Cultural Foundation.

More information about the CD can be provided by Zinta Pone in Minneapolis, zintapone@yahoo.com.

Details

Lini un draugi Dzied pazīstamas latviešu tautas dziesmas

Lini

Lini,  2009

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Daina Gross is editor of Latvians Online. An Australian-Latvian she is also a migration researcher at the University of Latvia, PhD from the University of Sussex, formerly a member of the board of the World Federation of Free Latvians, author and translator/ editor/ proofreader from Latvian into English of an eclectic mix of publications of different genres.

Flights to Latvia remain canceled as volcanic ash continues spread

Flights to and from Rīga remained canceled into April 20 as concerns continue about volcanic ash spreading from Iceland to continental Europe, according to a message posted on Latvian carrier airBaltic’s Web site.

“The home base of airBaltic in Rīga, Latvia, remains in restricted airspace and no flights can be operated until further notice,” the message read. “Passengers are requested not to travel to the airports.”

Flights began to be canceled on April 15 as the ash spread from the Eyjafjallajökull volcano in south Iceland. Airspace in Great Britain was the first to be affected, followed by Scandinavia and much of the rest of northern Europe.

Reports early on April 19 suggesting that the volcano was quieting were replaced later by an announcement from Britain’s National Air Traffic Services that the eruption had instead intensified.

“This demonstrates the dynamic and rapidly changing conditions in which we are working,” according to NATS.

Air traffic officials closed the airspace in many countries because of concerns that the volcanic ash could shut down aircraft engines.

Flights were canceled to at least 9 a.m. April 20 Latvian time, airBaltic announced. However, transit flights over Latvia at an altitude from 6-10 kilometers were allowed, a Ministry of Transport spokesperson said.

Almost all flights to and from Estonia’s Tallinn Airport also were canceled. A Lufthansa flight from Munich was still expected to arrive at 9 a.m. local time, according to information posted on the airport’s Web site early April 20. Lufthansa on April 19 renewed most of its long-distance flights, the company announced on its Web site.

Vilnius International Airport announced on its Web site that Lithuanian airspace has reopened, but noted that the decision to fly is up to the pilot of the airplane. Many flights to and from Vilnius remained canceled.

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Siguldā julijā notiks jauno mūziķu meistarkursi

IX Starptautiskie latviešu jauno mūziķu meistarkursi “Brīvība mūzikā” notiks Siguldas Mākslu skolā “Baltais Flīģelis” no 2010. gada 15.-24. jūlijam. Meistarkursi veidoti, lai apvienotu jaunos mūziķus no vairākām pasaules valstīm, kur kopīgi var mūzicēt un nodibināt kontaktus un izveidot sadarbības iespējas.

Meistarkursu mākslinieciskā vadītāja Dace Aperāne ziņo: “Uz IX Starptautiskiem latviešu jauno mūziķu meistarkursiem tiek aicināti mūzikas vidusskolu audzēkņi un mūzikas audzēkņi un mūzikas augstskolu studenti, mūzikas izglītības iestāžu jaunie skolotāji un citi interesenti… tiks lasītas lekcijas, notiks instrumentālās un vokālās meistarklases, kompozicijas, mūzikas teorijas un pedagoģiskie-metodiskie semināri, kameransambļa, kora un orķestra mēģinājumi, kā arī koncerti”.

Meistarklašu vadītāji būs mākslinieki un mācībspēki no Latvijas un ārzemēm. Klavierspēles kursus vadīs Juris Kalnciems (Jāzepa Vītola Latvijas Mūzikas Akadēmijas profesors), Uga Grants (ASV), Sandra Mogensen (Kanāda) un Vestards Šimkus (Latvija); klavieru improvizāciju Raimonds Petrauskis (JVLMA profesors); klavierpavadījumu Ventis Zilberts (JVLMA profesors); ērģeles Tālivaldis Deksnis (JVLMA profesors) un Rasma Lielmane (Meksikas konservatorijas profesore); altu Andra Dārziņa (Štutgartes Mūzikas un mākslas augstskolas profesore Vācijā); čellu Jānis Laurs (Adelaides simfoniskā orķestra čella grupas koncertmeistars Austrālijā); kontrabasu Einārs Upatnieks (Latvijas nacionālais simfoniskais orķestris); flautu Helēne Navasē (Dānija); klarneti Egīls Šēfers (Latvija); oboju Egīls Upatnieks (LNSO); fagotu Nils Anders V. Larsens (Dānija); mežragu Dāvids M.A.P. Palmkvists (Dānija); bet sitaminstrumentus Rihards Zaļupe un Larisa Puzule (Latvija). Vokālos kursus vadīs Antra Bigača (JVLMA pasniedzēja un Latvijas Nacionālās Operas soliste), Laila Saliņa (ASV) un Naidžels Šmits (Francija).

Kameransambļus vadīs Gunta Sproģe (JVLMA profesore), Pēteris Plakidis (JVLMA profesors), Juris Žvikovs (JVLMA docents), Dace Bičkovska (Rīgas pedagoģijas un izglītības vadības akadēmijas lektore), Egīls Šēfers (Latvija) un “Carion” pūtēju kvinteta dalībnieki. Klavieru duetus mācīs Normunds Vīksne un Antra Vīksne (JVLMA); deju Vija Vētra (ASV); un džezu Džaneta Lavsone (New School, ASV), Ilona Kudiņa (ASV) un Raimonds Petrauskis (JVLMA).

Kora diriģenti būs Jānis Baltiņš (J. Mediņa mūzikas vidusskola) un Anita Kuprisa (ASV), bet orķestra diriģents Normunds Dreģis (LNO). Kompozīciju un muzikoloģiju mācīs Andris Dzenītis (Latvija), Rolands Kronlaks (JVLMA), Artūrs Maskats (LNO, JVLMA), Imants Mežaraups (RPIVA, Rīgas Doma kora skola), Dana Pols Perna (ASV), Orests Silabriedis (Latvijas Radio), Anitra Tumševica (Latvija) un Pēteris Vasks (Latvija).

Vēl kursos arī kā lektori piedalīsies Boriss Avramecs (RPIVA profesors), Gunda Vaivode (Latvijas Radio “Klasika”), Raimonds Petrauskis un Anda Beitāne (JVLMA), Valdis Bernhofs (RDKS) un Laura Adlers (Kanāda).

Meistarkursu tradīcija iesākta 1985. gadā Kanādā, kad notika mūzikas nometne Mount Orford un kopš tā laika Latvijā jau ir organizētas astoņas nometnes-meistarkursi. Pieteikties uz meistarkursiem var veikt nosūtot pieteikuma anketu pa e-pastu: guntars.zvejnieks@gmail.com. Pieteikuma anketa un papildus informācija atrodamas interneta lapā www.baltaisfligelis.lv. Pieteikšanās termiņš ir 15. maijs.