Vilkači, who describe themselves a ‘folklore and ancient battle ensemble’, endeavor to perform Latvian folk songs in an authentic and traditional manner. For nearly 20 years, the group has not just sung folk songs, but have researched ancient Latvian traditions and trades. They also wear authentic period garb and even demonstrate battle techniques as part of their performances to provide further authenticity and realism.

Their most recent album, 2018’s Karavīru audzināj’, collects Latvian folk songs about war. With Latvia’s long history as a battleground for larger powers, there is an extensive collection of songs about being a soldier and going into battle, as well as songs about the heartbreak for the families of the fallen. The group, who often sing unaccompanied or with just percussion, evoke the spirit of the soldier throughout their interpretations.

The deliberate drumbeat of war punctuates the song ‘Padziedāsim, nu, bāliņi’, a song about preparation for war and the uncertainty of what lays ahead – how some will fight in battle while others lay in graves. Vilkači capture both the bravado and dread of soldiers prior to their departure.

The single voiced ģīga (or bowed zither) provides a somber background for the song ‘Pati māte savu dēlu’, an appropriate accompaniment for a song about a mother dressing her son for war. The soldier is also certain that he will not return, adding an element of resignation to this weighty song.

Though not specifically about war, ‘Elle, elle kunga rija’ is a song about the hardship and difficulty of working for the local lord, and about the oppressive heat of working all day in the lord’s barn. This torturous work could be considered a kind of preparation for the horrors and misery of war.

The rousing ‘Kur kungami tādi vīri’ praises the men that are setting out for war, with exaggerations of how the young men can move mountains with their chests and carry oaks in their arms, while the tragic ‘Bāriņam nav tēva’ is about the sad fate of an orphan in war, how he has no one to tell his sorrows to.

With their attention to detail and meticulous research, Vilkači ensure that their interpretations and performances of these folk songs about war and battle are not just authentic, but also respectful and reverential for the many soldiers and others who gave their lives in the many centuries of war that have plagued Latvia. The songs on Karavīru audzināj’,while often tragic and heartbreaking, are still full of warrior spirit, and are a tribute to Latvian soldiers throughout history.

For further information, please visit the Vilkači Facebook page.

Karavīru audzināj’

Vilkači

Lauska CD 084, 2018

Track listing:

1. Padziedāsim, nu, bāliņi
2. Pati māte savu dēlu
3. Es uzkāpu kalnā
4. Jātnieciņa dēliņš biju
5. Elle, elle kungu rija
6. Gatavs manis kara zirgis
7. Nu ar Dievu, zaļa zāle
8. Ūziņas
9. Kur kungami tādi vīri
10. Bāriņam nav tēva
11. Eita meitas ielaižati
12. Karā iešu es, māmiņ

The women’s a capella singing ensemble Latvian Voices has become one of Latvia’s best known musical exports – performing worldwide, and enrapturing audiences and listeners with their beautiful singing and soaring harmonies. The group, who will celebrate their 10^th anniversary in December 2019, also recently organized their own vocal festival in Valmiera, Latvia. Their most recent album (their seventh) – Sudrabs (or ‘Silver’) was released in 2018, and the singers on the album are Laura Jēkabsone, Laura Leontjeva, Zane Stafecka, Beāte Locika, Marta Lortkipanidze, Dita Belicka and Elīna Ose.

According to the group, the title Sudrabs was chosen because ‘Silver is a very versatile material … silver is often associated with human emotional and spiritual maturity’, which is appropriate, considering the maturity displayed throughout the album.

Latvian folk songs continue to be an essential element of the ensemble’s repertoire, and the selections on Sudrabs reconfirm their innate ability to interpret and perform these songs, even in markedly different styles than the originals. There is the exuberant energy of ‘Kad es gāju tauteņos’ and ‘Es par bēdu nebēdāju’, and the playfulness of ‘Aiz upītes es uzaugu’, with its jazzy interlude in the middle. The group also offer their version of one of the most beautiful folk songs from Latgale, ‘Kur gaismeņa zyla ause’, a song about a man courting a young girl, but her family is reluctant for her to leave the homestead, but she insists she is ready to go. Though a lovely interpretation, the group has inserted unrelated verses into the song, which slightly distract from the story.

Though not a folk song, ‘Piekūns skrien debesīs’, originally performed by the group Jauns mēness, receives a similarly reverent interpretation, bringing forth the mystical and spiritual aspects of this song, creating a kind of hypnotic meditation.

The group also continue to display their abilities to compose new music as well – Jēkabsone proves to be an accomplished songwriter with songs like ‘Sudraba mēness’, ‘August Clouds’ (lyrics by Jānis Strazdiņš), and ‘In Time of Silver Rain’ (lyrics by American poet Langston Hughes), with the vocal performances providing a memorable musical interpretation of this poem of rebirth.

Though their arrangements and performance of well known pop songs like Seal’s ‘Kiss from a Rose’ and Cyndi Lauper’s ‘True Colors’ are impeccable, one does get a feeling that perhaps a capella versions of these once ubiquitous songs might not have been necessary. Still, that is balanced out with their achingly beautiful arrangement of Coldplay’s ‘Fix You’, which even enhances the original – no mean feat, considering how big a hit the song was for the band. The melancholy, though hopeful song, reaches an emotional climax with the voices reproducing the fifths of the guitar solo in the original, and, with just their voices, create a moving version of this cathartic song.

Combining their mastery of singing with both popular songs and Latvian folk songs, Sudrabs is a remarkable achievement. With their soaring voices, engrossing arrangements, and singular talent, the women of Latvian Voices confidently show their ability and skill over a variety of styles and genres, making for a transcendent and emotionally rich listen.

For further information, please visit the Latvian Voices website.

Sudrabs

Latvian Voices

2018

Track listing

1. MLK
2. Keidas
3. Kad es guoju tauteņos
4. Es par bēdu nebēdāju
5. Aiz upītes es uzaugu
6. Kur gaismeņa zyla ause
7. Piekūns skrien debesīs
8. Sudraba mēness
9. August Clouds
10. Kiss from a Rose
11. In Time of Silver Rain
12. True Colors
13. Life is a Game
14. Fix You

Latvian percussionist Nils Īle has, for decades, been working with and investigating world drumming techniques and sounds. He has traveled all over world, from Africa to Asia and throughout Europe, gathering knowledge and musical experience. He also has founded a drumming studio, which is, according to his website, a “place where both seasoned musicians and the musically curious can come to learn about rhythmic composition”.

That creative atmosphere at Īle’s studio led to the foundation of the ensemble Afroambient in 2001, considered to be the first such ethno-percussion ensemble in Latvia. Over time, the ensemble evolved, and adopted a new name – Kanisaifa – a name that Īle says came to him in a dream. The group released their first album – Atdzīvinot vēju (Or ‘Reviving the Wind’) in 2018. The album mixes percussion together with Latvian folk songs and world music elements.

Much of the album has an atmospheric and dreamy quality to it, such as in the introductory track, appropriately called ‘Sākums’ (or ‘Beginning’), an instrumental work that combines percussion, stringed instruments, sound effects and a wordless vocalization. Using various instruments and sounds, over the course of the track’s eleven minutes, the ensemble creates a multi-layered musical painting.

The mystical ‘Melni vērši’ is based on a Latvian folk song, and Kanisaifa’s performance of this song is particularly memorable, as their percussion-heavy interpretation brings out the otherworldly elements of this song about what appear to be black bulls swimming in the water, but are actually horses with silver bridles.

There are quite a few Middle Eastern elements throughout the album, such as on the hypnotic ‘Vilku deja’ and the passionate ‘Ja dust’. Both songs feature guest musician and vocalist Hamidreza Rahbaralam from Iran, who some will know from his work with the instrumental ensemble Dagamba. Rahbaralam’s vocals and percussion add an additional dimension to these songs, enhancing the world music elements even further.

The record concludes with the – as the group call it – ‘intuitive improvisation’ ‘Atdzīvinot vēju’. As it is an improvisation, the work has a formless, meandering quality to it, but, at almost eighteen minutes in length, some listeners may find it a bit hard to follow. Particularly the last five minutes, which are almost entirely just the sounds of a vargan (or Jew’s harp), a single pitched instrument. Though this gives this performance an ethereal quality, it goes on a bit longer than might be necessary.

Nils Īle and the members of Kanisaifa have brought together not just their musical talents, but a wide variety of percussive instruments (more than a dozen different percussive instruments are listed in the credits) to create a broad sonic palette that is woven throughout Atdzīvinot vēju. Though there is an abundance of percussion, the performances are never noisy or overpowering – quite the opposite, using these drums and other instruments, the group has put together a meditative, melodious and immersive record.

For further information, please visit the Kanisaifa website and the Nils Īle Studio website.

Atdzīvinot vēju

Kanisaifa

NABA Music / Melo Records, 2018

Track listing

1. Sākums
2. Melni vērši
3. Vilku deja
4. Kalnos jau snieg
5. Piesaukšana
6. Sabāra
7. Senegāla
8. Princes ar pērtiķi
9. Ja dust
10. Atdzīvinot vēju