Author Nesaule to receive literary award from University of Wisconsin

Agate Nesaule, author of the 2009 novel In Love with Jerry Kosinski as well as the award-winning memoir A Woman in Amber, will be this year’s recipient of the Chancellor’s Regional Literary Award at the University of Wisconsin-Whitewater.

Nesaule is a professor emerita at UW-Whitewater, where she taught English and women’s studies until her retirement in 1996. She lives in Madison, Wis.

“It is wonderful to honor someone who has given so much to UW-Whitewater,” Chancellor Richard Telfer said in a press release. “Agate’s stories continue to resonate today and we look forward to introducing a new generation of students to her outstanding works.”

Nesaule’s In Love with Jerzy Kosinski deals with the issues of immigration and the aftermath of war.  A Woman in Amber shares Nesaule’s life in war-torn Europe and her arrival in the Midwest at the age of 12.  Translated into six languages, A Woman in Amber received an American Book Award in 1996.

Born in Latvia, Nesaule immigrated to Indiana and earned her doctorate from the University of Wisconsin-Madison. S

“The previous recipients of this award have all been distinguished writers whose work I admire, and I am honored to be in their company,” Nesaule said in a statement released by the university. “I am especially impressed that, although we live in a non-literary era, the chancellor and UW-Whitewater continue to see out and support serious writers.  And of course this award is especially meaningful to me because UW-Whitewater is close to my heart.

The Chancellor’s Regional Literary award honors a living author who has demonstrated a regional connection to the Upper Midwest in their published works of prose, poetry, nonfiction or drama.
The first award was given in 2006 to C.J. Hribal, a professor at Marquette University, for his novel, The Company Car.

Nesaule will be honored with a reading on the UW-Whitewater campus at 7 p.m. Oct. 11. The event will be held in the Summers Auditorium in the University Center on the UW-Whitewater campus. The event is free and open to the public. A book signing will be held after the reading.

Agate Nesaule

Author Agate Nesaule is to receive the Chancellor’s Regional Literary Award in October at the University of Wisconsin-Whitewater. (Photo courtesy University of Wisconsin Press)

Granddaughter of Latvian refugee gets going on singing career

In a few years, perhaps, a young woman from a small town in Great Britain’s West Midlands might take the stage as Latvia’s representative in the annual Eurovision Song Contest. For now, 12-year-old Karli Ose—the granddaughter of a World War II refugee from Latvia—is keeping busy with schoolwork and a budding musical career.

Karli, who lives in the small town of Bilston about 200 kilometers northwest of London, began singing professionally just two years ago and landed her first public appearance at The Robin 2, a local venue, warming up for a Beatles’ tribute band.

“I have never had to have professional training,” she said in an e-mail interview. “I have always been able to sing, though I do believe my singing voice comes from my Latvian heritage.”

Karli is the daughter of Kārlis and Annette Osis and lives in a full house with three brothers and three sisters.

Unlike other young singers who are ready to emulate today’s music, Karli has chosen to reach back several decades for her repertoire, focusing on popular songs from the 1960s, 1950s and earlier.

“I absolutely love the music of the 1950s and 1960s,” she said. “I have always had this music to listen to as it is the only music my father Kārlis listens to. I love Connie Francis, Helen Shapiro, Cilla Black, Petula Clark and my all time favorite singer Dusty Springfield.”

Karli has covered songs such as “Stupid Cupid” (Connie Francis), “Lipstick on Your Collar” (Connie Francis), “Something Tells Me” (Cilla Black) and “The Loco-Motion” (Little Eva), but also digs into tunes of the World War II era that were especially popular among British soldiers, such as those performed by Vera Lynn and Gracie Fields.

“Vera Lynn was the forces’ sweetheart and Gracie Fields was lovingly referred to as ‘Our Gracie,’” Karli said. “These songs were very popular with the British forces and also helped keep the morale going when things were not so good. The Gracie Fields song, ‘Wish Me Luck As You Wave Me Goodbye,’ is taken from the film Shipyard Sally in which she starred.”

This summer Karli will have a busy schedule of performances around Great Britain. Starting with a June 24 concert in The Spareroom Cafe Bar in Birmingham, Karli will be part of a Michael Jackson tribute show in which she will sing “Ben” and “You Are Not Alone.” The tour runs into October. She also will perform Aug. 8 during V-J Day celebrations in Bilston Town Hall.

Karli has recorded a demo album and some of her covers are available through Amazon and other online stores. Several videos of her performances are available on YouTube.

Although one recording deal fell apart, Karli and her father are pursuing other avenues, including laying down a couple of tracks for Latvia’s largest recording house, Rīga-based MICREC.

“We are planning on recording a couple of songs with her,” MICREC’s Guntars Račs said via e-mail. One will be a cover version of an old American pop song, he said, while another will be a song penned by Karli herself.

“In my opinion she has a fantastic voice and a strong work ethic,” Račs added. “A young girl, but with an intelligent mind.”

In case singing does not pan out as a career, Karli said she has an alternate plan.

“If for some reason I did not make it as a singer, then I would love to be able to work as a nursery nurse looking after young children,” she said. “I really enjoy looking after my baby sister Natalya, taking her out for walks and shopping.” Besides her baby sister, Karli’s siblings include brothers Jēkabs, Jāzeps and Vilhelms, and sisters are Aleksandra and Šarlote.

Karli has never been to Latvia and is still learning the language.

“I have to apologize to all Latvian people, but as yet I know only know a few words in the Latvian language,” she said. Her grandfather never taught the language to her father.

“So now we are both learning together and I hope to learn very quickly so that I will be able to write to my Grandmother Zenta in Tukums,” Karli said.

She is not all that familiar with Latvian popular music, but has heard some songs by Raimonds Pauls. Karli also watched Latvia’s entry in this year’s Eurovision Song Contest, the Guntars Račs and Jānis Lūsēns tune “What For” performed by Aisha. Unfortunately for Latvia, its entry did not make it to the May 29 finals.

“I must say that I was quite surprised by Aisha’s performance,” Karli said. “There was a tremor in her voice and also in the close-up views she seemed very scared and nervous.”

In a few years, Karli might consider representing her ancestral homeland in Eurovision.

“I would like nothing more than to represent the land of my forefathers,” Karli said, “and hopefully I could do them proud and win it for them.”

Karli Ose

Karli Ose is a 12-year-old singer in Great Britain whose grandfather was a Latvian refugee. (Photo courtesy of Kārlis Osis)

Andris Straumanis is a special correspondent for and a co-founder of Latvians Online. From 2000–2012 he was editor of the website.

Coming soon to a theatre near you: Better sound from a Latvian inventor

More than 20 years in the making, a Latvian invention is about to transform the audio industry. With this software and hardware solution, sound emitted from a loudspeaker becomes clearer and more natural than ever.

The applications are numerous, ranging from high-end sound studios, cinemas, theatres to home entertainment systems, computers and sound players on the move—car audio or portable audio including MP3 docking stations—and even outdoor concert venues.

The technology is called CONEQ and its inventor, Latgale-born Raimonds Skuruls, has spent most of his life looking at better sound reproduction from loudspeakers. The first time the technology was publically demonstrated was during the “Lāčplēsis” opera performance more than two decades ago. Later, Skuruls worked as a sound engineer with Latvian rock group Jumprava. In 2004, Skuruls together with investor Viesturs Sosārs formed Real Sound Lab.

CONEQ is already featured in products such as the Hitachi HDTV Ultravision and Wooo brand plasma and LCD television models, Panasonic VIERA brand Plasma television products and Kenwood music entertainment systems. Los Angeles-based Mi Casa Studios, renowned for top-end sound quality on film projects such as Lord of the Rings, The Golden Compass and other blockbuster films, is also using the CONEQ audio correction system.

To date the company has invested more than LVL 1 million and has also received a significant proportion in European Union funds. Today Real Sound Lab has offices in both the United States and Japan, plus a dealer network stretching to the other side of the world. In 2008 Skuruls received the most innovative product award from the Ministry of Economics and the Investment and Development Agency of Latvia (LIAA) and in 2009 was the third person to receive the Latvian Academy of Sciences Walter Zapp (inventor of the Minox camera) award for his loudspeaker correction technology. It is especially encouraging to see the company adopt the model whereby the non-key competences such as programming, hardware design and manufacturing are outsourced to other local Latvian companies and to the University of Latvia.

Eager to experience CONEQ, I visited the headquarters of Real Sound Lab located in an understated office building just outside the centre of Rīga. Atis Straujums, director of development, was quick to correct my preconceptions about CONEQ. This technology is all about correcting loudspeakers so that they can accurately reproduce the original sound source. Correcting room acoustics is another topic. In other words, if you play recorded violin through a CONEQ-corrected loudspeaker in a subway station, it should sound like a violinist playing in a subway station and not like a violinist playing in a concert hall or elsewhere.

Straujums chose to correct the monitor speakers connected to his laptop. With a measurement microphone attached to the laptop and running the CONEQ software, it was a simple matter of waving the microphone in front of each of the speakers in a zig-zag pattern for no more than two minutes. From the accumulated measurement data of more than 300 points the CONEQ software calculated the acoustic power frequency response of each of the speakers and a correction filter was created. The difference in sound quality was quite noticeable.

The CONEQ software comes in both Starter and Workshop versions, is compatible with both Windows and Macintosh computer systems, and starts at around EUR 100.

For professional producers in studios (or audiophiles who want to apply CONEQ to their home entertainment systems) a rack-mounted APEQ hardware equaliser is also available. This unit, currently available in a 2-channel configuration and later this year as a 8-channel unit, is loaded with the appropriate correction filters and placed before the amplifier and speakers.

But the real market for CONEQ won’t be direct sales to home users. The main strategy is to approach the big names in the audio and multimedia industry and convince them to begin incorporating this technology into their TVs, entertainment and speaker systems, portable players, mobile telephones and other consumer and professional audio appliances. The first wave has already begun and ongoing marketing efforts will ensure a Latvian success story.