New Alis P album a worthy contribution to Latvian rock scene

Latvian rock group Alis P, led by veteran Swedish Latvian guitarist, vocalist and songwriter Gundars Rullis, return with their latest album Ciparu pasaule. Building on the foundation laid by their two previous albums – 2013’s Attiecību putra and 2009’s Uz priekšu, the group provide another refreshing collection of bluesy rock.

Rullis is joined by the team that also played on Attiecību putra – Edgars Rubenis on bass guitar and Edgars Āboliņš on drums, but Ciparu pasaule adds a new ingredient to the mix – the harp (and backing vocals) of Elizabete Lāce (who has also played with Latvian indie pop fairies Sus Dungo). Though the harp would not normally be considered to have a place in a traditional rock ensemble, the sound of the harp adds a new layer to the Alis P sound. In fact, according to the Alis P Facebook page, the group was almost on the verge of breaking up, but a fateful rehearsal with Lāce reinvigorated the band and they began recording new songs.

Alis P have always espoused an intentionally muddier sound, as well as the distinctive vocal stylings of Rullis, and that is evident immediately on the opening track ‘viensPretVienu’, which is underpinned by the thudding bass of Rubenis. However, this muddiness is now balanced by the clarity of the harp, giving the song a richer sound. Also, this song (among many on the album) also features the violin of Dina Skreitule, which gives the song an almost symphonic feel. This balance between instruments is also reflected in the lyrics, with its theme of equal opposites – such as night and day, sun and moon.

The bluesy grooves continue on ‘ceļš uzKautkurieni’, a song about an aimless wander, again built on a bass guitar progression from Rubenis. Here Rullis’ guitar skills are on display, with the squealing guitar again interacting with the dreamy harp of Lāce. The extended outro, with duelling bass and harp, all the time supported by Āboliņš’ driving beat, brings the song to a fitting close.

AlisPdārzā

Title track ‘ciparuPAsaule’ begins with a deliberate, precise, almost mechanical guitar chord, perhaps appropriate for a song that could be interpreted as a critique of the modern day desire to put one’s whole life online. Rullis’ lyrics have often been ruminations and observations of everyday life, and the lyrics also reference Latvian President Vējonis’ remark during his first major speech that “he needs to start with a drink”, and question whether or not this is the kind of politics the people need.

The final song on the album, ‘ietCilvēks’, is also the longest on the album, at nine and a half minutes. The group is also joined by Lāce’s Sus Dungo colleague – Diāna Sus – on backing vocals, adding to the chorus. The song is a lengthy jam, with Rullis’ freestyle lyrics and funk elements combining to create an intricate opus. As the song closes, one by one the instruments leave, and finishes with just an extended drum break.

Combining rock, blues, and funk elements, Ciparu pasaule is another worthy contribution to the Latvian rock scene from Alis P. With the addition of unique sounds and multiple backing vocalists, the songs are now more layered and diverse. Though Rullis is now in his fourth decade of performance, there is no decrease in vitality or energy in the performances, and Ciparu pasaule displays the group at a peak artistic and musical level.

For further information, please visit the Alis P Facebook page.

Alis P Ciparu pasaule

Ciparu pasaule

Alis P
Biedrība HI, 2015

Track listing

  1. viensPretVienu
  2. ceļš uzKautkurieni
  3. pirmDienasVakars
  4. kadTuMosties
  5. ciparuPAsaule
  6. lielieVārti
  7. meklējos
  8. otrāPusēPagalmam
  9. visiemTiem
  10. ietCilvēks

 

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Syrian Today, Latvian Tomorrow?

Readers of this portal who have been following news in Latvia will know that for some time now, one of the more passionately (and quite often ridiculously) debated issues in this country has been the European refugee crisis and, specifically, the fact that all European Union (EU) member states are expected to take in their share of the people who have been flooding across the EU’s borders in record numbers in recent times. More nationalistically inclined members of our society have occasionally gone to fairly hysterical extremes in opposing the whole idea — the refugees might be terrorists! They might bring unknown and scary diseases to our country! Bring in one, and he will bring in his whole extended family, and soon we will be overrun by foreigners! Latvia and Latvians are in danger! The white race is in danger! (This last claim, which is beyond ludicrous on the face of it, really did appear on a few posters at a demonstration that was held a month or two ago to say “no” to refugees as such.)

The truth is, of course, that Latvia is not being asked to accept thousands upon thousands of refugees. The truth is that right now the expected number is 776, or 0.00038% of the country’s two million or so residents. Clearly that is not a number that will in any sense destroy the nation or its people. Yes, if the chaos in the Middle East continues unchecked (and now that Russia has made it clear that it is going to take part in the process without any checks or balances whatsoever, it is likely that it will continue unchecked for some time to come), there may be greater numbers of refugees whom Latvia is asked to accept, but even then it will not be millions.

There are several aspects to consider here. First of all, it is clear that not everyone who is crossing the Mediterranean or using a land route to get to Europe is fleeing for his or her life. Plenty of people are simply looking for a better life for themselves, and they are people who are classified as “economic migrants” and, therefore, not worthy of the status of true refugees. Thus, for instance, European countries have busily been sending back home migrants from places like Kosovo, where yes, life is probably rough, but no one is threatened by the kind of annihilation that we are seeing in Syria and the Middle East in a broader sense. That said, I do believe that there is a moral obligation to take in anyone, and let me say again — anyone who manages to escape a territory that is currently being controlled by the so-called “Islamic State.” That is a group of terrorists that goes completely beyond the pale, slaughtering anyone who does not comply with its very narrowly drawn understanding of what “proper” religion is. Residents of those areas have reason to flee, and there is every reason to believe that they should be given sanctuary. Yes, there is the consideration that those who are getting into rickety boats for the perilous crossing of the Mediterranean have chosen not to move to refugee camps in Syria’s neighboring countries, instead looking toward Europe as purely a better place to live, but in this case, that should not make much difference.

As to Latvia’s situation, despite what some foolish populists have been claiming, the government has drawn up fairly specific plans about what to do when the refugees start arriving, probably in December or January. They will first be placed in a refugee center at a place called Mucenieki, which is being expanded and renovated for that purpose. There they will stay until their status is determined. If it is found that they are truly refugees, they will be granted the relevant status, and after the three months are up, they will be released from the center and told to make their own way in life. During the process, refugees will receive subsidies from the government to cover basic needs. They will be stingy subsidies, the government having yielded before pressure from those who point out that the initially planned monthly stipend was rather much higher than the old-age pensions that many people in Latvia receive, and the sum has been cut even before the first refugee has arrived, but money will be made available for that purpose nonetheless.

What kinds of people can we expect? Well, first of all, it is not the case that all of those who are fleeing the Middle East are of the “unwashed and poor” variety of which America’s Statue of Liberty speaks. A survey that was released this week shows that plenty of them have completed a high school or university education. Latvians should understand this. Back in the 1940s, many of those who fled to the West in the face of a second Soviet invasion were members of the intelligentsia. It is specifically for that reason that at the so-called “displaced persons” camps in Germany where most of them first ended up, Latvians could set up schools, theatrical companies, opera troupes, etc. Throughout the Western world, Latvians organized social and political organizations, Saturday, Sunday and summer schools, song festivals, churches, and so on. That would not have been possible if everyone who left Latvia had been uneducated. The same is true of Syrians and Iraqis who are currently running for their lives.

One fact in all of this is that because of fairly massive emigration of Latvia’s residents to England, Ireland and other Western European countries (and here let us be perfectly clear that in every single case, these are “economic migrants” in the direct sense of the words), lots of businesses in Latvia have problems finding workers. On my television show a month or so ago, a sculptor called Ivars Drulle said that he would happily hire three or four refugees to help out at his farm – cut down bushes, help repair the barn, and so on. He said that his neighbor is a car mechanic who has been utterly unable to find anyone who can come and help out. Perhaps among the Syrians there might be someone who knows a thing or two about automobiles. Or putting up a barn. Or, in the case of the Ķekava poultry factory, which has also said that it needs workers, handling chickens and eggs.

Of course, it is unlikely that Latvia is the dream destination for most of the current refugees. Ours is not a rich country, we do not have anything close to the social care system that exists in Scandinavia and elsewhere, our winters can be nasty.   Those who say that nearly all of the refugees actually want to move to Germany, Sweden, or some other comparatively rich country are right. The thing is, however, that the distribution system that the EU has cooked up about this says that those who are sent to Latvia are going to have to stay in Latvia at least for a year or two. If they are found elsewhere in the EU, they will be shipped back to Latvia. And that, in turn, means that the real issue here is how the people of Latvia will receive these poor unfortunates.

It was a decade or more ago that a group of Somalians turned up in Latvia. They spent their three months and Mucenieki, and then they were basically thrown out into the streets. It was their enormous good fortune to run into a woman who knew the saintly Reverend Juris Cālītis, who recently retired as pastor of St Savior’s English Congregation in Riga. He personally took the Somalis in at the home that he runs in Latvia’s countryside for abused children. He personally contacted hotel owners and others to say that he had these Somalis, and could the businesspeople find work for them? Today, one of the Somalis has died, but the others have learned Latvian and have become a part of this country’s society.  It was the personal touch that allowed them to do so.

There is also evidence that there really are people who are happy to make new lives for themselves in Latvia. A couple of weeks ago there was a report in a newspaper in which a young man from Iraq at Mucenieki said that he really wants to get to work, he’s prepared to do any job at all, and all that he needs is for the government to grant him the appropriate status. Another newspaper report was about Vietnamese and Chinese people who are in Latvia because they bought real estate here and thus qualified for a residency permit in return for their investment. The Asians talked about how they were working hard to learn Latvian, one Vietnamese woman saying that she wants to become a “Latvian woman” as soon as possible, even though the Latvian language is not the easiest one in the world to learn. In another interview, a Vietnamese man who has been living here for some time and has become so familiar with the Latvian world that he has drawn comic books about the legendary hero Lāčplēsis, said that he, too, likes living here, though every winter he decamps back to Vietnam for a couple of months because it’s just too darn cold here.

So the bottom line here is that there is no real reason to fear the refugees. Latvia has never been a mono-ethnic country, there have always been others here. If the country and nation managed to survive 50 years of Soviet occupation and the relevant mass influx of people from the “brotherly” Soviet republics, then surely it can survive 776 desperate people from the Middle East. All that is needed to understand that they are not some amorphous mass. They are all people just like us, with their own hopes and dreams and aspirations. It would be terrible to simply turn them away.

Kārlis Streips was born in Chicago, studied journalism at the University of North Illinois and University of Maryland. He moved to Latvia in 1991 where he has worked as a TV and radio journalist. He also works as a translator and lecturer at the University of Latvia.

Life of actor Edgars Liepiņš celebrated on new CD

One of the most colorful figures in the history of Latvian theater is actor Edgars Liepiņš. Over the course of his life and long career, he performed more than 300 different roles, including roles in beloved Latvian films like Ceplis and Zvejnieka dēls. Being a multi-talented individual, he was also active musically, not just singing but also writing melodies and lyrics. At times displaying anarchic humor, at times a biting seriousness, Liepiņš remains a popular and beloved figure even today, more than twenty years after his death in 1995.

To recognize Liepiņš’ contribution to the field of Latvian popular music, the Latvian music label MicRec released a compilation of Liepiņš’ songs as part of their Leģendas (Legends) series which honors many noteworthy and popular performers from the past (such as singers Ojārs Grīnbergs and Nora Bumbiere, among others).

Edgars Liepiņš, much like most every singer in the 1970s and 80s, worked closely together with the best known composer of Latvian popular music – Raimonds Pauls. Working together in 1978, they recorded an album that included many tunes that would become Liepiņš’ signature songs. The recordings ran afoul of the Soviet censors at that time and were not officially released, but copies of the recordings did get made and were passed around, and many of the songs became quite popular. Songs of that era that remain popular even today include ‘Trīs runči’ (lyrics by Valdis Artavs), a song about three aging tomcats in a bar, talking about the exploits and conquests in the past. Featuring Pauls’ trademark lounge and jazz influenced piano playing, the song is catchy and memorable. Other popular songs from this session include ‘Tāpēc jau, ka nevar zināt kāpēc’ (lyrics by Imants Ziedonis) and ‘Nav vērts’ (lyrics by Ārija Elksne).

Liepiņš, always versatile and chameleon-like, found another composer with which he had great chemistry, and that was the similarly iconoclastic Juris Kulakovs of the rock group Pērkons. Liepiņš took to styling himself as Latvia’s ‘oldest punk’ while singing songs with lyrics by great Latvian poets such as Rainis, Jānis Poruks, and Kārlis Skalbe. Though these songs had a slightly harder edge and were rock based, Liepiņš easily played this role as well, with Kulakovs’ varied melodies – such as the new wave influenced ‘Pavasara idille (Vardes kurkst)’ (lyrics by Antons Austriņš) and the humorous ‘Mūžīgā saskaņa’ (lyrics by Rainis). The lyrics of ‘Mūžīgā saskaņa’ might even provide an accurate overview of Liepiņš – ‘Nekas man nevar kaitēt, nekā es nebaidos, es bojā neaiziešu, kaut arī nobeigtos’ (Nothing can bother me, I am not afraid of anything, I will not perish, even if I die).

Liepiņš worked with many well-known popular music composers throughout his career. Two songs with music by late composer Ivars Vīgners (a composer long deserving of a similar Legends retrospective) are included in this collection – ‘Katram savs’ and ‘Ja es būtu bagāts vīrs’ (lyrics for both by Alfred Krūklis). These songs show Liepiņš’ acting talents shining through in the songs, both with themes of accepting one’s place in life.

One of Liepiņš’ enduring and endearing trademarks is to provide a short introduction in his songs – not just announcing the name of the song, but also what key it is in, and even instructions to the performers – such as his directive for Raimonds Pauls to play with ‘ārkārtīgi mīksti atturīgu pedalizāciju, Maestro!’ (use the pedals very gently and reservedly, Maestro!).

The humorous, even bawdy side of Liepiņš is evident on the risqué (and, by today’s standards, even quaint) ‘Nerātnā dziesma’ (or ‘Naughty song’), a duet with singer Maija Lūsēna, where, every time Liepiņš is about to say a rude word, Lūsēna interrupts him and changes the topic of the song.

Liepiņš had his run-ins with the Soviet regime, and he was a very vocal critic of it. This side of the actor comes through on ‘Sibīrijas tango’ (a song with lyrics by another artist who suffered greatly under the Soviet occupation – poet Knuts Skujenieks). Liepiņš himself is the author of the music for this song, which begins with a bitterly ironic musical quote from the popular song ‘Pie dzintara jūras’ before launching into a somber melody (which is almost identical to the song ‘Tev dzīvē laimes nav’) and Skujenieks’ lyrics that are full of hopelessness and despair.

The CD booklet also includes a few photos of Liepiņš throughout his career, as well as an essay on the artist by Latvian music journalist Daiga Mazvērsīte.

Edgars Liepiņš was not just a popular and charismatic actor, but also an individual with a unique personality, beloved by many for his performances and his songs. The songs collected on Leģendas paint a broad and multi-colored picture of this artist, who was occasionally likened to a tragic clown – as his songs ranged from the absurdly comical to the deadly serious, all performed in his idiosyncratic style. Leģendas is an appropriate and thorough tribute to this true Latvian legend.

For more information, please visit the Edgars Liepiņš artist page at the MicRec website.

Details

Edgars Liepins - Legendas

Leģendas

Edgars Liepiņš
MicRec MRCD538, 2015

Track listing

  1. Trīs runči
  2. Lācītis
  3. Tāpēc jau, ka nevar zināt kāpēc
  4. O, Lora
  5. Nav vērts
  6. Mērkaķītis
  7. Mīļā meitiņ, atver logu
  8. Ja es būtu bagāts vīrs
  9. Katram savs
  10. Dziesma par mīļoto (Lambada)
  11. Svētvakars
  12. Es ticu
  13. Bērnība (Pelēkās noriņās)
  14. Sakarnīša dziesma
  15. Vakars Jūrmalā
  16. Pavasara idille (Vardes kurkst)
  17. Stāvu brīnīdamies
  18. Maija ziedīte
  19. Mūžīgā saskaņā
  20. Krāc Jūrmalas priedes
  21. Lai jums izdodas!
  22. Sibīrijas tango
  23. Vijolīte mežmalā
  24. Dzeguze
  25. Tad ziņģēsim to ziņģi
  26. Nerātnā dziesma
  27. Karaliskais atvadu valsis

 

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.