Fairy Tale series “Eža Kažociņš” coin released

As the first commemorative collector’s coin released in 2016, the Bank of Latvia has chosen to continue the Fairy Tale (‘’Pasaku monēta’) series (the first release – ‘Pieci kaķi’ was released in 2015), this time producing a coin inspired by the Latvian folk fable ‘Eža kažociņš’ (Hedgehog’s Coat).

‘Eža kažociņš’, the story of a hedgehog that, regardless of his small stature, is able to herd pigs in the forest. The hedgehog, using his cleverness and bravery, marries the princess and he himself turns into a prince. One of the most popular variations of the story was by Vilis Plūdonis in 1921, as well as poet Māra Zālīte’s interpretation in 1991.

The oval shaped coin, minted by UAB Lietuvos monetų kalykla (Lithuania), was designed by Gundega Muzikante, and the plaster model was created by Ligita Franckeviča. The silver proof quality coin has a mintage of 10,000 and has a nominal value of 5 Euro.

This is not the first time the hedgehog has appeared on Latvian currency – a special 1 Lats coin was produced in 2012.

A video about the coin (in Latvian with English subtitles) can be viewed here.

In addition to Fairy Tale Coin II, further collector’s releases planned for this year will include the following themes:

The 150th anniversary of the birth of Latvian artist Janis Rozentāls

  • Latvian porcelain
  • Entrepreneurship
  • The Golden Brooch I (The first coin in the planned three-coin series dedicated to the centenary of the State of Latvia in 2018)
  • The Christmas Battles
  • Innovative coin The Earth

For further information, please visit the Bank of Latvia Collector’s Coin website.

 

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Progressive rock group Holy Lamb releases its fourth album

Latvia, with its abundance of musicians, has produced groups performing in just about every musical style. For such a small country, the diversity in Latvian performers is quite extensive, and many artists have achieved critical and commercial success. However, a genre that remains minimally explored among Latvian musicians is progressive rock.

The term progressive rock, an altogether vague term (the general idea is that this style of music is a ‘progression’ or even evolution from rock music itself), refers to groups that put a greater focus on musicianship, headier and weightier lyrical topics, and, generally, play longer and more complex songs, often with multiple tempo and style changes within a single song. This style of music, though perhaps achieving its greatest artistic peak in the 1970s with British groups likes Yes, King Crimson and Pink Floyd, continued to expand and grow in the decades afterwards, with successes from groups like Canada’s Rush and America’s Dream Theater. One might think that such challenging music might have difficulty finding an audience, but the genre boasts millions of fans all over the world.

It is perhaps a surprise that few Latvian artists have embraced the progressive rock style – much of Latvia’s contemporary classical music is difficult and challenging. Still, of the few Latvian bands to perform in this genre, the group Holy Lamb has achieved perhaps the most success.

Holy Lamb can rightfully be considered veterans – the band was founded back in 1991 and almost a quarter century later, at the end of 2015, released their fourth album Gyrosophy. Perhaps coincidental, perhaps not, but another common aspect of progressive rock ensembles is frequent lineup changes – more than a dozen musicians have performed as part of the group. Today, the group’s lineup has stabilized and is Aigars Červinskis (bass, vocals), Juris Rāts (keyboards), Aleksandrs Volperts (guitar), Ansis Markauss (guitar, bass) and Toms Circenis (drums).

Their many decades performing is clearly audible on Gyrosophy, as the album is a polished and mature record, displaying the extensive musical talents that listeners have come to expect from the best progressive rock outfits. Spanning a wide variety of styles and influences, Gyrosophy is one of the most satisfying progressive rock albums in recent memory.

Often, many progressive bands are dreadfully serious, but Holy Lamb does add the occasional touch of humor in their music, which is a welcome addition. In fact, Gyrosophy opens with the curiously titled “PorkPower”, which even includes pig noises among the textured melodies. The swine theme is also reflected in the album’s cover art, which also features a pig in space (perhaps an indirect reference to the Muppet Show’s ‘Pigs in Space’ sketch).

The melodic aspect of Holy Lamb’s music appears on the song “To the Boy I Used to Be” – vocalist Červinskis provides a reflective performance, appropriate for this song about lost innocence. Guest artist Liene Sējāne gives the song an additional dimension with her flute performance.

Guitarist Ansis Markauss provides a solemn introduction on acoustic guitar on ‘Murderous Words’, which then turns into a harsher, edgier motif for this song about the biting criticisms we unleash on each other, particularly those closest to us.

‘Trouble Vision’, the longest song on the album (just over eight minutes), is a song about being unable to let go of hopeless endeavors, especially after much time and effort has been invested, is, like many songs on the album, full of tension and anxiety. Červinskis sings ‘screaming through the forests of anguish, in hope that you’ll hear my desperate voice’, bringing forth the torment in the lyrics.

Currently Gyrosophy is only available as an internet-only download, but there are plans to release a physical album at some point during 2016. The lyrics to all the songs can also be found at the group’s Bandcamp site.

Holy Lamb have released a satisfying and engaging album in Gyrosophy – with their decades of experience they have put together a finely crafted collection of songs, revealing not just their musical talent, but also songwriting creativity. The album holds its own with other recent progressive rock releases, and hopefully will help them reach a wider audience. Intricate, accomplished, but never plodding or dull, Gyrosophy is a significant achievement for these veterans.

For further information, please visit www.holylamb.lv
Gyrosophy - Holy Lamb

Gyrosophy

Holy Lamb
2016

Track listing:

  1. PorkPower
  2. To the Boy I Used to Be
  3. Murderous Words
  4. In the Safety of My Hilltop Empire
  5. Trouble Vision
  6. This Amazing Race
  7. Out of Place
  8. Down the Memory Hole

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Untapped potential for Latvia’s institutions of higher education

A meeting of the working group for diaspora policy issues took place in the Ministry of Foreign Affairs on 10 May. There, representatives of the diaspora, institutions and various organisations of Latvia discussed the question of attracting students from the diaspora to studies in the higher education institutions of Latvia, as well as the participation of the diaspora in the exchange programmes for elementary and secondary school students.

During the meeting, Pēteris Kārlis Elferts, Ambassador-at-Large for the Diaspora of the Ministry of Foreign Affairs, emphasised  “the large and yet untapped potential for attracting youth of the diaspora as students to study in the universities and technical schools of Latvia. This is an area of activity, he said, which needs more attention and where I would like to urge the educational institutions of Latvia to direct even more effort.” The Ambassador noted that such directions of work should be included in the remigration policy to strengthen the Latvian identity of the diaspora, its link to Latvia and to promote the return of young people to Latvia.

There are several institutions of higher education institutions working in this direction already. Representatives from the Stockholm School of Economics in Riga introduced the participants of the meeting to the Heritage Programme which offers studies in English, for a fee, in Latvia for either a semester or an entire academic year, thus enabling an increase in language fluency through performing research and getting on-the-job experience in Latvian companies parallel to regular studies.

Last year, during the West Coast Latvian Song Festival in San Jose, California, the University of Latvia had a stand with information on the study programmes at the university and significant interest was shown. Associate Professor Arvils Šalme, a representative of the University of Latvia Foundation (LU fonds), confirmed at the meeting that the University of Latvia is indeed increasingly trying to expand the possibilities for the diaspora. He noted that one should think about attracting young people from the diaspora not only to academic education, but also to extracurricular activities and studies as well as distance learning.

Ambassador Pēteris Kārlis Elferts reminded participants that young people with Latvian origins, when studying in Latvia, have the opportunity to use the advantages of their dual citizenship by studying here as a citizen of Latvia. In comparison to the costs of studies in America for example, they would be considerably lower in Latvia. Moreover, the study by the researcher Dr. Ieva Birka about Latvians from America and Canada confirms that the majority considering the possibility of moving to Latvia are in fact young people aged 18 to 25.

On the subject of involving students from elementary and secondary schools in the exchange programmes in Latvia, Kristaps Grasis, Chairman of the Executive Board of the European Latvian Association noted that diaspora families are demonstrating an interest in such opportunities and he emphasised that young people of the diaspora are an important target group. The possibilities of studying in a Latvian school would provide the opportunity to be in a Latvian environment, strengthening Latvian fluency and ties with Latvia, thus fostering the possibility for studying or working in Latvia in the future.

The international non-governmental organisation AFS Latvija informed participants about the inter-cultural student exchange programme for teenagers from 15 to 18, which offers, for a membership fee, the possibility for Latvian children to study at a school and live in a host family in another country, and for children from the diaspora to do the same in Latvia. The organisation demonstrated an interest in attracting children from the diaspora to this programme.

The working group meeting also discussed the proposal that such school exchange programmes could be oriented toward children from the diaspora and adjusted to their particular needs, and that such programmes could receive state support. In the meantime, organisations can be encouraged to address members of the diaspora as well as the residents of Latvia in the course of implementing the existing programmes.

The diaspora working group meeting was also attended by representatives from the World Union of Free Latvians, Ministry of Culture, Ministry of economics, Ministry of Education and Science, the Society Integration Foundation, the Latvian National Cultural Centre, Latvian Association of Local and Regional Governments, the National Centre for Education, and the international youth organisation – AIESEC.

Communications Directorate
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Tel.: (+371) 67016 272

Email: media@mfa.gov.lv