Popular group Prāta vētra releases album and plans tour

Arguably the most popular and most successful group in Latvia, Prāta vētra (known as Brainstorm internationally) have released their latest album – Vēl viena klusā daba.

Their first new studio album in four years (since Tur kaut kam ir jābūt, released in 2008), the songwriting lead on this album was taken by keyboardist Māris Mihelsons, and was recorded in Hudson, New York, Oxford, England, as well as Rīga. The album was produced by David Field, working in conjunction with the band. The English language song “Lantern” is the album’s first single.

In addition to Mihelsons, Prāta vētra is made up of vocalist Renārs Kaupers, guitarist Jānis Jubalts, drummer Kaspars Roga, and joined here by long time bassist Ingars Viļums. The band was founded in 1989, and has been performing for more than two decades.

An English language version of the album is also planned, though specific details as to release date have not yet been provided.

The band has a tour of Latvia planned this summer with the following dates and locations: July 28 – Jelgava, August 3 – Ventspils, August 5 – Saldus, August 10 – Valmiera, August 12 – Preiļi and the closing show on August 17 at the Skonto Stadium in Rīga.

For more information about Prāta vētra, visit www.pratavetra.lv.

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After a four year break, Prāta vētra releases latest album Vēl viena klusā daba.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

A Numbers Game – the future of the Latvian émigré community

Listen to the words spoken by Latvian diplomats at émigré community functions.They choose their words carefully. There is the obligatory thank you for the role that post-war exiles played in the restoration of Latvia’s independence and for their later support of Latvia’s NATO membership drive.

But that’s all history and the question what have you done for me lately begs an answer. The size of the exile, now the émigré community in North America is dwindling. Politically it is a spent force. With the mass global movement of the peoples, the émigrés have become a minority among minorities and would be unable to come close to repeating the political activity of more than twenty years ago during the collapse of the Soviet Union. The politicians in Washington and Ottawa know it. So do the politicians in Riga.

Yet the émigré community and its leaders have an aggrandized view of their role on the political stage in Latvia. The motivation may be genuine, a desire to add value and help Latvia emerge from the long tail of Soviet occupation but it is too easy and self-gratifying to pontificate from safe havens abroad.

There are those who have returned and the results are mixed. Among the most successful is popular ex-President Vaira Vīķe-Freiberga. Less fortunate are the leaders of the World Federation of Free Latvians (PBLA) who over the past twenty years have tried to use the organization as a springboard onto the Latvian political stage. In between you have around five thousand expats ranging from retirees to idealistic youths many of whom have been in Latvia since the 1990s. Those who have survived successfully have done so by tossing out their parachutes and taking Latvia on its own terms. Among them you can find lawyers, software developers, professors, media figures, bankers, restauranteurs, pilots, a few ambassadors, entrepreneurs, some politicians and civil servants.

Nevertheless, 5,000 expats from the post-war diaspora of around 150,000 is not a lot. Economic, social and psychological factors – successful careers, pension concerns, proximity to family, children and grandchildren, access to medical care, lack of language proficiency in Latvian and unfortunately in Russian. Many have grown up or lived in the West and just feel different, that they really don’t fit in. The émigré community is there and its leaders need to pay attention even though what’s happening in Latvia seems more exciting and sexier.

It’s all about numbers. Let’s stick for the most part with the United States although things are playing out no differently in Canada or Australia, the other large overseas dominions.

According to USA census data, there are approximately 80,000 Americans of Latvian descent. ALA has mailing addresses for 12,000. The Latvian Evangelical Lutheran Church in America (LELBA) reported that in 2011 it had 8,826 baptized members, down form around 15,000 in 2000 and 28,000 in 1975. American Latvian song festivals attract up to 5,000 spectators and participants. ALA reports that there are around 500 students who attend after-hours Latvian schools across the USA, about 100 who participate at the Garezers summer high school and around 30 who attend its West Coast equivalent Kursa.

Let’s work the numbers the other way. To make the math simple, let’s assume that the 80,000 Americans of Latvian descent are uniformly distributed between ages 0 and 90.

They forget that even among those arriving from Displaced Person camps after the War, many stayed on the periphery or even dropped out preferring to integrate. They would do well to consider the generational issue when they complain that “jauniebraucēji” don’t turn out. The established émigré community is old while the new immigrants are young.

In her Master’s degree thesis “Defining Boundaries Between Two Immigrant Waves from Latvia: A Study of Latvian Supplemental Schools in the US” submitted to the University of Minnesota in 2011, Ilze Garoza, herself a recent arrival, presents the definition of forced migration proposed by migration scholar Nicholas Van Hear. It is the process “when individuals or communities are compelled, obliged or induced to move when otherwise they would stay put”, further adding, that “the force involved may be direct, focused or indirect, covert and diffuse…where departure from the homeland has been inflicted by an external force”.

Given that economic conditions in Latvia rather than wanderlust are by and large the trigger for the exodus, the notion of forced migration uncovers common elements between post-war exiles and the current emigration. The example of the British Isles shows that interest among immigrants in building and sustaining a community exists. Points of engagement with the old émigré  community are possible and must be found. However expecting them to roll into the structures of the established community to play a subservient role, is not realistic. That is not partnership. And do for example any national émigré organizations provide information or advice to immigrants from Latvia?

Priority number one is Latvian language training – basic, intermediate and advanced for elementary school children, teenage youths and adults. It needs to be web-based and interactive, accessible anywhere and anytime be it in the privacy of the student’s home or in the classrom of a heritage language school. It cannot be dependent on émigré community parent-teacher volunteers who are pressed for time, have little formal pedagogical training and whose Latvian language skills are not necessarily up to snuff.

An undertaking of this sort is beyond the abilities of the émigré community. It must be a partnership with institutions in Latvia. A glossy graphic-rich well-written Latvian history book in English targeted at high school students abroad would be money well spent. A similar text on Latvian geography in English would also be a welcome addition.

Making Latvian culture accesible to all is another priority. Latvian dancers, choirs, opera singers, artists and actors regularly tour émigré outposts around the gobe. They need to be promoted, not just within the Latvian community but externally to wider audiences. Latvian films are being shown at European Union film festivals in North America and elsewhere. At a recent festival in Toronto, The Return of Sergeant Lapins was screened. While not exactly Cannes material, the film was interesting and the neat thing was that of the more than 200 in attendance, about half were non-Latvians and they did not appear to regret turning out. The result? Positive connections.

Preservation of émigré history is also a priority. LNPL set the bar with its 1995 publication Latvieši Lielbritānijā which chronicled the history of Latvians in Great Britain. Aldis Putniņš has published a number of scholarly works about Latvians in Australia. “Mutvārdu vēsture” is an oral history project that uses audio and video to document stories of the Latvian immigrant experience in North America. But beyond that, the history of the émigré community is poorly documented.

The community has recognized the need to preserve its material archives albeit in a haphazard manner. While materials have been gathered, sent to local archives, shipped to Latvia, many more sit in boxes in dusty storage rooms. The April 2012 seminar hosted in Minneapolis by ALA on understanding archival work – selection, collection, cataloguing and storage as well as setting guidelines for community archival work is timely and the content needs to be disseminated widely. The seminar dovetails nicely with the “Latvians Abroad” museum and research centre being established in Latvia by expat émigrés. ALA is investing some serious money in the archival project. Kudos!

This article appeared in Jauno LAIKS nr. 2 2012 and is to be continued.

Latest Latvian voices CD features mostly Latvian repertoire

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A cappella music, although often awe-inspiring for listeners because of the vocal talent of the singers, can at times be undermined by the excessive falsetto and slightly overwrought style of singing. Surprisingly enough, Latvian Voices’ latest album Tā kā taka can easily become a favorite.

A number of Latvian groups in the a cappella (vocal music without instrumental accompaniment) genre have risen to prominence over the past years in Latvia. Perhaps the best known is male ensemble Cosmos, who achieved great success and fame with their arrangements of songs, both Latvian and international, as well as their original works. With the success of Cosmos, it is perhaps no surprise that other a cappella ensembles have popped up. Though the achievements of these groups have not quite matched those of Cosmos, there is one fairly new ensemble that might very well have the chance to do so – female group Latvian Voices.

As their name seems to indicate, from their inception Latvian Voices are intent on succeeding on the world stage. Their first album, Waving World Wide, released in 2010, focused more on an international repertoire (with both sacred and traditional songs), and their second album, Seventh Heaven, released the same year, was a Christmas-themed album, featuring songs in English and German, among other languages. However, for their third album, Tā kā taka, released in 2011, they have recorded in their native language featuring both arrangements of Latvian folk songs as well as new compositions.

The group is made up of seven female Latvian singers – Elīna Šmukste, Nora Vītiņa, Zane Stafecka, Andra Blumberga, Laura Leontjeva, Laura Jēkabsone, and Karīna Kaminska.

Though they have waited until their third album to focus on their Latvian repertoire, it is this repertoire that makes this album exceptional – being Latvian themselves, and native Latvian speakers, not to mention knowledgeable about Latvian culture and songs makes for this material being closer to the singers than their other material has been. These songs have an energy and vitality that starts with the first song – “Ar dziesmiņu ciemos eju” (lyrics by Ojārs Vāczemnieks, arranged by Laura Jēkabsone), a lively song that is, rather appropriately, about singing itself. The harmonies and interplay between the various singers makes this a particularly enjoyable arrangement.

Among the Latvian folksongs they perform include “Es gulu, gulu” (arranged by Nora Vītiņa), one of the sadder Latvian folksongs about a girl who sees her beloved ride away in a dream, “Rūtoj’ saule” (arranged by Vītiņa), a song once again about singing, as two sisters who have not seen each other in years still sing to each other from their respective farms. A favorite is their charming and playful performance of the song “Zvejnieks mani aicināja” (arranged by Jēkabsone), a song about a girl who meets a fisherman who invites her onto his boat, but the girl demurs, considering the boat (and the fisherman himself) to be a bit shabby.

The highlights of the album are the original songs – particularly title track “Tā kā taka” (lyrics/music by Vītiņa) as well as “Lietus” (lyrics/music by Jēkabsone), as the singers through their interplay conjure rain in this romantic song.

Spanish beatbox (percussive sounds made by voice) artist Lytos joins the group in “Kuito” (words/music by Jēkabsone), a performance that was inspired by the Cosmos song “Vindo”. Lytos’ percussive elements add a new dimension to this song which is, if I’m not mistaken, in a made-up language (much like “Vindo” was). The exceptionally realistic drumbeats that Lytos conjures up give the song a dynamic rhythmic foundation.

The CD booklet is quite detailed, containing a number of photographs with brief write-ups on each of the singers, some commentary on each of the songs presented, as well as a history of the group, with all text appearing in Latvian, German, and English.

Tā kā taka was an enjoyable surprise – their interpretations of these Latvian songs are both engaging and memorable. The group seems destined for wider success – at the time of this writing they had just won at an a cappella competition in Leipzig. Though the group performs frequently, it is telling that so far in 2012 they have only performed in Latvia twice – the rest of their performances have been at festivals and competitions all over Europe. This collection of both ancient Latvian folksongs, as well as new songs, is a truly enchanting work.

Details

Tā kā taka

Latvian Voices

Leni’s Music,  2011

Track listing:

1. Ar dziesmiņu ciemos eju

2. Rutoj’ saule

3. Es gulu, gulu

4. Mēnestiņis naktī brauca

5. Ej, saulīte, drīz pie dieva!

6. Lietus

7. Saulīt vēlu vakarā

8. Tā kā taka

9. Raugies tu

10. Dindaru dandaru

11. Zvejnieks mani aicināja

12. Kuito

13. Pasaciņa

Where to buy

Purchase Tā kā taka from Amazon.com.

Note: Latvians Online receives a commission on purchases.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.