Spirit of Latgale captured by Maskačkys spieļmani on double album

Latgalian weddings are the stuff of legend. Normally lasting at least three days, if not longer, these celebrations in Latgale, in the eastern area of Latvia, are usually huge affairs, with guests numbering in the hundreds (Latgalians often have large extended families), and often raucous celebrations. This demands quite a bit of endurance from the bride and groom, guests, and, most of all, the musicians, who not only have to perform this entire time, but also have to have a large repertoire of songs (and, ideally, songs with many verses).

One such group who are known for their broad Latgalian repertoire and extensive experience performing at Latgalian weddings and other events are the Maskačkas spēlmaņi (Maskačkys spieļmani in the Latgalian dialect) who have been performing now for two decades, perfecting their craft at events all over Latvia.

Though currently residing in the ‘Maskačka’ (Moscow) region of Rīga, the group are originally from the Latgale area, and that is why such a large amount of their repertoire are songs from this region. The group has recorded multiple albums of songs and dances, including Ļipa kust (Latvian dances) in 2009, Pāri jumtam (instrumental dances) in 2003, and Zirnīšiem skaisti ziedi (folk songs) in 2001.

In 2015, the group released their latest album – Apleik kolnu, a two CD release collecting just about every popular folk song from Latgale. Striving for authenticity and thoroughness, this is one of the most comprehensive albums of songs from Latgale to have been released.

The group, led by Aņss Ataols Bērziņš (vocals, accordion), also includes Juoņs Barons (vocals, stabule and other instruments), Zane Kryumane (vocals), Oskars Pačanka (bass and contrabass), Pauļs Paulīns (zither and vocals), Juris Ukrins (violin) and Muora Vucyna-Bierzeņa (vocals).

To preserve authenticity, the group recorded just about every known verse for these folksongs. As a result, some of the songs run to more than ten minutes in lengths – for example “Apleik kolnu ar leikumu”, a song about a girl who, when walking with a potential suitor, makes a wide detour around the hill, so that nobody will see them (and start gossiping). The song runs a full 27 verses, telling a long story about the girl and her experiences (including getting shot at). Some listeners may find it taxing to listen to these long, occasionally repetitive songs, but other listeners may find it a rewarding, immersive experience.

Just about every popular Latgalian folksong is included here – “Auga, auga rūžeņa”, “Tuoli dzeivoj muna meiluo”, “Lobs bej puika”, “Zīdi, zīdi, rudzu vuorpa”, and “Nadūd, Dīvs, veitulam”, among many others. Still, with their many verses, even those that are well familiar with these songs will hear something new. And among the twenty-six songs on the collection, there are some songs that are heard less often, making for a balanced record of the familiar and the obscure.

Also, for the purposes of authenticity, the group was recorded as a whole (that is, instruments and vocals were not recorded separately). While this also makes for an authentic Latgalian experience, the drawback is that often the vocals get lost in the mix and are, at times, inarticulate.

The CD package contains the full lyrics to all the songs, as well as some notes on the album (which are entirely in the Latgalian dialect, which may not be easy for all readers to understand!), but the glued-in accordion style foldout booklet is a bit unwieldy to read.

Apleik kolnu is an exhaustive, and perhaps for some, an exhausting listen. It may, however, simulate the experience of being at a Latgalian wedding or other such celebratory event. Encapsulating the spirit of Latgale in each song, the Maskačkys spieļmani, through this two CD collection, offer a thorough and traditional musical journey through this unique and singular area of Latvia. With decades of practice playing these songs, Apleik kolnu is a tour de force of Latgalian folk songs, performed both traditionally and expertly, and is a standout collection.

For further information, please visit the Maskačkys spieļmani website.

Maskacykys spielmani - Apleik kolnu 001

Apleik kolnu

Masckačkys spieļmani
MS04, 2015

Track listing

CD1

  1. Eima, eima, muosenis
  2. Auga, auga rūžeņa
  3. Aiz azari maļni meži
  4. Tuoli dzeivoj muna meiluo
  5. Jau mani vad
  6. Tymseņš guoja
  7. Ai, gaļdeni
  8. Lobs bej puika
  9. Aiz azara boļti bārzi
  10. Kur gaismeņa zyla ausa
  11. Mīdzeņš īt
  12. Gaška, aj da sātai
  13. Apleik kolnu ar leikumu

CD2

  1. Zīdi, zīdi, rudzu vuorpa
  2. Treis vosoras saturieju
  3. Nadūd, Dīvs, veitulam
  4. Šudiņ mes dzaram
  5. Dzer, buoba, nabādoj
  6. Guoju pa mežu
  7. As beju mameņai
  8. Jau rudiņs tyvojās
  9. Pluovova laiveņa
  10. Oi, agri, agri
  11. Seņ jau, seņ jau
  12. Sveicynojam, vielejam
  13. Muzyka spieļoj

 

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

New five euro collector’s coin “Pieci kaķi” inspired by Latvian folk fable

The Bank of Latvia has released the latest silver five euro collector’s coin. Entitled “Pasaku monēta I – Pieci kaķi” (Fairly Tale Coin I – Five Cats), it is inspired by the Latvian folk fable where five cats have difficulty bringing home cut wood, but eventually, only after they all start working together, bring home wood, start a fire, make porridge then go to sleep, well fed and content.

There have been various versions of the tale, including Vilma Delle’s (1892 – 1980), published in 1920, as well as a version by Alberts Kronenbergs (1887 – 1958), published in 1949.

The proof quality coin, with a face value of 5 euro was designed by artist Anita Paegle, modelled by Jānis Strupulis, was minted by UAB Lietuvos monetų kalykla and has a mintage of 10,000.

The coin is the first in a planned series to celebrate the most meaningful and beloved Latvian folk tales.

For further information, please visit the Bank of Latvia website.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

BSO with Nelsons at helm releases Stostakovich’s Symphony No. 10

Latvian conductor Andris Nelsons, who became the Music Director of the Boston Symphony Orchestra in 2014 (his contract has been extended until 2022), has released his first recording with the orchestra entitled Shostakovich – Under Stalin’s Shadow – Symphony No. 10 on the Deutsche Grammophon label (DG 479 5059, 2015).

Nelsons, who has also conducted the City of Birmingham Symphony Orchestra, will also be the Gewandhauskapellmeister of the Gewandhausorchester Leipzig in 2017.

The CD contains live recordings of Russian composer Dmitri Shostakovich’s Passacaglia (from Lady Macbeth of Mtsensk) and Symphony No. 10 in E minor. The record is subtitled Under Stalin’s Shadow, as Shostakovich (1906 – 1975) was often in conflict with the Soviet dictator. Shostakovich fell out of favor with the dictator after Stalin himself attended a performance of Lady Macbeth of Mtsensk and openly expressed his displeasure. Shortly afterwards, the infamous Muddle not Music article denouncing the opera appeared in the Pravda newspaper (which, if not written by Stalin himself, was written with his active input) and the opera was banned and Shostakovich himself became persona non grata in the Soviet regime.

Symphony No. 10 was Shostakovich’s first symphony after the death of Stalin in 1953, and the harsh second movement has been interpreted as the composer’s own impression of Stalin, and the symphony overall has many themes of personal identity.

This release is meant to begin a series of Shostakovich releases by Nelsons and the BSO for Deutsche Grammophon – subsequent releases will feature symphonies No. 5, 8, and 9 (2016), as well as Symphonies No. 6 and 7 (2017).

For further information, please visit Andris Nelsons’ website and the Boston Symphony Orchestra website and the Deutsche Grammophon Andris Nelsons page.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.