Thank you, Elizabete. I certainly don’t have the genetic background to have made that comment, but I second the thought. :-)
I was never under the impression that Vasks has succeeded through dint of Latvian support alone. As unified as the Latvian community may be around the world, his success has been far greater than that and has certainly reached far outside that community.
I do have to ask, because I’ve heard comments like this before. What is it about the Latvian communities outside of Latvia that make them so doubtful/so unaware of the international recognied “quality” of Latvian artists? or maybe it’s the suggestion that these communities are somehow giving international credence to these artists that they couldn’t otherwise earn? Vasks, Rigas Jaunais Teatris, and others have international creds unrelated to this kind of support. I’m not sure exactly why it feels like Ambersun is suggesting that Vasks succeeded in his California premier solely because the local Latvian community rallied to his support.
