Chamber orchestra Sinfonietta Rīga releases Vivaldi CD

Italian composer Antonio Vivaldi’s Le Quattro Stagioni (or The Four Seasons) is one of the most famous and popular works of the Baroque era, if not of all classical music. The four concertos, each signifying a season of the year, have now been recorded by the chamber orchestra Sinfonietta Rīga and have been released on the album Gadalaiki (Latvijas Koncerti, LK 026, 2016).

In addition to the Seasons concertos, the album also includes three of Vivaldi’s sonatas for violin, cello and harpsichord – the Sonatas in A major (RV 31), C major (RV 1) and C minor (RV 6). The works are performed by Vineta Sareika (violin), Guna Šnē (cello) and Estonian Reinuts Teps (harpsichord).

The CD booklet includes notes on Vivaldi – not just biographical information about the Venetian, but also information about his music’s place in history and how his music had been largely forgotten for years and was rediscovered by scholars in the 20th century. The notes also include commentaries on the works themselves, and also include Vivaldi’s original poetic notes on each of the movements.

Sinfonietta Rīga, led by conductor and artistic director Normunds Šnē, will be participating in many festivals in the summer of 2016, including the Pärnu Music Festival, the Cēsis Art Festival, and the Salacgrīva International Classical Music Festival.

For further information, please visit the Sinfonietta Rīga website and the Latvian Concert Agency website.

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Tribute to Vasks’ 70th birthday with release of 3 of his symphonic works

Latvian composer Pēteris Vasks, who celebrated his 70th birthday in 2016, has long been a significant voice in Latvian classical music, so much so that his music, be it choir songs, chamber music, or large scale orchestral works, resonates with listeners all over the world. From small miniatures to expansive symphonic tapestries, his music is imbued with emotions, at times a great sadness but also with hope.

In 2015, the German music label Wergo released a collection of Vasks’ symphonic works, including three of his most significant and notable pieces – Sala, Musica Appassionata and Credo, performed by the Liepāja Symphony Orchestra and conducted by Atvars Lakstīgala. These three works, in the hands of the musicians of Liepāja, make for a memorable journey in the musical journey through Vasks’ compositional world.

Vasks often has themes of nature and conservation in his works, and elements can be found in the work Sala (Island), a symphonic elegy for orchestra composed in 2006. The musical portrait of the island begins as a lonely journey, with calm, plaintive melodies expressed throughout various wind instruments, such as the English horn, then later taken over by flute and clarinet. The island itself is a place of calm reflection, but is also lonely and abandoned, and one gets the sense that the island is also a place of banishment. Vasks’ music, in the hands of the Liepāja Symphony Orchestra, paints a vivid and dynamic picture, transporting the listener to this imaginary place, full of beauty and solitude.

Musica appassionata per orchestra d’archi , composed in 2002, perhaps slightly unusually for Vasks, opens powerfully and dramatically, with a swell of strings. In many of Vasks’ compositions there often is a slow and gradual buildup of tension, and this work displays such an approach, a sense of growing unease as the melody begins its growing chromatic climb. The louder passages are balanced by quieter moments, but though the volume is lower the sense of anxiety remains palpable, particularly in the plucked strings. The orchestra maintains this dramatic intensity throughout the work, with the only real release at the very end, when a calmer melody prevails, and slowly fades out, punctuated by the rhythmic heartbeat of the double basses, giving the work a sense of mortality.

The spiritual and sacred are frequently the foundations of many of Vasks’ works, and this is particularly true in the final work on the album – Credo per orchestra, composed in 2009. Though instrumental, the work expresses a prayer-like affirmation of belief, particularly in the undulating strings throughout. Like many of Vasks’ works, it balances turbulence and harmony, and has a calm meditative nature. The entrance of the brass instruments gives the work a majestic flair, and then the work becomes meditative, with slow descending melodies in the wind instruments. As the orchestra fades out at the end, the sound of chimes brings the work to a peaceful and solemn conclusion.

According to the booklet notes (in both English and German), the multiple award winning Liepāja Symphony Orchestra is the oldest active orchestra in the Baltic States. The LSO often performs internationally, in many European countries as well as further afield in countries like Malaysia and India. Atvars Lakstīgala has been conductor since 2010, and has also conducted symphony orchestras, including the Lithuanian National Symphony Orchestra and the Rome Symphony Orchestra. The orchestra and conductor have also been actively recording, and have released many praised recordings, including Kurland Sounds (a collection of symphonic works by composers of the Kurzeme area) and Sound of Freedom (works by Imants Kalniņš).

The Wergo label also has a long history of working with Latvian musicians and presenting the best of Latvian compositions, particularly the music of Pēteris Vasks – including Viatore (symphonic works) and Gadalaiki (piano works performed by Vestards Šimkus). This CD is another memorable and significant entry in their catalogue.

Presenting three of Pēteris Vasks’ powerful symphonic works, this collection is a towering achievement, both by the composer and the Liepāja Symphony Orchestra and conductor Atvars Lakstīgala. It is a fitting tribute to the composer for his 70th birthday.

For further information, please visit the Liepāja Symphony Orchestra website and the Wergo website.

 

Sala, Musica Appassionata, Credo

Liepāja Symphony Orchestra, conductor Atvars Lakstīgala
Wergo, WER 7323 2, 2015

Track listing:

  1. Sala – symphonic elegy for orchestra
  2. Musica Appassionata per orchestra d’archi
  3. Credo per orchestra

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.

Skyforger reissues folk song album “Zobena dziesma”

Latvian pagan metal band has reissued their long out of print 2003 album Zobena dziesma (Thunderforge Records, TFR 003). In contrast to the heavy metal musical style on their other albums, Zobena dziesma is an album made up entirely of Latvian folk songs performed in a traditional manner.

The songs, mainly about war and Latvian mythology, also feature well known Latvian folk musicians, such as Kaspars Bārbals from the group Auļi on bagpipes.

The CD booklet contains all the lyrics, as well as English translations.

The album also includes two bonus tracks – “Pār kalniņu Ūsiņš jāj” and “Cekulaina zīle dzied”, both recorded in 2006.

In other Skyforger news, the band’s 2015 album Senprūsija was awarded the Latvian Gold Microphone award for being 2015’s best hard rock/heavy metal album.

The band will be performing at a number of European festivals in the summer of 2016, including Steelfest Open Air 2016 in Helsinki, Finland, the Under the Black Sun Festival 2016 in Bernau, Germany, and the Positivus Festival in Salacgrīva, Latvia.

For further information, please visit the Skyforger website.

 

Track listing:

  1. Sen dzirdēju, nu ieraugu
  2. Zobena dziesma
  3. Parkiuns vede vedeklenu
  4. Gatavs biju karavīrs
  5. Apkārt kalnu gāju
  6. Prūšu meita karā jāja
  7. Aiziedams pērkons grauda
  8. Sidrabiņa upe tek
  9. Migla, migla, rasa, rasa
  10. Zirgi zviedza
  11. Kur tu jāsi bāleliņi?
  12. Zviegtin’zviedza kara zirgi
  13. O kai saulutė tekėjo

Egils Kaljo is an American-born Latvian from the New York area . Kaljo began listening to Latvian music as soon as he was able to put a record on a record player, and still has old Bellacord 78 rpm records lying around somewhere.